Full screenplay script transcript for Seinfeld S03E01: The Note
7 Scenes377 Lines
Scene 1
Opening Scene
1 lines
Jerry
Every-Every time somebody recommends a doctor, he's always the best. "Oh, is he good?" "Oh, he's the best. This guy's the best." They can't all be the best. There can't be this many bests. Someone's graduating at the bottom of these classes, where are these doctors? Is somewhere, someone saying to their friend, "You should see my doctor, he's the worst. Oh yeah, he's the worst, he's the absolute worst there is. Whatever you've got, it'll be worse after you see him. No, he's just, he's a butcher. The man's a butcher." And then there's always that, "Make sure that you tell him that, you know, you know me." Why? What's the difference? He's a doctor. What is it, "Oh, you know Bob! Okay, I'll give you the real medicine. And everybody else, I'm giving Tic-Tacs."
Scene 2
Daytime - Exterior of a building then inside to a Massage Room
70 lines
(Jerry is getting a massage.)
Julianna
...And usually for lunch I'll have a salad, and for dinner, I eat whatever I want.
Jerry
What do you think the worst part of being blind is?
Julianna
Excuse me?
Jerry
You know, if you were blind, what do you think the worst part of it would be?
Julianna
I don't know.
Jerry
I think it would be not being able to tell if there was bugs in my food. How could you ever enjoy a meal like that? I'd constantly be feeling around with my lips and my tongue.
Julianna
Well that's how my five-year old eats. He's a very picky eater.
Jerry
You hear about that kid that was kidnapped the other day in Pennsylvania?
Julianna
No.
Jerry
He was at a carnival with his mother. She goes to get a hot dog, next thing you know she turns around, boom, he's gone.
Julianna
Oh.
Jerry
Imagine how sick a person has to be to do something like that. (she starts the quick hand chops on his back) And these people are all over the place. You never know who's crazy, I could be one of these people.
Julianna (visibly Uncomfortable)
Have you seen any good movies?
Jerry
Who takes care of your boy during the day?
Julianna
We have a woman. Why?
Jerry
No no. I'm just saying.
Julianna
She had references.
Jerry
Oh I'm sure she did, I'm sure they're impeccable. I'm talking about the ones that forge `em.
(Julianna pauses to think about what Jerry is saying)
Jerry
(about the massage)You know I think this is really helping.
Julianna
I don't live near here, ya know!
(Jerry raises his head up and looks confused.)
[Jerry, Elaine and George are in Jerry's apartment. George is looking through the fridge.]
Jerry
So she's giving me the massage and I'm just making conversation.
Elaine
I don't like to talk during a massage.
Jerry
Neither do I, but I do it for them. I figure they're bored.
George
Yeah, I do that too. I feel guilty about getting the pleasure. I feel like I don't deserve it so I talk. It stops me from enjoying it. There's nothing to eat in here.
Elaine
Oh! I forgot to tell you--
Jerry
I'm in the middle of a story.
Elaine
Oh, okay, go ahead.
George
Why don't you ever go shopping?
Jerry
Well it's not like it's a really funny story or anything.
Elaine
What happened?
Jerry
Well so she mentioned that she had a son, and then for some reason, I launch into the story about the kid from Pennsylvania who was abducted.
Elaine
Oh, wasn't that terrible?
Jerry
Yes, it was.
George
Not even an apple.
Elaine
She doesn't want to hear that, that was stupid.
Jerry
I know it was stupid.
Elaine
Really stupid. (she takes a big sip from her bottled water.)
Jerry
Hey, I just said it was stupid.
George
What about this leftover Chinese food?
Jerry
Take it.
Elaine
I can't believe you said that.
Jerry
Hey, would you stop it already?
Elaine
So, what'd she say?
Jerry
I don't know, she actually seemed to get a little paranoid.
George
(he just took a bite of the Chinese food ) This is terrible. What is this, ginger? I hate ginger. I can't understand how anyone can eat ginger. (puts the container back in the refrigerator.)
Elaine
I have a good masseuse you could go to.
Jerry
Nah, she's really good and she's not just a masseuse, she's a physical therapist. There's a big difference. She uses the ultrasound, it's a real medical procedure. In fact, if you get a doctor's note, it's covered by insurance.
(George closes the fridge door and pauses for a second contemplating what he just heard.)
George
Physical therapy is covered by insurance?
Jerry
Yeah.
George
You don't have to pay for the massage?
Jerry
Not if you have a doctor's note.
Elaine
So where do you get this note?
Jerry
Well I've never actually done it but if I really wanted to I could probably get one from my friend Roy, the dentist.
George
Right, your friend Roy.
Elaine
What's the name of this physical therapist?
Jerry
I'll tell you, but don't ask her anything about her kid, she a little off.
George
And you don't have to pay.
(George and Elaine give each other a "sounds good" look)
[George and Elaine are at the physical therapist's office.]
George
We have a, three-o'clock appointments.
Receptionist
George and Elaine, right?
Elaine
Right.
Receptionist
Could you fill these out for me please? And um, Elaine, you'll be seeing Julianna…
Elaine
(quietly) Ok.
Receptionist
… And George, you'll be with Raymond.
Scene 3
Scene 3
70 lines
(George was just about seated when he hears the news, pauses for a second, then stands.)
George
Excuse me, did you say 'Raymond'?
Receptionist
Yes.
George
But, uh, Raymond is a man.
Receptionist
That's right.
(George sits down slowly, letting this sink in.)
George
I can't get a massage from a man.
Elaine
Why not?
George
What, are you crazy? I can't have a man touching me. Switch with me.
Elaine
No, I don't want the man either.
George
What's the difference, you're a woman. They're supposed to be touching you.
Elaine
He'd just be touching your back.
George
He'd just be touching your back too.
Elaine
No, it could get sexual.
George
I know. That's the point. If it's gonna get sexual, it should get sexual with you.
Elaine
I wouldn't be comfortable.
George
I would? What if something happens?
Elaine
What could happen?
George
What if it felt good?
Elaine
It's supposed to feel good.
George
I don't want it to feel good.
Elaine
Then why get the massage?
George
Exactly!
(They go back to filing out the forms. A man walks up dressed in white.)
Raymond
George?
(George looks up, in stages, each time a little higher until he is looking up at Raymond's face and pauses)
George
Yes?
Raymond
I'm Raymond. (with a big smile)
George
Hello.(with not a big smile)
Raymond
Are you ready? (smiling, he looks at Elaine. She smiles back at him while looking all the way up there at the tall, handsome Raymond.)
(George gets up cautiously and walks with Raymond. Raymond puts his hand on George's back for a second then removes it. George looks back at Elaine -- she continues to have a huge smile on as she watches them walk down the hallway)
[A shirtless George is on the table getting a massage from Raymond. George appears extremely uncomfortable.]
Raymond
…And then Julianna asked me if I wanted to join her here in the office.
George
Really.
Raymond
Use to be a flight attendant.
George
Oh boy.
Raymond
Ya know, why don't ya, open those pants, it's gonna be a lot easier that way.
(George looks back up at Raymond, who is massaging his left hand with his right hand while waiting for George. George loosens his pants, Raymond grabs them and yanks then down to his hips. George appears completely startled. Raymond then starts massaging his lower back.)
Raymond
So what do you do?
George
What?
Raymond
I said, 'What do you do?'.
George
I-I don't know.
Raymond
You don't know what you do?
George
Nah.
Raymond
Ohh-ho, come on. Hey, you're very tense.
George
hu, Coffee. Too much coffee (nervous laughter).
Raymond
Okay, just take off those pants now, and I'll work the hamstring.
George
Oh, the hamstring's fine.
Raymond
But you wrote that it was tender. (holding the clip board)
George
I wrote. Pfft, *I* wrote.
Raymond
I'll check it out. (makes a notation on the form)
George
Are you sure?
Raymond
Yeah, take 'em off. (continues writing)
(George gets up to remove his pants, he looks over and sees Raymond rubbing his hands with oil. Raymond has a big smile on his face. Nervous, George takes his pants off, pauses for a second while holding the crumpled pants, he tosses them to the floor. Now dressed in just his boxer shorts and socks he quickly climbs back on the table. As soon as Raymond touches his leg, George becomes rigid with discomfort.)
Raymond
How did you hurt this?
George
I don't know.
Raymond
You don't know?
George
No.
Raymond
But you just told me--
George
Korea.
Raymond
You hurt it in Korea?
George
What?
Raymond
The hamstring.
George
Korea.
Raymond
How?
George
Hamstring.
Raymond
How did you hurt the hamstring?
George
Hotel.
[Elaine is in the waiting room -- moving her head and neck around she breathes in through her teeth, a sigh of relief. George walks out very slowly, he appears positively shell-shocked.]
Elaine
How'd it go? George?
Scene 4
Scene 4
70 lines
(George walks right out the door, ignoring Elaine.)
[Jerry's apartment, Jerry is on the phone.]
Jerry
No appointments at all? Because my neck is still tight. What about Thursday? And Friday? Oh boy. Okay, thanks anyway.
(George enters acting nervous.)
Jerry
What's with you?
George
A... ah...
Jerry
Yes, A...?
George
A man gave me...
Jerry
Yes, a man gave you...?
George
A man gave me... a massage. hu, hu…
Jerry
So?
George
So he... had his hands and, uh, he was uh…
Jerry
He was what?!
George
He-he was uh… touching and rubbing. (nervous laugh)
Jerry
That's a massage.
George
And then I took my pants off.
Jerry
You took your pants off?
George
For my hamstring.
Jerry
Oh.
George
He got about uh, two inches from... there.
Jerry
Really?
George
I think it moved.
Jerry
Moved?
George
It may have moved, I don't know.
Jerry
I'm sure it didn't move.
George
It moved! It was imperceptible but I-I felt it.
Jerry
Maybe it just wanted to change positions? You know, shift to the other side.
George
No, no. It wasn't a shift, I've shifted, this was a move.
Jerry
Okay, so what if it moved?
George
That's the sign! The test; if a - if a man makes it move.
Jerry
That's not the test. Contact is the test, if it moves, as a result of contact.
George
You think it's contact? It has to be touched?
Jerry
That's what a gym teacher once told me.
(Kramer enters.)
Kramer
Hey.
Jerry
Hey.
Kramer
I just saw Joe DiMaggio in Dinky Donuts. You know, I-I looked in there and there he was having coffee and a donut.
Jerry
Joe DiMaggio? In Dinky Donuts?
Kramer
Yeah. Joe DiMaggio.
Jerry
No, I'm sorry, if Joe DiMaggio wants a donut, he goes to a fancy restaurant or a hotel. He's not sitting in Dinky Donuts.
Kramer
Well maybe he likes Dinky Donuts.
George
I don't even like to sit next to a man on an airplane 'cause our knees might touch.
Jerry
I can't see Joe DiMaggio sitting at the counter in little tiny filthy smelly Dinky Donuts.
Kramer
Why can't Joe DiMaggio have a donut like everyone else?
Jerry
He can have a donut,
Kramer
Yeah.
Jerry
…but not at Dinky.
George
I don't even like to use urinals, always been a stall man.
Kramer
Look I'm tellin-- (he does a double take and looks at George) I'm telling ya, that was Joe DiMaggio.
George
The guy slept with Marilyn Monroe, he's in Dinky Donuts. What about this doctor's note? Let's go see your friend Roy.
Jerry
I never said I'd do that.
George
What are you talking about, that's seventy-five bucks! I'm not working, I can't afford that.
Jerry
I don't know how I feel about it.
George
Oh, what are you, like, a Quaker now?
Jerry
Alright, alright.
Kramer
A stall man, huh? (small laugh)
George
All right -- (Gets up to leave)
Kramer
Wha-ha-a-at? (makes a gesture with his hand)
[George and Jerry are in Roy's office.]
Jerry
...so we were just kinda wondering if it was possible for you to write us a note, and if you can't, believe me, it's fine.
George
He didn't say he can't.
Jerry
I mean, if you feel funny about it, at all.
George
He doesn't feel funny.
Jerry
If he does.
George
Do you feel funny? He didn't say anything.
Jerry
He feels funny. You don't have to do this.
George
He knows that!
Jerry
Roy, should we go? Is this a breach of our friendship?
George
Oh, can you be any more dramatic?
Roy
Don't be ridiculous. (Notices George looking at a poster on the wall) Holyfield. He's a good friend of one of my patients. He's got a hell of a body, doesn't he?
Scene 5
Scene 5
70 lines
George
How would I know?
Roy
Do you like him?
George
What do you mean, like him?
Roy
Do you like him?
George
I mean he's a good fighter and a nice guy but I don't like him.
Roy
How come you don't like him?
George
Why should I?
Jerry
What is the matter with you?
George
Nothing, why? You think something's wrong? Am I different?
Roy
So, you want the notes?
Jerry
You don't have to, really.
Roy
Nah nah, it's ok.
Jerry
We should probably get one for Elaine, too, right George? (turns to George, who is staring intently at the Holyfield poster) George?
[Jerry and Elaine are at Jerry's apartment, Jerry is on the phone.]
Jerry
Well what about the week after?
(Jerry sits on the couch, but Elaine is a little too close to the end and he has to squeeze in between her and the arm to sit down)
Jerry
No appointments at all? (motions to Elaine to move over)
Elaine
What? (he bumps her with his butt to move over)
(She tries to move, but Jerry is sitting on the edge of her dress. She has to tug on it, then move over.)
Jerry
Can I - can I at least just talk to her so I can apologize? Forget it. (Hangs up) I can't believe this, I make one innocent comment, about some lunatic in Pennsylvania and I'm cut off. This woman is insane. (Looks at Elaine for a moment) What's with you?
Elaine
What?
Jerry
Well you were too close to me, I was all scrunched in there.
Elaine
Hey, you scrunched me. I sat down here first.
(Kramer enters.)
Kramer
Hey, I saw DiMaggio in the donut shop again.
Jerry
Uh huh.
Kramer
Yeah.
Elaine
Joe DiMaggio?
Kramer
Joe DiMaggio, you know this time I went in and sat down across from him and I really watched him. I studied, his every move. For example, he dunks.
Elaine
Joe DiMaggio dunks his donut?!
Kramer
That's right.
Jerry
See, now I know it's not him. Joe DiMaggio could not be a dunker.
Kramer
Oh, he's a dunker.
Elaine
Why couldn't he be a dunker?
Kramer
And nothing diverts his attention. Like, I'm uh, you know, I-I, like I'm sitting in there, you know. And, uh, I start banging on the table, you know, to uh, so that he'll look up, you know, Like I'm sitting there you know and uh, *bang* (slams the table) You know, *bang* He wouldn't move. So then I start doing these yelping noises. Like, *yip* (high pitched yelping noises) *yip*. No reaction because the guy is so focused, you see, he can just block out anything that's going on around him. See, that's how he played baseball. He dunks like he hits.
Elaine
So then what?
Kramer
Well, then the waitress, she comes up and she tells me to shut up or they're gonna throw me out.
Elaine
Why didn't you just call out his name?
(George enters, his pants are ripped at the knee.)
Jerry
What happened to you?
George
These kids called me a Mary.
Elaine
A what?
George
I was jumping over a puddle, and for some reason I went like this. (George stretches out his arms in a ballet motion) And they called me a Mary. So I chased them, and I tripped and I fell.
Kramer
Yeah, you know kids, they can be very perceptive.
Elaine
Hey, George? What is this? (laughing, Elaine makes the same outstretched arm motion) What is that? No really, what is that?
(George heads for the bathroom, the phone rings, Kramer answers it, Jerry grabs it from him.)
Jerry
Hello? Oh, hi Roy. What? Oh my god. Wel-- how did this happen? What can I do? Oh. I am so sorry. Okay. Bye. (Hangs up) That was Roy. He's under investigation for insurance fraud.
Kramer (singing)
...just a man and not a freak, Joltin' Joe DiMaggio. Joe, Joe. Go, Joe...
Jerry
I told you.
George
Told me what?
Jerry
I told you we shouldn't do it.
George
He didn't say anything.
Jerry
He's got a house, a family, they could take away his license. You should have heard him. Three notes, how stupid was that? We never should have got three notes.
Elaine
Three notes?
Jerry
Yeah, you, me and George.
Elaine
You got me a note?
Jerry
Yeah.
Elaine
But I got my own note.
Jerry
You what?
Elaine
I got a note from my gynecologist.
Jerry
Why'd you do that?
Elaine
I didn't know you were getting me a note.
Jerry
Of course I was getting you a note.
Elaine
But you didn't say anything. Ohhh…
Jerry
Neither did you, that's how he got caught. We sent in four notes from two doctors.
George
No Doctor--
Elaine
Wait a--
Kramer
How can you do that to your friend? He's got a wife, kids, and a lot of other stuff. Oh, yyyeeah.
(Kramer leaves.)
[Jerry and George are at Roy's office.]
Scene 6
Scene 6
70 lines
Jerry
Hi Pam.
Pam
Hello.
George
Hello.
Jerry
I just thought ahh maybe I could talk to Roy, if um…
(Roy walks in.)
Roy
Pam, did the x-ray from Mrs. Sloan... Hi.
Jerry
Hi Roy.
George
How ya doing?
Roy
Come on back, I have a patient but she's under.
[Roy, Jerry and George are talking over a woman sleeping in a dental chair.]
Jerry
I don't even know what to say.
George
Me neither.
Jerry
I knew this would happen.
George
Me too.
Jerry
I mean the whole thing, it's just...
George
Tragic.
Jerry
Well it's not tragic.
George
No?
Jerry
No, it's...
George
Unsettling?
Jerry
Okay. I mean, what if the--
(Pam walks in and interrupts.)
Pam
I hope you're both happy. (she turns and walks away)
(Roy looks at Jerry and with his mouth closed -- smiles with his right cheek and frowns with his left cheek.)
Jerry
I'm not happy.
George
Me neither. I've never been happy.
Jerry
I mean I'm happy sometimes, but-but not now.
George
In college, maybe. Those were fun times.
Jerry
Yeah, college was fun.
George
Yeah.
Jerry
Yeah.
(Pam walks in again and interjects.)
Pam
You know the whole practice is in jeopardy, you know that? (she turns and walks away again.)
Roy
Don't mind her.
Jerry
Oh please, I love her.
George
I've just met her but I'm very impressed.
Roy
I can't understand, I've never had a problem with these notes before.
Jerry
Well what's the next move, what's gonna happen now?
Roy
Well, nothing really, as long as we get the physical therapist to go along with our story.
Jerry
What? The physical therapist? Why?
Roy
She just has to say the complaint was related to a dental problem.
(The woman in the chair wakes up and looks at Jerry and George.)
George
How ya doing?
[Jerry and George are at Julianna's office.]
Jerry
Hi. Ah look, I know I don't have an appointment but it's really important that I talk with Julianna.
Receptionist
I'm sorry, Mr. Seinfeld, she's not in.
Jerry
Yeah, I know she's mad at me, but I really have to speak with her.
Receptionist
I told you, she's not here.
Jerry
You don't understand, ah…
Receptionist
Look, you have to leave.
Jerry
Wait a second, don't you--
(Julianna walks out with her child. When she sees Jerry, she pulls her son in front of her with her arms down on his chest to protect him from Jerry.)
Jerry
Hi. Hi. Look, I don't know what you think --
Julianna
Please!
Jerry
--but, you see, let me just talk to you for a second, see, what I did is inadvertently sent an insurance--
Julianna
I treated you, so please, just get out of the office!
Jerry
Can't you just listen to me?
Julianna (releasing Her Child)
Run Billy! Run to the office and close the door! (to the receptionist) Call the police!
(Julianna then runs down the hall.)
Jerry
The police?
(Raymond the masseuse walks up.)
Raymond
What is the --. Hi George. (stands there with a big smile)
George
Hello.
Jerry (to George)
Raymond?
(George appears to be very uncomfortable.)
[Jerry, Elaine and George are at the coffee shop.]
Elaine
Well, I mean it's only a six month probation, it's a slap on the wrist.
Jerry
Yeah, I still don't see any dinner invitations forthcoming.
George
Men have been popping into my sexual fantasies. All of a sudden I'll be, in the middle.
Elaine
Of what?
Scene 7
Scene 7
26 lines
(to Elaine, George makes a "you know" face and rolls his right hand open -- she responds with an equally silent yet somewhat disgusted face that says "Oh.")
George
And a guy will appear from out of nowhere. I say "Get out of here! What do you want? You don't belong here!"
Elaine
What do they do?
George
They talk back. They go, "Hey George, how's it going?" I say, "Get the hell out of here!"
(Jerry spots Kramer through the window. He's talking to a guy in a blue coat.)
Jerry
Hey, it's the K-man. (he bangs on the glass to get Kramer's attention, Elaine laughs) Maybe it's time you got a different hobby.
(Kramer enters and sits at the booth.)
Kramer
Man, Ughhhh, wwwheh.… I just came from Roy's. I threw up from the gas.
(All three put down their coffee cups simultaneously.)
Jerry
Did he say anything?
Kramer
No no, he's fine.
Jerry (noticing Something Across The Coffee Shop)
Oh my god, it's...
George (looking Over)
Joe DiMaggio.
Elaine
(gasps)
Kramer
Where?
Jerry
Having a cup of coffee.
(shot of a man in a suit jacket and tie, dunking a donut in a cup of coffee)
Elaine
And he's dunking!
Kramer
Yeah -- yeah.
Jerry
Wow. Look at him. The Yankee Clipper…
Kramer
(quietly) yeah.
Jerry
…here.
George
You see? Now that is a handsome man. (Elaine and Jerry look right at George) Oh please.
Kramer
Wait, wait… hold on now, wait, wait… *bang* (he slams his hand down on the table, startling Jerry, Elaine and George) *bang* (again) *yip* (another high pitched yelping sound) *yip* *yip* See? I told you.
[Closing monologue.]
Jerry
What causes homophobia? What is it, that makes a heterosexual man, worry? I think it's because, men know, that deep down we have weak sales resistance. We're constantly buying shoes that hurt us, pants that don't fit right. Men think, "Obviously I can be talked into anything. What if I accidentally wander into some sort of homosexual store, thinking it's a shoe store, and the salesman goes, 'Just hold this guy's hand, walk around the store a little bit, see how you feel. No obligation, no pressure, just try it. Would you like to see him in a sandal?'"