Full screenplay script transcript for Seinfeld S06E15: The Beard
17 Scenes330 Lines
Scene 1
Opening Scene
49 lines
Jerry
Look at you. Why don't you use a fork? You're no good with the sticks.
Elaine
I know. I need a lesson.
Jerry
You stink. You know you stink. What is this?
Elaine
Oh. My ballet tickets.
Jerry
Oh. Your ballet tickets.
Elaine
Hey, have you ever been to the ballet?
Jerry
No, but I've seen people on tiptoes.
Elaine
You know, I'm going as a beard.
Jerry
A beard?
Elaine
Yeah. This friend of a friend knows this banker guy, he's, I don't know, 30 years, unbelievably gorgeous, of course he's gay.
Jerry
Yes.
Elaine
So anyway his boss has a box at the Met and he invited us to see Swan Lake, which is fine, but he's afraid that his boss can't handle his orientation, so I'm going along as his date.
Jerry
Why are you doing this?
Elaine
Swan Lake, at the Met.
(Kramer enters.)
Kramer
Oh, Chinese food. I knew I smelled something.
Elaine
Hey, is George still wearing that toupee?
Jerry
Yeah.
Elaine
Doesn't he know how ridiculous he looks in that thing?
Kramer
I think he looks fantastic.
Elaine
Oh, come on.
Kramer
No, I never realized what an attractive man he is.
Is that so? Or could it be that you're just a *little* bit worried that you may have missed the boat?
Elaine
Well I think they might have sutured that thing to your brain.
George
Ha ha ha ha, oh all right, go ahead, deride, deride if you must. But let me tell you something, with my personality and this set of hair, you know what I am now? I am in the game. I no longer defer to the coifed. I'm a player.
Kramer
You know I just thought of something. I know this gorgeous woman, she called me up this morning, she's moving into the city, and she asked me if I know of anyone she could meet. Now you can go out with her.
Jerry
Well what about me?
Kramer
No I think he's got you beat buddy.
George
So she's gorgeous.
Kramer
Oh yeah, last time I saw her she was, five years ago.
George
Well have you got a picture?
Kramer
No.
George
Well, I have to see her.
Kramer
Hey, I know what we can do. I've got a friend who works over at the police station. He's a composite artist.
George
Really?
Kramer
Yeah, yeah, maybe I can get him to draw a picture of her for you.
George
Oh I would love that. You think he'd really do it?
Kramer
Yeah, yeah. I think he will.
Jerry
It sounds like an excellent idea.
Kramer
Hey Jerry, you want this, cause I'm going to give it to a homeless person.
(Jerry, George, and Kramer walking down the street.)
George
Well I'm very excited about this. I've always wanted to see how those sketch artists do it.
Kramer
Here you go brother. Some food for you.
Homeless Man
Thank you. You're a good man. Bless you.
Kramer
Now are you going to be here in an hour?
Homeless Man
Where am I going?
Scene 2
At the Police Station.
23 lines
Kramer
Oh that's good, that's good. Make the eyes, uh, what's that nut?
Lou
Almond?
Kramer
Almond. Yeah. Make the lips fuller. Poutier.
George
Pouty? I like that.
Jerry
You can't go wrong with pouty.
George
I'm excited about the pouty.
Lou
All right I think that about does it.
Kramer
All right George, come on, take a look.
George
Oh yeah, you were right. She's gorgeous.
Jerry
Hey, Lou, who's that woman over there?
Lou
Oh, that's Sergeant Tierney. Nice officer. You want to meet her?
(Walking down the street.)
George
Well this worked out okay. So are you going to see the police woman?
Jerry
Yeah, I think I will. I like the idea of having the law on my side.
Kramer
Hey, man. Enjoy the food?
Homeless Man
Yes I did. Where did the Chinese learn to cook like that?
Kramer
Oh, listen, I'll take that Tupperware now.
Homeless Man
I don't think so.
Kramer
Woah, woah, that's mine.
Homeless Man
You gave it to me.
Kramer
No, no, I didn't say you could keep it. You see I don't give away tupperware.
Homeless Man
You should have said something.
Kramer
I didn't think I had to. Look with a piece of Tupperware you just assume.
Scene 3
At the Ballet.
12 lines
Robert
I've really got to thank you for this.
Elaine
Well by now, you think people would be a little more open minded.
Robert
Really. Would you excuse me? I have to run to the bathroom.
Boss' Wife
So, um, you and Robert.
Elaine
Yes indeed.
Boss
I'm surprised.
Elaine
Really. Why?
Boss
No reason.
Elaine
Well believe me this didn't happen overnight. Robert's not exactly a *one* *woman* *man*, if you know what I mean. No sirree Bob. Sure, I mean in a lot of ways, he's a typical guy, he likes his sports, but he counters that side with the side you see here tonight at the ballet, or the pleasure he gets in watching Ms. Liza Minelli belt out a few choice numbers. It's those two halves of his personality that just come together to make him the very special guy that he is.
(Robert comes back.)
Elaine
Oh, hi honey.
(Elaine grabs Robert and kisses him.)
Scene 4
At Monk's.
31 lines
Elaine
Oh it was such a great night.
Jerry
And did they suspect anything?
Elaine
No, I was a fantastic beard. I held hands, I called him honey.
Jerry
And we discover yet another talent. Posing as a girlfriend for homosexuals.
Elaine
Oh it was such a great night. Oh.
Jerry
You said that already.
Elaine
Oh I did?
Jerry
Yeah.
Elaine
Oh.
Jerry
Oh no. Don't tell me. You like him?
Elaine
He's incredible.
Jerry
Yeah, but?
Elaine
Yeah, I know.
Jerry
So?
Elaine
What?
Jerry
Not conversion. You're thinking conversion?
Elaine
Well it did occur to me.
Jerry
You think you can get him to just change teams? He's not going to suddenly switch sides. Forget about it.
Elaine
Why? Is it irrevocable?
Jerry
Because when you join that team it's not a whim. He likes his team. He's set with that team.
Elaine
We've got a good team.
Jerry
Yeah, we do. We do have a good team.
Elaine
Why can't he play for us?
Jerry
They're only comfortable with *their* equipment.
Elaine
We just got along *so* great.
Jerry
Of course you did. Everyone gets along great when there's no possibility of sex.
Elaine
No, no, no, I sensed something. I did sense something. I perceived a possibility Jerry.
Jerry
You realize you're venturing into uncharted waters.
Elaine
I realize that.
Jerry
Are you that desperate?
Elaine
Yes I am.
Scene 5
At Jerry's Apartment. He Is on the Phone.
44 lines
Jerry
So are you going to bring your gun?... All right, then it's settled. First date, no weapons... All right I'll see you then... Okay, bye.
(Kramer enters. He goes into the kitchen and starts searching.)
Jerry
What are you looking for?
Kramer
Tupperware.
Jerry
Sorry. I don't have any tupperware.
Kramer
I knew this was going to happen. I just made a delicious casserole, but now it won't keep because I have no Tupperware.
Jerry
What about a plastic bag?
Kramer
You must be kidding.
Jerry
What is the difference?
Kramer
The patented burp, Jerry. It locks in freshness.
(George enters.)
George
So I spoke a little to your little friend Denise last night.
Kramer
Oh yeah, you talked to her.
George
Yeah for two hours. She's nuts about you.
Kramer
Yeah well we go way back.
George
Why didn't anything happen between you two?
Kramer
Who's to say it didn't?
Jerry
So did you describe yourself to her over the phone?
George
Yes I did.
Jerry
What did you say to her?
George
What do you think I said?
Jerry
I don't know.
George
I told her the truth.
Jerry
As you see it?
George
Yes, as I see it.
Jerry
Did you tell her about, uh, your little hat there?
George
What hat?
Jerry
You know, you're little hair hat there.
George
No.
Jerry
Don't you think she could tell?
Kramer
No, no, no she can't tell. It's a perfect match. Beautiful job.
Jerry
Are you kidding? I could spot that bird's nest two blocks away.
George
You only think that because you know me.
Jerry
Have you noticed people staring at your head?
George
I noticed people staring at my head because they like what they see.
Jerry
Well I think you should either take it off or tell her about it.
Kramer
No he's not going to take it off. If he was going to go over there bald, I never would have introduced him.
George
Look, I guarantee she won't know.
Kramer
Yeah that's it. All right, I'm going to go down to the precinct. I'm going to have lunch with Lou.
Jerry
Oh, I'll split a cab with you.
(Walking down the street.)
Kramer
Hey I'm really sorry about the other day. Really sorry.
(Kramer drops something into the man's cup.)
Homeless Man
Hey that's my coffee!
Scene 6
At the Police Station
4 lines
Jerry
Hi Sarge.
Tierney
Hi, I'm sorry I'm late. Some of our lineup decoys didn't show. Hey any of you guys want to be in the lineup? Make a quick 50 bucks?
Kramer
Sure. I will.
Tierney
Perfect. Just go over there with officer Lampert.
Scene 7
In the Lineup Room.
7 lines
(6 men stand there, one of which is Kramer.)
Speaker
All of you, turn to the left.
(Everyone turns left. Kramer turns right.)
Speaker
The left.
(Kramer turns left.)
Speaker
Now turn to the right.
(Kramer turns to the right doing a "hokey pokey" dance.)
Scene 8
At Monk's.
8 lines
George
(thinking to himself) Oh my god, there she is. That's the face, just like the picture.
Denise
George?
George
Yeah. Hi. It's great to meet you.
Denise
Likewise. Have you been waiting long?
George
No, no. I just got here. A few minutes ago.
Denise
Good, good.
George
Well why don't you take off your hat and stay awhile.
(Camera is on George. Denise takes off her hat. The camera is still on George. His expression changes to surprise.)
Scene 9
At the Police Station.
12 lines
Jerry
What's that?
Tierney
A polygraph. It's what you civilians call a lie detector test.
Jerry
Oh. Let me ask you, when someone is lying, is it true that their pants are actually on fire?
Tierney
If I could tell you the famous faces that have been up here. A certain cast member of Melrose Place.
Jerry
Really.
Tierney
Have you ever seen the show?
Jerry
No.
Tierney
You can admit it Jerry. It's okay.
Jerry
I admit it. I don't watch it.
Tierney
Hey Lou, maybe we should put him on the poly.
Jerry
The poly?
Tierney
Yeah. I think you've seen it.
Scene 10
Jerry's Apartment.
61 lines
Elaine
Melrose Place?
Jerry
Yes. Melrose Place.
Elaine
I just didn't know you watched that.
Jerry
Well I do.
Elaine
I mean every time I mention it you never say anything or join in the conversation.
Jerry
Well maybe I was a little embarrassed.
Elaine
You mean this whole time we could have been discussing Sydney and Michael and Jane...
Jerry
And Billy and Jake and Allison, yes we could have discussed it.
Elaine
Why? Why were you so embarrassed?
Jerry
The point is I'm going to be taking this lie detector test and that needle's going to be going wild.
Elaine
That is *so* stupid. Why don't you just confess?
Jerry
It's too stupid to confess. Look at what I'm confessing to.
Elaine
So what are you going to do?
Jerry
I don't know. Maybe I can beat the machine.
Elaine
Oh, who do you think you are? Castanza?
Jerry
Hey you know what? I have access to one of the most deceitful, duplicitous, deceptive minds of our time. Who better to advise me?
(Elaine takes a drink of something.)
Elaine
Oh god this tastes terrible.
Jerry
Did you shake it up?
Elaine
No.
Jerry
You gotta shake it up.
Elaine
No. I'm sick of shaking. You've got to shake everything.
(Jerry picks up the bottle and shakes it gently.)
Jerry
Yeah, that's a real nuisance. This is killing me.
Elaine
So, I'm going out tonight with Robert and the boss and his wife.
Jerry
So tonight are you going to make the move?
Elaine
Yeah, I think I might.
(George enters)
Jerry
Hey there he is. So what happened? Could she detect it?
George
That's an interesting question.
Jerry
How so?
George
How so? I'll tell you how so. She's bald!
Elaine
What do you mean bald?
George
What do you think I mean bald? Bald. Bald bald.
Jerry
She's bald?
George
She's bald.
Elaine
Oh come on.
George
Oh come on? No come on. She took off her hat and there she was (waving his hand over his head) hello. It was like I was looking at myself in the mirror.
Elaine
Well maybe she got a haircut or something.
George
Let me tell you something. No one walks into a beauty parlor and says "Give me the Larry Fine."
Jerry
Women go bald?
Elaine
Yeah, I've heard of that. I mean they usually wear a wig.
(Kramer enters)
Jerry
Hey.
Kramer
Hey.
George
You fixed me up with a bald woman.
(Kramer flinches)
Kramer
Bald?
George
Yeah, that's right.
Elaine
Do you see the irony here? You're rejecting somebody because they're bald.
George
So?
Elaine
(puts her hands up to her mouth) You're bald!
George
No I'm not. I *was* bald.
(Elaine grabs at the toupee, George dodges the grab.)
George
Elaine.
(Elaine grabs again and misses. George turns around and opens the door trying to get out. Elaine grabs the toupee and runs to the window.)
George
No, no, no Elaine.
Elaine
(shouting) I don't like this thing. And here's what I'm doing with it.
(She tosses the toupee out the window)
George
Nooooo.
(He runs to the window, and the blind comes down on his head.)
Scene 11
Outside.
1 lines
(The homeless man is walking down the street and sees the toupee. He puts it on.)
Scene 12
At Elaine's Apartment
14 lines
Robert
Hahaha, why'd you start that fight with me?
Elaine
Well I figured that's what couples do.
Robert
You almost convinced me we were a couple.
Elaine
Well it was easy. Really.
Robert
Well good night, I'll call you tomorrow.
Elaine
Oh, uh, wait a second. Would you like to come, upstairs?
Robert
Upstairs?
Elaine
Yeah. Upstairs?
Robert
Elaine...
Elaine
I was hoping you know, that you might be interested in... changing teams?
Robert
Changing teams?
Elaine
Have you ever thought about it?
Robert
But I'm a starting shortstop.
Elaine
Robert, we need a shortstop. *Real bad*.
Scene 13
At Monk's.
21 lines
George
I tell you, when she threw that toupee out the window, it was the best thing that ever happened to me. I feel like my old self again. Totally inadequate, completely insecure, paranoid, neurotic, it's a pleasure.
Jerry
Good to have you back.
George
And you know what else I've decided to do? I'm going to keep seeing the bald woman.
Jerry
She's as good as anybody else.
George
Her scalp was clean. She had a nice skull. There just wasn't a lot of hair on it.
Jerry
Yeah you've had like a religious awakening. You're like a bald-again.
George
Going to need a little more coffee here.
Jerry
So George, how do I beat this lie detector?
George
I'm sorry, Jerry I can't help you.
Jerry
Come on, you've got the gift. You're the only one that can help me.
George
Jerry, I can't. It's like saying to Pavorotti, "Teach me to sing like you."
Jerry
All right, well I've got to go take this test. I can't believe I'm doing this.
George
Jerry, just remember. It's not a lie... if you believe it.
OUTSIDE ON THE STREET. JERRY AND ELAINE WALKING TOWARD EACH OTHER.
Elaine
Hey, I did it.
Jerry
What?
Elaine
I turned him. He defected.
Jerry
Get out! (pushes Elaine) How? How did you do that?
Elaine
Because I'm a *woman*. (swiveling her hips) Ba-ba-ba-boom-chicka-boom-chicka-boom-boom- boom.
Jerry
Elaine, do you know what you've done? You've give hope to every woman who's ever said "Too bad he's gay".
Elaine
Well it's a lesson for the kids out there. Anything's possible. Jeromy, I have *hit* the jackpot. The perfect man. Nothing but sex and shopping.
Scene 14
At the Police Station.
1 lines
(Kramer is in the lineup again. He and five other people walk into the room. They stand there for a few moments. Kramer points with his eyes to the man on his left. He then tilts his head a few times to the man on his left.)
Scene 15
Elsewhere at the Police Station.
16 lines
(Jerry is hooked up to the polygraph.)
Lou
What's your name?
Jerry
Jerry Seinfeld.
Lou
What is your address?
Jerry
129 West 81st street.
Lou
Did Kimberly steal Jo's baby?
Jerry
I don't know.
(Camera shot on the polygraph. The pen moves back and forth on the paper.)
Lou
Did Billy sleep with Allison's best friend?
Jerry
I don't know.
(Camera shot on the polygraph. The pen moves back and forth on the paper. Lou and Sergeant Tierney look at each other.)
Lou
Did Jane's finance kidnap Sydney and take her to Las Vegas? And if so, did she enjoy it?
Jerry
I don't know.
Lou
Did Jane sleep with Michael again?
Jerry
(He hesitates) Yes! That stupid idiot. He left her for Kimberly, he slept with her sister. He tricked her into giving him half her business, and then she goes ahead and sleeps with him again. I mean she's crazy. How could she do something like that? Oh that Jane, she makes me so mad.
(He picks up his coat and leaves.)
Scene 16
Jerry's Apartment.
21 lines
Jerry
He went back? What do you mean he went back?
Elaine
He went back.
Jerry
I don't understand it. You were having such a great time, the sex, the shopping.
Elaine
Well here's the thing. Being a woman, I only really have access to the, uh... equipment, what, thirty, forty-five minutes a week. And that's on a good week. How can I be expected to have the same expertise as people who *own* this equipment, and have access to it twenty-four hours a day, their entire lives.
Jerry
You can't. That's why they lose very few players.
Elaine
Yeah, I guess I never really stood a chance.
Jerry
Well there's always a place for you, on our team.
Elaine
Yeah. (teary-eyed) Thanks. Is Melrose Place on?
Jerry
Yeah. It's coming on in a few minutes.
Elaine
Okay.
(George enters.)
Jerry
Hey. Don't worry it hasn't started.
Elaine
Hey George, I am *really* proud of you. I really do admire what you've done.
George
Do you? That makes me so happy. Elaine's proud of me Jerry.
Elaine
What is the matter?
George
I got rejected by a bald woman. A bald woman rejected me. Heh, you like that one? A woman with no prospects and no *hair*, told me that I wasn't her type. Apparently *baldy* likes a slimmer guy.
Kramer
Well I'll tell you what I think. I think she saw you with that piece off and was devastated. You blew it boy. You really blew it. And you had to ruin it for him. Didn't you?
Elaine
I didn't ruin anything. He looked like an idiot. He did, and it made him act like a jerk.
Jerry
All right, shut up, shut up, Melrose Place is coming on.
(Theme song of Melrose Place plays on the TV.)
Jerry
Oh that Michael, I hate him, he's just so smug.
Scene 17
At the Police Station. Kramer Is in the Lineup.
5 lines
Kramer
Hey, how you doing Stu? Eddie, my man. You again? Boy, you're a slippery one. You'd better straighten up and fly right buddy boy.
Man
I've got an eyewitness to that jewelry store break-in. Come here. Do you recognize anybody in the lineup?
Homeless Man
That's the guy officer. The guy there in the middle. The tall guy with the, with the high hair. I'd recognize him anywhere.