S05E09

The Masseuse

Full screenplay script transcript for Seinfeld S05E09: The Masseuse

21 Scenes391 Lines
Scene 1

Opening Scene

1 lines
Jerry
If there's a serial killer lose in your neighborhood, it seems like the safest thing is to be the neighbor. They never kill the neighbor. The neighbor always survives to do the interview afterwards. Right? "Oh, he was kind of quiet." I love these neighbors. They're never disturbed by the sounds of murdering, just stereo. Chain saws, people screaming, fine. Just keep the music down. And all these women who always fall in love with the serial killer. They write to him in prison. Here's a woman that's hard to disappoint. I guess she's only upset when she finds out he's stopped killing people and she goes: "You know sometimes I feel like I don't even know who you are anymore".
Scene 2

Elaine's Office and Jerry's Apartment

26 lines
Elaine's on the phone with Jerry
Jerry
No eight years isn't such a long streak.
Elaine
It isn't?
Jerry
No I haven't vomited in thirteen years.
Elaine
Get out!
Jerry
Not since June 29, 1980.
Elaine
You remember the date?
Jerry
Yes, because my previous vomit was also June 29th 1972. That's why during the '80 vomit, I was yelling to George: "Can you believe it? I'm vomiting on June 29th again."
Elaine
Boy, you know when Joel told me he hadn't thrown up in eight years, I was wondering if he was normal.
Jerry
No Elaine he's normal. Your boyfriend is a normal guy. He just happens to have the same name as one of the worst serial killers in the history of New-York.
Elaine
Yeah (2 co-workers enter Elaine's office) Oh Jer, I gotta go. I gotta go. (she hangs up)
Joanne
Hi, we just saw your boyfriend at a bus stop.
Elaine
Oh, yeah?
Joanne
Yeah. What's his name?
Elaine
Joel
Joanne
Joel what?
Elaine
Uh (clears her throat) Rifkin.
Michael
Rifkin? Joel Rifkin?
Elaine
Yeah. It's just a coincidence obviously.
Michael
Guess you better keep on his good side.
Elaine
Very funny. That's very funny.
Joanne
I wouldn't sleep with my back to him if I were you.
Elaine
All right. Well that's enough of that. That's enough.
Michael
Hey Elaine listen. If you smell anything decaying in the trunk of his car
Elaine
(she's upset, gets up and yells) OK look this is my boyfriend we're talking about OK? And he's a gentlemen, he's good looking, he's a good shaver and he hasn't thrown up in eigth years so just shut up about him! Shut up!
scene ends
Scene 3

Jerry's Apartment

63 lines
Elaine
The whole city is talking about this monster Joel Rifkin, and I am dating a Joel Rifkin.
Jerry
But you like your Joel Rifkin.
Elaine
Yeah. I just wish he has a different name.
Jerry
Ask him to change it.
Elaine
You can't ask a person to change their name.
Jerry
Why not?
Elaine
Would you change yours?
Jerry
If someone asked me nicely. I'm Claude Seinfeld.
Kramer enters
Elaine
Hey, how many people did Rifkin strangle? Eighteen?
Jerry
Yeah. Eighteen strangles.
Kramer
You know why Rifkin was a serial killer? Because he was adopted. (saying it as he's taking a lot of paper towels from Jerry's roll; Elaine and Jerry are confused at Kramer's statement) Just like Son of Sam was adopted. So apparently adoption leads to serial killing. (Kramer leaves and we don't know why he needed so much paper towels)
Elaine
You know Joel and I have an extra ticket to the Giants game.
Jerry doesn't have the time to open his mouth before Kramer pops in again
Kramer
I'll go.
Elaine
O.K. I'll leave the ticket for you at will call.
Kramer
Yeah! Ooh! (leaves again)
Elaine
You think I should have asked George?
Jerry
Hey did you hear that George got back with Karen?
Elaine
Karen?
Jerry
Risotto. (we see a flashback from The Mango where Karen tells George that she feels full after a Risotto, as opposed to when she has sex with him)
Elaine
Oh! The Risotto broad.
Jerry
Yeah. He's really got a good thing with her. In fact I'm doubling with them tonight.
Elaine
I tought you didn't like double dates.
Jerry
George likes them, he feels it's a good personality showcase. He likes a date to see him with a friend so she can get a window into his nondate personality.
Elaine
I've looked through that window and screamed at him to shut the blinds.
Jerry
He feels he's funnier, more relaxed.
Elaine
And you're taking
Jerry
Jody the masseuse.
Elaine
Hey, did you get a massage yet?
Jerry
No! How many times do I have to go out with her before I get a massage?
Elaine
Jerry, she gives massages all day. She doesn't wanna to give them on dates.
Jerry
Yeah I know She just wants to have sex.
Elaine
So what?
Jerry
So it's like going to Idhao and eating carrots. I like carrots, but I'm in Idhao, I want a potato.
scene ends
THE CHINESE RESTAURANT (THE SAME AS IN 'THE CHINESE RESTAURANT')
Jerry, Jody, Karen and George sitting at a table. Yes! They got a table!
George
(George is telling a story. Karen is laughing and she seems to be the only one to find him funny) So I go into this clothing store and the saleswoman is wearing this (whistling) low cut thing. So I said to her: "Can I ask you a question? When you put on a top like that, what's your tought process? What's going on in your mind?"
Karen
That is so funny.
George
(to Jody) You're listening to this?
Jodi
Yeah. I heard you.
Jerry
(to Jody) My neck is killing me. Right in this spot. Very tender over here.
Jodi
(to George) So what did she say?
George
Well nothing. I didn't actually say that. (Karen is still laughing)
Jodi
You just said that you said it.
George
Sweetheart, I was exaggerating.
Karen
I'm learning a lot about you tonight George. I've never seen you like this.
Jerry
(touching the back of his neck) It's like somebody's pulling on wires back here.
George
You know it's like you never see a really attractive woman getting a traffic ticket.
Jodi
How can you say that? My sister got a ticket last week. Are you saying she's not attractive?
George
Well I've never met your sister but obviously these are not hard-and-fast rules. (to the waitress) Darling, the tea is getting a little cold sweetheart.
Jodi
(to Jerry) Can we go?
Jerry
Yeah. Let's go.
Karen
So soon? (they get up)
Jerry
Yeah. Good seeing you again Karen.
Karen
Yeah.
Jodi
Nice meeting you Karen.
Karen
Yeah. Nice to meet you too and I'm gonna call you about that massage.
Jodi
Oh yeah.
George
Jody let's do this agian real soon (he tends his arms for a hug but she avoids him)
Jodi
Yeah. (she and Jerry walk away)
scene ends
Scene 4

Jerry's Place Later That Night

20 lines
Jerry and Jody are sitting next to each other on the couch, watching TV
Jerry
I strained my neck last night.
Jodi
Really, how?
Jerry
I tried brushing my teeth by holding the brush and moving my head from side to side. It didn't work.
Jodi
So what's the deal with your friend George?
Jerry
No deal. Why?
Jodi
What was all that "attractive women not getting tickets" nonsense?
Jerry
Oh well, he was just showcasing his nondate pesonality.
Jodi
I don't know how you can hang out with that guy.
Jerry
Yeah. Sometimes he really makes me tense (he takes Jody's hand and put it on his shoulder)
Jodi
Did you see the way that he was eating?
Jerry
Yeah, he's disgusting. (putting her hand back on his shoulder. She unconsciously starts to massage a little while watching TV)
Jodi
I have to tell you, I really don't like him.
Jerry
Yeah, me either. (he takes her other hand and put it on his other shoulder)
Jodi
It's just I hate that type.
Jerry
Yeah, he's a bad seed.
Jodi
Now you however, you, I like. (she stops massaging and kisses Jerry)
Jerry
What are you doing?
Jodi
What do you think I'm doing? (he won't get his massage)
scene ends
Scene 5

The Chinese Restaurant

22 lines
George and Karen are still at the table, they're about to leave
George
So, what do you think?
Karen
Really enjoyed it.
George
Jody's nice.
Karen
She's very nice. (grabs George's hand) Let's discuss this later.
George
You think she liked me? She seemed to like me.
Karen
Yeah
George
I was personable. Don't you think I was personable?
Karen
You were extremely personable.
George
I tought I picked up a little something. I'm very good at this. Did you pick up anything?
Karen
I didn't pick up anything.
George
The second time I sent the noodles back, I tought she made a face
Karen
I didn't see a face.
George
I tought I saw a face.
Karen
Anyhow, what is the difference?
George
No difference. I could care less. She's Jerry's girlfriend.
Karen
George, George, instead of talking about this, we could be you know (she makes a move with her head like George did in 'The Mango' while saying: "instead of the movie")
George
He he he he
Karen
Ah ah ah ah
George
So you think she likes me?
Karen gives up and slams her forehead down on the table
scene ends
Scene 6

Elaine's Place

12 lines
She's sitting on the couch, reading, and Joel is coming quietly behind her to massage her neck.
Elaine
(as he touches her) Uhh! What are you doing?
Joel
Massaging your neck.
Elaine
Oh. Huh. Of course. Massaging.
Joel
Uh, boning up on football? (talking about the magazine she's reading as he sits beside her)
Elaine
Yeah, yeah. You know what? There are a lot of players named Deon these days. What a cool name, Deon. If I were gonna change my name, I'd go with Deon.
Joel
Deon Benes?
Elaine
Well as a woman, it makes no sense. But, I mean, let's say I was you. And I decided I was gonna change my name for no real reasons whatsoever-- Deon Rifkin. Wow! That is so cool.
Joel
D-Deon Rifkin?
Elaine
Well maybe you're not the Dion type. O.K. then let's see, let's see, what do we got? (looking at the magazine, she starts to gasp and loses it) Oh! Oh oh oh! O.J.! O.J. Rifkin! You don't even use a name, it's just initials. Oh please please please change your name to O.J.! Please, it would be so great!
Joel
Elaine! What is going on?
scene ends
Scene 7

Monk's Cafe

43 lines
Jerry and George at a booth
George
She stayed over?
Jerry
Yeah. (disappointed)
George
The sex wasn't so good?
Jerry
No. The sex was fabulous.
George
So?
Jerry
I want the massage!
George
Did you ask her?
Jerry
I tried putting her hands there (on his neck) but she pulls it away immediately, she's not into it.
George
Why not?
Jerry
I guess 'cause it's her job. It's very frustrating.
George
So we had a good time the four of us.
Jerry
Yeah.
George
We all got along. Everyone seemed very pleasant.
Jerry
Yeah.
George
What did Jodi say?
Jerry
She had a good time.
George
Is that it?
Jerry
Pretty much.
George
Did she say anything about, uh
Jerry
What?
George
Nah. It's all right. Great! She had a good time.
Jerry
Yeah (a so-so yeah as he takes a sip of coffee)
George
You just hesitated.
Jerry
I was blowing on the coffee.
George
She didn't like me?
Jerry
Look it's not like you're gonna be spending a lot of time with her.
George
So she doesn't like me?
Jerry
No.
George
She said that?
Jerry
Yes.
George
She told you she doesn't like me!
Jerry
Yes.
George
What were her exact--
Jerry
"I don't like him."
George
Uh-Huh (gulp) Why didn't she like me?
Jerry
Not everybody likes everybody!
George
I tried to be nice. I wasn't nice?
Jerry
You were very nice!
George
I bent over backwards for that woman! Is it that thing I said about her sister?
Jerry
It has nothing to do with her sister.
George
I don't even know her sister but believe me, if she's getting traffic tickets, she's not that good-looking! Woah
scene ends
Scene 8

Hall in Jerry's Building

20 lines
George and Jerry are coming back from Monk's
George
You vomited in 1987.
Jerry
Oh no. That was the dry heaves.
Jodi is in front of Jerry's door
Jerry
Jodi.
Jodi
Hey, Jerry.
George
Ha! Ha! Hey! (moving his arms like: it's so great to be all here)
Jerry
What are you doing here?
Jodi
I was giving Kramer a massage.
Jerry
Kramer! (tries to hide he's upset and jealous)
Jodi
I got to run. I have an appointment downtown.
George
Here. Let me take your tabe downstairs for you.
Jodi
No that's O.K.
George
Please give it to me. I love to help people. This is what I do. Come on. I'm going this way. (he takes the table from Jodi's hands and she has no choice but to follow him)
Jerry
I'll see you tonight. (he's opening his door apartment as Kramer comes out of his in a bathrobe)
Kramer
Hey! I am looser than creamed corn!
Jerry
Who told you to get a massage from her. I haven't gotten a massage from her yet!
Kramer
You don't know what you're missing buddy.
they enter Jerry's apartment
scene ends
Scene 9

Street in Front of Jerry's Building

5 lines
George and Jodi
George
No one hails a cab like me. My hailing technique is unmatched. I get the wrist going from side to side and boom! Cabs are crashing into themselves to just pick me up. (a cab stops) All right, here we go. Let me get door. Feminists aside, I know women like the door holding. Here we are all righty. O.K. Jodi let's get together again real soon and say hello to your sister for me.
Jodi
You've never met. (the cab starts and George is following to keep talking to Jodi)
George
Whatever. Believe me, if I wasn't involved right now, I wouldn't mind being set up. Something tells me she's a knockout. (we see, from the camera inside the cab, George's hand waving as the cab drives away)
scene ends
Scene 10

Jerry's Apartment

21 lines
Kramer is lying on the couch as Jerry is cutting a block of cheese on the kitchen counter
Kramer
(Kramer is talking much more slowly and smoother than usual) First she sets the mood perfectly with this new age music played over ocean sounds. Then she lays you out on this table, and she proceeds to rub oil over your entire body. And she rubs long and deep Jerry, she rubs with love. (Jerry is obviously cutting much harder than the cheese needs it as he listens to Kramer) Every muscles she touches just (long pause) ooo-zz-es. Beneath those silky, soft fingers, you can scarcely contain yourself, buddy. (Jerry slams down the knife and goes to the couch)
Jerry
So you had a good time.
Kramer
Oh yeah
Jerry
Enjoyed yourself.
Kramer
Very much
Jerry
All right now you listen and you listen good! (he grabs Kramer's legs and throws him down the couch)
Kramer
What! (Kramer is back to his usual way of speaking)
Jerry
The massages are out!
Kramer
Wha--
Jerry
Ahh!!! They're out!
Kramer
Why?!
Jerry
Because if I can't get one, you're not getting one.
Kramer
Wait a minute! Wait a minute! I need my massages! Can't you see I'm burned out!
Jerry
I'm sorry, Kramer. (he goes back to the kitchen)
Kramer
Why? Why? Look, I paid for her. (Jerry stops walking)
Jerry
Don't you ever talk about her like that!
Kramer
But why?
Jerry
That's final!!!
Kramer
Ah!!! Yahh!!!
scene ends
Scene 11

Giants Stadium

13 lines
Elaine and Joel
Announcer
Ladies and Gentlemen, welcome to Giants stadium.
Elaine
Oh, you have photos in your wallet?
Joel
Yeah. Why? Is that weird?
Elaine
No, it's normal. You're very normal. You're totally normal. Who's this?
Joel
That's my mother.
Elaine
Oh yeah. I see the resemblance.
Joel
No, there's no resemblance.
Elaine
Yeah, there is, right here you see--
Joel
Elaine, I was adopted.
Elaine
(pause) Oh. That's nice.
Joel
Oh, the game's about to start. I wonder where your friend Kramer is.
scene ends
Scene 12

Ticket Counter

12 lines
Kramer
(to the ticket man) Uh, yeah, a ticket for Kramer.
Ticket Man
Here it is. I need some I.D.
Kramer
Oh, yeah. (snaps fingers) You know, I forgot my wallet.
Ticket Man
Well, I can't give it to you then.
Kramer
Are you kidding me?
Ticket Man
I'm afraid not.
Kramer
Come on, just look at me. Tell me I'm not Kramer.
Ticket Man
I'm sorry. I need proof.
Kramer
Look, I'll drive out here tomorrow and I'll show the I.D. I got nothing to do all day.
Ticket Man
Neither do I. But without I.D., I need confirmation from the person who left the ticket.
Kramer
Where's a phone?
scene ends
Scene 13

Back to Elaine and Joel Watching the Game

4 lines
Announcer
Ladies and gentlemen, may I have your attention, please? Would Joel Rifkin report to the stadium office. Joel Rifkintelephone. (the crowd stops cheering and we see a football player, Lawrence Taylor of the N.Y. Giants, distracted from the game while hearing the announcer saying Joel Rifkin)
Joel
Who would be calling me here? (he stands up and look around)
Elaine
(to the person in front of her) He's not the murderer.
scene ends
Scene 14

Jerry's Apartment

18 lines
Kramer enters, moaning
Kramer
Oh, God.
Jerry
What's the matter with you?
Kramer
Jerry, I need another massage!
Jerry
You just had one yesterday. What do you need another one for?
Kramer
Because of the Giant game! I told you, It went overtime! You know what those seats are like. They're very unforgiving.
Jerry
Oh please.
Kramer
And then the game-winning field goal went over the net and into the crowd and I dove over three rows! My back, it's killing me! (whining) It's killing me Jerry!
Jerry
Well, did you get the ball?
Kramer
Oh I got the ball.
Jerry
Well, I never even caught a foul ball at a baseball game.
Kramer
Well, It's quite a thrill.
Jerry
Why don't you get somebody else?
Kramer
Because nobody does it like she does. She's the best.
Jerry
Well, that's it! Tonight's the night. I'm getting one. No "if and's or but's".
Kramer
What about my massage?
Jerry
(whining like Kramer) Ask Newman.
scene ends
Scene 15

Monk's Cafe

13 lines
George and Karen at a booth
George
So I lugged that table. That big heavy massage table all the way down to the cab! You ever seen one of those things?
Karen
Of course.
George
No, I don't know. Maybe you haven't. You know, not everybody's seen a massage table.
Karen
What, do you think I've never had a massage before?
George
Anyway, I don't even get a thank you. I don't get it!
Karen
George, frankly, I'm getting a little tired of hearing about her.
George
I wanna know what I did to this woman.
Karen
What, you got a little thing for her?
George
No, No! She's going out with a friend of mine. It's only courteous that we should try and like each other.
Karen
What difference does it make? Who cares if she doesn't like you? Does everybody in the world have to like you?
George
Yes! Yes! Everybody has to like me. I must be liked!
scene ends
Scene 16

Elaine's Apartment

25 lines
Elaine and Joel sitting on the couch
Elaine
Of course I support your decision to change your name.
Joel
After the Giant game I realized that this--this problem isn't going away.
Elaine
Well, listen, I just want you to know that I was more than willing to stick it out with Joel Rifkin.
Joel
Sure?
Elaine
(she fakes a strangling) RRR
Joel
O.K. you got your list?
Elaine
Yeah. Yeah. 10 names.
Joel
Right.
Elaine
O.K. And if somebody objects, you can just veto it.
Joel
O.K.
Elaine
O.K. You start. What's your first choice?
Joel
Stuart.
Elaine
(right away) No. Second choice.
Joel
Stu--Stuart's no good?
Elaine
I have never met a normal guy named Stuart.
Joel
O-O.K. My second choice is Todd.
Elaine
(repeating to hear how it sounds) Todd. (pause) No. Veto.
Joel
All right. Oh, hey, I think you're gonna like my first my third choice.
Elaine
Great
Joel
Alex.
Elaine
I gotta tell ya, I have a bad association with the name Alex.
Joel
Bad bad association?
Elaine
Yeah, in college I sat next to an Alex in art history. And he was always drinking coffee and after every sip he would go: "Ahh". I mean every two seconds: "Ahh". And he would take like 40 sips and after everyone: "Ahh". I had to drop the class.
scnen ends
Scene 17

Jerry's Place

20 lines
Jerry is opening the door for Jodi. She has her massage table. New age music is playing, and the lights are shaded
Jodi
Hey.
Jerry
Hi.
Jodi
Hi. (kiss) I was running late and I didn't have a chance to drop off my stuff before I came over.
Jerry
Ah, no problem. That's fine.
Jodi
What's with this music?
Jerry
That's new age music. Sounds of the forest. I find it soothing. Hey, look at this! What do you know? A massage table! This is great! (he starts to install the table)
Jodi
What are you doing?
Jerry
Just checking it out. Look at how this thing is made. Can I tell you something? That's a hell of a piece of equipment.
Jodi
Actually, I should get a new one.
Jerry
No, nonsense. This one's fine. (as he sits on the table)
Jodi
So, where do you wanna go? (as she puts her hand on his shoulder)
Jerry
Go? Why go anywhere? (as he places his hand over hers. She starts to massage his shoulders a little) Ahh, that feels good. Yeah. That's, uh That's good. (he tries to go further. He grabs her hands over his shoulders and he lies down on the table on his chest) Yeah, that's nice. That's very nice.
Jodi
(she stops massaging) No. No, this isn't good. I can't do this.
Jerry
Why, what's wrong? (he grabs her hands and force her to keep them on his shoulders)
Jodi
I can't (she tries harder to pull her hands away)
Jerry
No. Yes you can. (he hangs on)
Jodi
No, I can't!
Jerry
Come on! I know it's something you wanna do! (she pulls harder and he falls right off the table)
scene ends
Scene 18

Karen's Place

13 lines
George and Karen are making out on the couch
George
You know what? I should really go talk to her. Nothing confrontational. Just two adults sitting down trying to clear the air. You know, I just know if I could spend some time alone with her. I've got to. (he grabs his jacket) I've got to.
Karen
You're going now?
George
I think I can still catch her.
Karen
All right George. I have had just about enough of this.
George
What? What are you talking about.
Karen
I am talking about you and Jodi. You're completely obsessed with her!
George
I know. I know.
Karen
Who is more important to you, her or me? I like you, she doesn't. Who are you gonna pick?
George
(he thinks a little about it and as he puts his hand on his knee and gets up) I'm sorry Karen. I know I care for you, but I just can't stand when someone doesn't like me. (he opens the door)
Karen
Well, now I hate you!
George
That I'm used to. (he leaves)
scene ends
Scene 19

Back to Elaine's Place

14 lines
Joel
Ned?
Elaine
What is wrong with Ned?
Joel
Ned's a guy who buys irregular underwear. Next!
Elaine
Ellis.
Joel
Ellis?! You might as well go with Alex. It's the same thing!
Elaine
Ellis and Alex aren't even close.
Joel
NEXT!
Elaine
Ohh, what is the point?
Joel
NO, NO. COME ON!
Elaine
O.K. O.K. Remy.
Joel
Remy Rifkin? Should I get a beret?
Elaine
Oh, Stuart's a lot better! (talking like a baby) Little Stuart Rifkin likes to go shopping with his mother.
Joel
Grrrr!
scene ends
Scene 20

Back to Jerry's

25 lines
Jerry
What do you mean, no?
Jodi
No means no.
Jerry
Look, who are you kidding? You come up to my apartment with your table and your little oils, and I'm not supposed to expect anything? You're a massage teaser.
Jodi
Listen. I massage who I want, when I want. I don't submit to forcible massage. (he tries desperately to get her hands on his shoulders again but she pulls them away immediately) I'm getting out of here.
Jerry
Fine. Go.
George enters. He's staring at Jodi
George
Jerry, could you excuse us for a few minutes, please?
Jerry
What for?
George
We need to talk.
Jerry
You need to talk?
Jodi
We have nothing to talk about.
George
Look it's no secret what's going on between us. (to Jerry) She doesn't like me. Now Jerry if you don't mind.
Jerry
George, anything you have to say to her, you can say in front of me.
George
(he makes a sign to Jodi to wait and turns to Jerry) Jerry This woman hates me so much. I'm starting to like her.
Jerry
What?
George
She just dislikes me so much It's irresistable.
Jerry
I can see that.
Jodi
I'm getting out of here. (to Jerry) Don't call me.
Jerry
Don't worry. (she leaves)
George
A woman that hates me this much comes along once in a lifetime.
Jerry
You're a lucky guy.
George
I got to go after her.
Jerry
George. I wouldn't push for the massage. (George nods)
George
JODI! (he starts running after her)
scene ends
Scene 21

Closing Monologue

1 lines
Jerry
The swedish are very big massagers. You know? They like the swedish meatballs, swedish massage. They like having meat in their hands these people, for some reason. But it's weird because they have the highest suicide rate, they're rubbing each other's necks all the time for a neutral country they seem kinda tense. I don't really like the idea of getting a professional massage. I don't want people touching me that don't know me and don't want to have sex with me. You know what are you bothering me for? You get me all loosened up, juices flowing, and then that's it ok, you're done. It's like having chocolate rubbed all over your face, you know you wanna go "Excuse me, I think you missed a spot."