Full screenplay script transcript for Seinfeld S05E01: The Mango
16 Scenes389 Lines
Scene 1
Opening Scene
1 lines
Jerry
How 'bout that seedless watermelon? What an invention, scientists are working on this. You know other scientists devote their lives to fighting cancer, aids, heart disease. These guys are goin' 'No, I'm focusing on melon. Oh sure thousands of people are dying needlessly. But this (makes a spitting noise) that's gotta stop. You ever try to pick a wet one up off the floor? It's almost impossible I'm devoting my life to that.' So I guess if they can get rid of the seeds the rind is goin' next. What do we need that for? Get rid of the rind. They're not going to stop till they're making in the ground ready to eat fruit cups, growin' right out of the ground.
Scene 2
Monk's Cafe
70 lines
Jerry and George at the usual booth
Jerry
So, what's her name?
George
Karen.
Jerry
Is she nice?
George
Great.
Jerry
So you like her?
George
I think so.
Jerry
You don't know?
George
I can't tell anymore.
Jerry
Well do you feel anything?
George
Feel? What's that?
Jerry
All right, let me ask you this: when she comes over, you're cleaning up a lot?
George
Yeah.
Jerry
You're just straightening up or you're cleaning?
George
Cleaning
Jerry
You do the tub?
George
Yeah.
Jerry
On your knees, Ajax, hands scrubbin', the whole deal?
George
Yeah, yeah.
Jerry
Okay, I think you're in love!
George
Tub is love?
Jerry
Tub is love.
George
Hah.
Jerry
So there you are. You've got a nice girl and a clean apartment.
George
Yep. There's one liiiittle problem.
Jerry
Sexual?
George
Yeeeaaah. (Jerry and George lean in to make their conversation a little more private) Well..... I've never really felt confident in uh..... one particular aspect.
Jerry
Below the equator?
George
Yeah.
Jerry
Nobody does. You know, nobody knows what to do. You just close your eyes and you hope for the best. I really think they're happy if you just make an effort.
George
I-I don't know. Last time I got the tap.
Jerry
You got the tap?
George
You know, you're going along, you think everything's all right and all of a sudden you get that tap. (George taps his own shoulder). You know it's like pfffff (whistling sound), all right that's enough, you're through.
Jerry
The tap is tough.
George
It's like the manager coming out and asking you for the ball.
Jerry
Well maybe she just wanted to move on to other business.
George
No, no, this wasn't moving on. I got the hook. I wish I could get a lesson in that.
Jerry
It's a very complicated area.
George
You can go crazy trying to figure that place out.
Jerry
It's a haaazy mystery.
George
Anyway, I think everything else is okay. Unless of course she's faking.
Elaine joins them
Elaine
Who's faking?
George
Nothing.
Elaine
Faking what?
George
Nobody's faking.
Elaine
Ah! Orgasm?
George
She's not faking!
Elaine
How do you know?
George
I know. I can tell. It's one of my powers. Why, did you ever fake?
Elaine
Of course.
Jerry
Really?
George
You faked?
Elaine
On occasion.
Jerry
And the guy never knows?
Elaine
No.
Jerry
How can he not know that?
Elaine
Because I was gooood.
Jerry
I guess after that many beers he's probably a little groggy anyway.
Jerry and George laugh
Elaine
You didn't know.
Jerry
What?
Elaine
You didn't know.
Jerry
Are you saying...
George clears his throat and calls a waitress
George
I think I'll have a piece of cake.
Jerry
With me?
Elaine
Well...
Jerry
You faked with me?
Elaine
Ye.
Scene 3
Scene 3
22 lines
Jerry
You faked with me?
Elaine
Yeass.
Jerry
No.
Elaine
Yeass.
Jerry
You faked it?
Elaine
I faked it.
Jerry
That whole thing, the whole production, it was all an act?
Elaine
Not bad huh?
Jerry
What about the breathing, the panting, the moaning, the screaming?
Elaine
(points in the air as is to point out each things Jerry asked) Fake, fake, fake, fake.
Jerry
I'm stunned, I'm shocked! How many times did you do this?
Elaine
Uuuhm, all the time.
Jerry
All the time?!
George
We got a chocolate malt in here!
Jerry
But I'm so good.
George
I'm sure you are.
Elaine
Jerry, listen, it wasn't you. I just didn't have 'em back then.
Jerry
She faked.
George smiles sarcastically
Jerry
Maybe they've all been faking.
Elaine
I'm sure they're not.
George
Maybe Karen is faking.
Scene 4
Jerry's Apartment
36 lines
Kramer is lighting his cigar on the stove
Kramer
She was probably joking.
Jerry
No no, it was no joke.
Kramer
She didn't have any?
Jerry
No. None.
Kramer
(raising hand) She faked 'em all.
Jerry
(raising hand) Faked 'em all.
Kramer
Well so she faked 'em, so what?
Jerry
The woman had an orgasm under false pretences. That's sexual perjury.
Kramer
You know I heard her screaming from my apartment? She woke me up a few times.
Jerry
How did she do it? She's like Meryl Streep this woman. And I had to work the equipment. I'm not unskilled, I'm in the union. If she'd at least told me, maybe I could have done something about it.
Kramer
Yeah I could have helped you out.
Jerry
What could you have done?
Kramer
I could have given you some pointers. I know how to press those buttons buddy.
Jerry
I'm feeling very inadequate about the whole thing.
Kramer
Aaaaah.
Jerry
Don't aaaaah! I'm supposed to do something with her later? I don't even think I wanna see her.
The phone rings
Kramer
Giddy-up.
Jerry picks it up
Jerry
Hello... Oh hello Elaine.
Elaine at her desk in her office
Elaine
So we're having dinner tonight?
Jerry
I don't know, I'm not really in the mood.
Elaine
Why? What's wrong? You're not still thinking about this afternoon are you?
Jerry
What, the grilled cheese? Naaah, they always burn the toast.
Elaine
Nooo, the other thing.
Jerry
Oooh that. Well...
Elaine
Oh come on, Jerry. Making to much of a big deal about it.
Jerry
Yeah I guess. So you wanna meet at that place at seven thirty?
Elaine
Okay.
Jerry
All right.
Elaine
All right, see you later.
Jerry
Bye.
Elaine
Bye.
The Location stays at Elaine's office
Scene 5
Elaine's Office
5 lines
Elaine hangs up the phone; Rene walks passed the office
Elaine
Rene, can you come here a second? Let me ask you something: Ummm, have you ever... you know... faked it?
Rene
Yeah, sometimes.
Elaine
Really, like when?
Rene
Like if we went to a Broadway show, if we had really good seats. (Elaine is sitting there, jaw opened shaking her head yes) Well you know, if it's enough all ready and I just wanna get some sleep.
Scene 6
Jerry's Apartment
16 lines
Resume at the point Jerry hangs up his phone from the conversation with Elaine
Jerry
I really don't feel like seeing her.
Kramer
You know, I faked it.
Jerry
(confused) What?!
Kramer
Yeah.
Jerry
You faked it? Why would you do that?
Kramer
Well you know, if it's enough already and I just wanna get some sleep.
Jerry
Yeah, but why would you... (Kramer is eating a peach then disgusted he spits it out) Bad peach?
Kramer
It's terrible!
Jerry
Did you get that at Joe's?
Kramer
Yeah, of course I got it at Joe's.
Jerry
That's surprising, his fruit is usually the best.
Kramer
You know what I'm gonna do? (heading for the door) I'm gonna return this.
Jerry
You're returning used fruit?
Kramer
Jerry this peach is sub par.
Kramer exits
Scene 7
Joe's
14 lines
Joe
So what do you want me to do?
Kramer
I want restitution.
Joe
Restitution? You want restitution? Why should I give you restitution?
Kramer
Because it's no good.
Joe
When you put that fruit out, that's where it ends for me.
Kramer
It's still your fruit, you gotta stand behind your fruit.
Joe
I stand behind my fruit.
Kramer
So...
Joe
Hey, you got a bad peach? That's an act of God. He makes the peaches. I don't make the peaches, I sell the peaches. You have a problem? You talk to Him.
Kramer
You know this whole place is going vrrrrrrrrrrrrt, downhill. I could have come in here last week with a bad plum but I let it go.
Joe
Well let me put a solution for ya: do your business elsewhere, I don't want your business.
Kramer
Oh now you don't want my business.
Joe
No, I don't want your business and from this moment you're banned from the store, you're banned!
Kramer
But what am I gonna do for fruit?
Scene 8
Restaurant
57 lines
George and Karen having dinner
Karen
(moaning) Mmmmm, Mmmm, Hmmhmmhmmm (lights a cigarette) Mmmm (takes a puff) Woo
George
(thinking of the moans) Heh. (Karen takes another puff of her cigarette) You seem like you really enjoyed your Risotto. (chuckles) You have a very contented air over there. (chuckles again) You look very contented, very satisfied. (pauses) Are you satisfied?
Karen
I'm very satisfied.
George
I-I'm sure if you weren't satisfied you would probably say something wouldn't you?
Karen
I probably would. But then again I'm an enigma.
George
Hey listen... umm, instead of the movie... uh, maybe we'll go back and uh you know...(nudges her head with his head)
Karen
Maybe.
George
So... uh you feel okay about that whole thing... what we do in there... you're generally okay with everything in there?
Karen
Generally.
George
Do you uh feel the way you feel after the Risotto?
Karen
Well no, I feel full after the Risotto.
George
Yeah...(scratching his head) full.
(ANOTHER) RESTAURANT
Elaine
Oh god, Mmmm, Mmm, Mmm, Mmmmm, Mmm, Ah, Woo
Jerry
Satisfied?
Elaine
Mmm, hey, you know what? You wanna go see that new Meryl Streep movie?
Jerry
Meryl Streep?
Elaine
You don't like her?
Jerry
Ah, she's okay.
Elaine
I love her Jerry, she's so authentic. I really believe everything is actually happening to her. There's no acting there.
Jerry
Yeah. You don't want coffee or anything do you?
Calls for the waiter
Elaine
I really admire actors, you know. It's just such an incredible skill.
Jerry
Yeah, yeah, can we get off of this?
Elaine
What's the matter?
Jerry
Nothing.
Elaine
You're not still thinking about that are you?
Jerry
Nooo.
Jerry and Elaine somewhat chuckling
Elaine
Oh good.
Jerry
Give me another shot!
Elaine
(shocked) What?
Jerry
Another shot, I want another shot.
Elaine
You mean...?
Jerry
Yes!
Elaine
Oooh no, I don't think so.
Jerry
Come on! One shot, I can do it, I know I can do it!
Elaine
Jerry, we're friends! We can't do that, it would ruin our friendship.
Jerry
Oh friendship... friendship, shmanship .
Elaine
Jerry no, that's important to me.
Jerry
We won't ruin the friendship.
Elaine
Ya, Yes we will!
Jerry
Elaine...
Elaine
No Jerry, it is out of the question. You know what sex does to a friendship, it kills it.
Jerry
A half hour, give me a half our.
Elaine
No!
Jerry
Okay, fifteen minutes. I guarantee you fifteen minutes, I can make it happen!
Elaine
Noo!
Jerry
You're worried I'll be able to do it aren't you?
Elaine
What, no, it doesn't matter. Jerry, I don't care.
Jerry
That's it, that's it. You like having this over me, you don't want me to do it.
Elaine
That is so ridiculous.
Jerry
Come on, Elaine!
Elaine
No.
Jerry
Elaine?!
Elaine
No!
Scene 9
Karen's Bedroom
7 lines
George and Karen in bed; George indicates that the sex went wrong
George
It's Jerry's fault.
Karen
Jerry?
George
Jerry and Elaine. They made me nuts.
Karen
Oh I don't care, George, really it's all right.
George
So you feel okay?
Karen
Well, it's not like after the Risotto.
Scene 10
Jerry's Car
12 lines
Jerry
Well good night.
Elaine
I still don't understand why we had to walk out on that movie.
Jerry
Oh that Meryl Streep, she's such a phony baloney.
Elaine
Goodnight. Thanks for a really fabulous evening (sarcastic).
Jerry
Oh what, you're upset?
Elaine
Yes I'm upset, can't you tell?
Jerry
No I can't, maybe you're faking.
Elaine
I'm really, really sorry I told you that.
Jerry
I'm sorry too.
Elaine
Well stop being such a baby.
Jerry
You're a baby!
Elaine
You're a baby!
Scene 11
Jerry's Apartment
29 lines
George
It's all your fault! You and Elaine! All that orgasm talk. She did have an orgasm, she didn't have an orgasm. Orgasm this, orgasm that. I got so focused on it. I started to panic and boom, I lost it. I tried everything, I was talking to him: 'Please wake up, do something.'
Jerry
They're mysterious little fellows aren't they?
George
I hate him!
Jerry
You know it happens to everybody. It happened to Houdini. And he could get out of a trunk under water with his hands in chains! But he had a problem with that. The miracle is that it ever happens.
George
It's like a magic trick. Sometimes I think it would be easier to bend a spoon mentally than to make that transformation.
Kramer enters
Kramer
Hey.
Jerry
Hey.
Kramer
Hey listen, if I give you money would you go out and get me some fruit?
Jerry
Why can't you get it?
Kramer
Well I got banned from the store I can't go back in there now.
Jerry
What happened?
Kramer
Well you know, we had a fight over the peach and uh well Joe doesn't want my business.
George
Hey, was that a joke about Houdini?
Jerry
(to George) No. (to Kramer) I told you not to say anything.
Kramer
Jerry, what am I gonna do for fruit?
Jerry
Well you'll have to go to the supermarket.
Kramer
The supermarket? That's impossible! They don't have a decent piece of fruit at the supermarket. The apples are mealy, the oranges are dry. I don't know what's going on with the Papayas! Jerry you gotta go to Joe's, you gotta get me some fruit!
Jerry
Oh so what I'm going to buy all your fruit now?
George
Well if Houdini couldn't do it, what chance do I have?
George leaves
The phone rings, Jerry picks it up
Jerry
Hello... Oh hi Patty, thanks for calling me back. I-I just wanted to ask you a question: when we we're going out did you have orgasms?... Okay, thanks... No that's it... Ya, Okay, bye.
Jerry hangs up the phone
Jerry
Patty Lawrence had 'em!
Kramer
Alright look I'm gonna make you a fruit list, all right?
Jerry
Yeah.
Jerry makes another call
Jerry
Hello Elaine? Patty Lawrence had orgasms what do you think about that? And I got calls in to six other women and I bet you they confirm an orgasm too. So what do you have to say now Elaine?... Hello?
Scene 12
Outside Joe's
34 lines
Jerry
Why do I feel like I'm doing something wrong?
Kramer
All right now here's the list. (hands Jerry the list)
Jerry
All this? It's too much. What do you need five mangos for?
Kramer
I like mangos.
Jerry
Avocado? I don't know how to pick out an avocado.
Kramer
Well they gotta be soft.
Jerry
How soft?
Kramer
Not too soft. Better too hard than too soft.
Jerry
(looking over the list) Hmm ah. I'm not going through this every week, I tell you that right now. And what are these? Plums? What is that?
Kramer
Yeah now get the ones that are red on the inside.
Jerry
Uh huh. Well how do I know what they look like on the inside? What do they look like on the outside?
Kramer
Oh! And get some plantains. (grabs the list to write them down)
Jerry
Plantains?
Kramer
Yeah.
Jerry
What the hell is a plantain.
Kramer
It's part of the banana family. It's a delicacy.
Jerry
(grabbing the list from Kramer) You're not getting any plantains.
Jerry enters Joe's; Kramer is outside looking in through the window
Jerry
Hey Joe.
Joe
How's it going?
Jerry
Good, just getting some fruit for myself. Uh, gotta have fruit in the house. I like it as a snack. Wholesome, natural, chock-full of vitamins. Alright let's see... mangos... four plums with red on the inside... avocado... (looks at Joe; Joe gives him a weird look)ooo, just right... and three plantains uh ought to do it.
Joe
All right, all right, just hold it right there.
Jerry
What?
Joe
This fruit isn't for you.
Jerry
(shocked) Wha, what are you talking about?
Joe
You think I don't know huh? Mangos, plantains, plums with the red on the inside, that's Kramer!
Jerry
I can't buy mangos and plantains?
Joe
All right, get out!
Jerry
You're making a big mistake, Joe!
Joe
I'll tell you something else: I don't what your business anymore either.
Jerry
Are saying you're banning me from the store?
Joe
That's exactly what I'm saying.
Jerry
I'm banned?!
Joe
You're banned.
Scene 13
Jerry's Apartment
61 lines
George enters with four huge bags of fruit
George
All right, where do you want it?
Jerry
Put it over there.
Kramer
Yes! Oh look at this, these mangos are beautiful! Oh these are beautiful, (smells them) you did good George.
Kramer leaves the apartment
George
All right I gotta get going.
Jerry
What are you doing?
George
I got a date with Karen. I don't know what I'm gonna do. Nothing happening down there.
Jerry
You're thinking about it too much. You're putting too much emphasis on it.
George
I knew this was gonna happen some day. It was inevitable. I've known it ever since I was a little kid. I've been waiting for it.
Kramer enters the apartment
Kramer
This mango is delicious!
George
That reminds me, I'm not getting you guys any more fruit. That guy was eyeballing me the whole time. He gave me the creeps. All right, you owe me twenty-eight sixty.
Jerry
Sorry, I don't have any cash.
Kramer
I only got hundreds.
George
You see... All right I knew it.
Kramer
Come on, come on, we're gonna pay you! Here have some mango.
George
I don't want any mango.
Kramer
Come on, take some. It's good.
George tries a piece
George
Very good. Juicy.
Kramer
Ya.
George
Ripe. Boy, this Joe's got some terrific fruit.
Kramer
Mmm.
George looks a little weird
Jerry
What?
George
I feel like I got a B12 shot. This is like a taste explosion!
Kramer
Ya I told you.
George stands still
Jerry
What is it?
George
I think it moved. Oh my god, I think it moved. Yeah, give me the big piece. I'll see you later.
Elaine enters the apartment
Elaine
Hi George.
George
I'm back, baby, I'm back!
George leaves the apartment
Kramer
Want some mango?
Elaine
Noo, thanks.
Kramer leaves the apartment
Jerry
Well well, if it isn't the first lady of the American Theatre. (Elaine smiles and rolls her eyes at him) What brings you here?
Elaine
Just gonna return some of your things that were in my house.
Jerry
Oh and I've got some things of yours here.
Elaine
I know.
Jerry
Well I'll get them.
Elaine
I'm waiting.
Jerry
All right. (goes into his hallway and comes back) You got my fins?
Elaine
Yeah I got your fins. You got my poker chips?
Jerry
I got your poker chips. You got my goggles?
Elaine
They're next to the fins. You got my cards?
Jerry
They're next to the poker chips.
They switch bags; Elaine checks her bag, Jerry tosses his on the table
Elaine
All right and that just about... does it.
Jerry
I guess.
Elaine
Okay, welp... see you around.
Jerry
Yeah, see you.
Elaine opens the door gets about half way out; Jerry goes to look inside his bag; Elaine comes back in and slams the door closed
Elaine
All right, let's go, I give you half an hour.
Jerry
(shocked) What?
Elaine
Come on!
Jerry
Are you serious?
Elaine
Look, Jerry, we have to have sex to save the friendship.
Jerry
Sex... to save the friendship. (Elaine drops her bag, takes off her jacket and walks into Jerry's bedroom) Well, if we have to (un-tucks his shirt) we have to.
Scene 14
Karen's Bedroom
20 lines
George and Karen in bed
Karen
Mmmm, Oh George, oooh.
George
Please, it's not necessary.
Karen
Mmm What's not necessary?
George
The little extra moan you threw in there. Laying it on a bit thick, don't you think?
Karen
What are you talking about?
George
What am I talking about? Come on. (laughing) You don't think I bought all that? (does a little move)
Karen
What, what?
George
You're very good. Very good with the moanings and the gyrations. Y-You really had me going there for a minute.
Karen
You think I was faking?
George
Come on: 'Oh George, oh Geeeooorge!' Come on! Not that I don't appreciate the effort that was put into it.
Karen
I'd like you to leave.
George
What?
Karen
I said, I would like you to leave. Come on, just get your clothes on and get out.
George
But why?
Karen
Because I said so. (pushes George off the bed)
George
I-I-I can't find my glasses.
Karen
Well hurry up.
George
I need to look for my glasses.
Karen
(seen through George eyes all blurry) Get out! Get out!! Get out!!!
Scene 15
Jerry's Bedroom
4 lines
Elaine is reading a magazine and Jerry is making desperate noises indicating how the sex went wrong similarly to George's indications
Jerry
It's all George's fault. All that talk about impotence. It got to me. And that orgasm stuff: orgasm this and orgasm that. It's a lot of pressure!
Elaine
You know I'm a little hungry. You wouldn't happen to have any of that mango left?
Jerry looks like he's got an idea
Scene 16
Closing Monologue
1 lines
Jerry
The female orgasm is kinda like the bat cave, very few people know where it is and if you're lucky enough to see it you probably don't know how you got there and you can't find you way back after you left. There are two types of female orgasms: the real and the fake. And uh I'll tell you right now, as a man, we don't know. We do not know, because to a man sex is like a car accident and determining the female orgasm is like being asked 'What did you see after the car went out of control?'. 'Uh I heard a lot of screeching sounds, uh I remember I was facing the wrong way at one point. And in the end my body was thrown clear.