S01E01

Good News, Bad News (Pilot)

Full screenplay script transcript for Seinfeld S01E01: Good News, Bad News (Pilot)

11 Scenes282 Lines
Scene 1

Opening Scene

3 lines
Jerry
You know why we're here? To be out. This is out...and out is one of the single most enjoyable experiences of life. People...did you ever hear people talking about "We should go out"? This is what they're talking about...this whole thing, we're all out now, no one is home. Not one person here is home, we're all out! There are people tryin' to find us, they don't know where we are.
Jerry pretends his hand is a phone.
Jerry (cont'd)
"Did you ring?, I can't find him." "Where did he go?" "He didn't tell me where he was going". He must have gone out. You wanna go out: you get ready, you pick out the clothes, right? You take the shower, you get all ready, get the cash, get your friends, the car, the spot, the reservation...There you're staring around, whatta you do? You go: "We gotta be getting back". Once you're out, you wanna get back! You wanna go to sleep, you wanna get up, you wanna go out again tomorrow, right? Where ever you are in life, it's my feeling, you've gotta go.
Scene 2

Int. Diner - Day

70 lines
Jerry and George are sitting across from each other at a table. While he is talking, Jerry points at George's shirt.
Jerry
Seems to me, that button is in the worst possible spot. The second button literally makes or breaks the shirt, look at it: it's too high! It's in no-man's-land, you look like you live with your mother.
George is irritated.
George
Are you through?
Jerry
You do of course try on, when you buy?
George
Yes, it was purple, I liked it, I don't actually recall considering the buttons.
Jerry
Oh, you don't recall?
George pretends he is speaking into a microphone.
George
Uh, no, not at this time.
Jerry
Well, senator, I'd just like to know what you knew and when you knew it.
A waitress approaches their table and begins pouring their coffee.
Waitress
Mr. Seinfeld, Mr. Costanza.
When she goes to pour George's coffee, George stops her.
George
Are, are you sure this is decaf? Where's the orange indicator?
Waitress
It's missing. I have to do it in my head: decaf left, regular right, decaf left, regular right...it's very challenging work.
Jerry
Can you relax? It's a cup of coffee. Claire is a professional waitress.
Waitress
Trust me, George, no one has any interest in seeing you on caffeine.
She pours the coffee and walks away.
George
How come you're not doing the second show tomorrow?
Jerry
Well, there's this uh, woman might be coming in.
George
Wait a second, wait a second, what coming in? What woman is coming in?
Jerry
I told you about Laura, the girl I met in Michigan?
George
No, you didn't!
Jerry
I thought I told you about it, yes, she teaches political science. I met her the night I did the show in Lansing...
Jerry looks in the milk can.
Jerry (cont'd)
There's no milk in here. What-
George
Wait wait wait, what is she-
George takes the milk can and sets it on the table.
George (cont'd)
What is she like?
Jerry
Oh, she's really great. I mean, she's got like a real warmth about her and she's really bright and really pretty and uh...the conversation though. I mean, it was... talking with her is like talking with you, but, ya know, obviously much better.
George
So, you know, what happened?
Jerry
Oh, nothing happened, you know, but it was great.
George
Oh. Nothing happened, but it was...
Jerry
Yeah.
George
This is great!
Jerry
Yeah.
George
So, ya know, she calls and says she wants to go out with you tomorrow night? God bless! Devil you!
Jerry
Yeah, well...not exactly. I mean, she said, you know, she called this morning and said she had to come in for a seminar and maybe we'll get together.
George whistles disapprovingly.
George
Ho ho ho, "Had to"? "Had to come in"?
Jerry
Yeah, but...
George
"Had to come in" and "maybe we'll get together"? "Had to" and "Maybe"?
Jerry
Yeah!
George
No...no...no, I hate to tell you this: you're not gonna see this woman.
Jerry
What, are you serious? Why, why did she call?
George
How do I know, maybe, ya know, maybe she wanted to be polite.
Jerry
To be polite? You are insane!
George
All right, all right, I didn't want to tell you this. You wanna know why she called you?
Jerry
Yes!
George
You're a back-up, you're a second-line, a just-in-case, a B-plan of contingency!
Jerry
Ohhhhhh, I get it, this is about the button.
The waitress passes the table; George stops her and writes something on his note-block.
George
Claire, Claire, you're a woman, right?
Claire
What gave it away, George?
George
Uhm...I'd like to ask you...ask you to analyze a hypothetical phone call, ya know, from a female point of view.
Jerry
[to George] Oh, come on now, what are you asking her? Now how is she gonna know?
George
[to Claire] Now, a woman calls me, all right? She says she has to come to New York on business-
Jerry
Oh you are beautiful!
George
-and, and maybe she'll see me when she gets there. Does this woman intend to spend time with me?
Claire
I'd have to say, uuhh, no.
George Shows His Note-block To Jerry. It Says Very Largely
"NO."
George
[to Claire] So why did she call?
Claire
To be polite.
George
To be polite. I rest my case.
Jerry
Good. Did you have fun? You have no idea what you're talking about. Now, come on, come with me.
Jerry stands up.
Jerry (cont'd)
I gotta go get my stuff out of the dryer anyway.
George
I'm not gonna watch you do laundry.
Jerry
Oh, come on, be a "come-with-guy".
George
Come on, I'm tired.
Scene 3

Scene 3

4 lines
Claire
[to Jerry] Don't worry, I gave him a little caffeine: he'll perk up.
George takes off his glasses and rubs his eyes, panicking.
George
Right, I knew I felt something!
Jerry is laughing, and Claire walks away with a smile.
Scene 4

Cut To: Int. Laundromat - Day

36 lines
George is staring at one of the dryers.
George
Jerry? I have to tell ya something: this is the dullest moment I've ever experienced.
George walks away from the dryer; a man passes George and Jerry.
Jerry
Well, look at this guy! Look, he's got everything, he's got detergents, sprays, fabric softeners... This is not his first load.
George
I need a break, Jerry. Ya know, I gotta get out of the city, I feel so cramped.
Jerry
And you didn't even hear how she sounded.
George
What?!
Jerry
Laura.
George
I can't believe-
George falls on his knees.
George (cont'd)
WE ALREADY DISCUSSED THIS!
Jerry
Yeah, but how could you be so sure?
George gets up.
George
'Cause it's signals, Jerry, it's signals! Don't you.... all right. Did she even ask you what you were doing tomorrow night, if you were busy?
Jerry
No.
George
She calls you today and she doesn't make a plan for tomorrow? What is that? It's Saturday night!
Jerry
Yeah.
George
What is that? It's ridiculous! You don't even know what hotel she's staying at. You can't call her. That's a signal, Jerry, that's a signal! Signal!
Jerry
Maybe you're right.
George
Maybe I'm right? Of course I'm right.
Jerry
This is insane. You know, I don't even know where she's staying! She, she's not gonna call me, this is unbelievable.
George puts an arm around Jerry.
George
I know, I know. Listen, your stuff has to be done by now, why don't you just see if it's dried?
Jerry
No no no, don't interrupt the cycle. The machine is working, it, it knows what it's doing, just let it finish.
George
You're gonna over-dry it.
Jerry
You, you can't over-dry.
George
Why not?
Jerry
Same as you can't "overwet".
George looks puzzled
Jerry (cont'd)
You see, once something is wet, it's wet. Same thing with dead: like once you die you're dead, right? Let's say you drop dead and I shoot you. You're not gonna die again, you're already dead. You can't over-die, you can't over-dry.
George looks at the other persons in the laundromat and speaks to them while pointing to Jerry.
George
Any questions?
Jerry
How could she not tell me where she was staying?
With Jerry Not Looking, George Stands By The Dryer Again And Secretly Opens It
the dryer stops working and George closes the lid. George then points to the dryer.
George
Look at that, they're done! It's a miracle!
Jerry looks surprised.
Scene 5

Int. Comedy Club - Night

3 lines
Jerry
"Laundry-day" is the only exciting day in the life of clothes. It is. No, think about it: the washing machine is the nightclub of clothes. Ya know, it's dark, there's bubbles happening, they're all kinda dancing around in there. Shirt grabs the underwear: "C'mon babe, let's gather." You come by, you open up the lid and they'll-
Jerry pretends to freeze up the way the clothes would.
Jerry (cont'd)
Socks are the most amazing article of clothing. They hate their lives. They're in the shoes with stinky feet, the boring drawers... the dryer is their only chance to escape and they all know it. They know an escape from the dryer. They plan it in the hamper, the night before: "Tomorrow, the dryer, I'm goin'...you wait here!" The dryer-door swings open and the sock is waiting up against the side wall. They hope you don't see him and then he goes down the road. They get buttons sewed on their faces, join the puppet show... So they're showing me on television the detergent for getting out blood-stains. Is this a violent image to anybody? Blood-stains? I mean, I, come on, you got a T-shirt with blood-stains all over it, maybe laundry isn't your biggest problem right now! Maybe you oughtta get the harpoon out of your chest first.
Scene 6

Cut To: Int. Jerry's Apartment - Night

47 lines
Jerry is watching television. The phone rings.
Jerry
If you know what happened in the Mets game, don't say anything, I taped it. Hello? Yeah, no, I'm sorry, you have the wrong number. Yeah, no.
Somebody knocks at the door.
Jerry (cont'd)
Yeah?
He walks to the door, while still on the phone. Kramer enters.
Kramer
Are you up?
Jerry
[To Kramer] Yeah... [in the phone] Yeah, people do move! Have you ever seen the big trucks out on the street? Yeah, no problem.
He hangs up.
Kramer
Boy, the Mets blew it tonight, huh?
Jerry
Ooohhhh, what are you doing? Kessler, it's a tape! I taped the game, it's one o'clock in the morning! I avoided human contact all night to watch this!
Kramer
Hey, I'm sorry, I...ya know, I, I thought you knew...
Kramer takes two loaves of bread out of his pockets.
Kramer (cont'd)
You got any meat?
Jerry
Meat? I don't, I don't know. Go...hunt!
Kramer walks to the refrigerator and sticks his head in.
Jerry (cont'd)
Well what, what happened in the game anyway?
Kramer's head is still in the refrigerator.
Kramer
What happened? Well they STUNK, that's what happened!
He takes some meat from the refrigerator and closes it.
Kramer (cont'd)
Ya know, I almost wound up going to that game.
Jerry
Yeah you almost went to the game. You haven't been out of the building in ten years!
Kramer
Yeah.
Jerry sits down on the couch. Kramer sits down next to him and starts turning over the pages of a magazine. Suddenly he spots an article he likes and tears it out. Jerry looks at him.
Kramer (cont'd)
Are you done with this?
Jerry
No.
Kramer glues the article back with his own saliva and puts the magazine back on the table.
Kramer
When you're done, let me know.
Jerry
Yeah, yeah...you can have it tomorrow.
Kramer
I thought I wasn't allowed to be in here this weekend.
Jerry
No, it's OK now, that, that girl is not coming. Uh, I, I misread the whole thing.
Kramer
You want me to talk to her?
Jerry
I don't think so.
Kramer
Oh, I can be very persuasive. Do you know that I was almost a lawyer.
Kramer uses his fingers to show how close he was.
Jerry
That close, huh?
Kramer
You better believe it.
The phone rings. Jerry picks it up.
Jerry
Hello... Oh, hi, Laura.
Kramer
Give me it...let me talk to her!
Jerry
No believe me, I'm always up at this hour. How are you?...
Great... Sure... What time does the plane get in? I got my friend George to take me...
Kramer
A SLIDE!...Wow!
Jerry
...No, it's, it's just my neighbor... Um, yeah, I got it.
Jerry takes a pencil and a cereal box to write on.
Jerry (cont'd)
10:15... No, don't be silly! Go ahead and ask... Yeah, sure... OK, great, no no, it's no trouble at all... I'll see you tomorrow... Great, bye.
Jerry hangs up.
Jerry (cont'd)
I, I don't believe it. That was her. She wants to stay here!
Scene 7

Cut To: Next Day

44 lines
Jerry and George enter Jerry's apartment lifting a heavy mattress.
Jerry
If my father was moving this he'd had to have a cigarette in his mouth the whole way. "Have you got your end? Your end's got to come down first, easy now, drop it down... drop it down, your end's got to come down."
George
Ya know, I can't believe you're bringin' in an extra bed for woman that wants to sleep with you. Why don't you bring in an extra guy too?
George sits down, and Jerry hands him a beer.
Jerry
Look, it's a very awkward situation, I, I don't wanna be presumptuous.
George
All right, all right, one more time, one more time! What was the EXACT phrasing of the request?
Jerry
All right, she said she couldn't find a decent hotel room-
George
A decent hotel room.
Jerry
Yeah, a decent hotel room, would it be terribly inconvenient if she stayed at my place?
George
You can't be serious. This is New York City! There must be eleven million decent hotel rooms! Whatta ya need? A flag? This is the signal, Jerry, this is the signal!
Jerry
This is the signal. Thank you, mister Signal, where were you yesterday?
George
I think I was affected by the caffeine.
Suddenly, a dog enters the apartment and jumps on top of George on the couch. George begins trying to get it away from him. Kramer walks in behind the dog and closes the door.
Kramer
He really likes you, George.
George
Well, that's flattering.
The dog runs to the bathroom and begins drinking from the toilet.
Kramer
Oh, he's getting' a drink of water. Is this for that girl?
Jerry
Yeah.
Kramer
Why even give her an option?
Jerry
This is a person I like, it's not "How to score on spring break".
George
Right, can we go? 'Cause I'm double-parked, I'm gonna get a ticket.
Jerry
Yeah, OK. Oh, wait a second. Oh, I, I forgot to clean the bathroom.
George
So what? That's good.
Jerry
Now, how could that be good?
George
Because filth is good. Whatta you think: rock stars have sponges and ammonia lying around the bathroom? They have a woman coming over, "I've gotta tidy up?" Yeah right, in these matters you never do what your instincts tell you. Always, ALWAYS do the opposite.
Jerry
This is how you operate?
George
Yeah, I wish.
Jerry
Let me just wipe the sink.
Kramer stands up.
Kramer
WHY EVEN GIVE HER AN OPTION FOR?
Jerry walks to the bathroom and closes the door.
Kramer (cont'd)
It's unbelievable.
George
Yeah.
Kramer
...How's the real estate-business?
George
...It's uh, not bad. It's comin' along... Why? Did you need something?
Kramer
Do you handle any of that commercial real estate?
George
Well, I might be getting in to that.
Kramer slaps George on the arm.
Kramer
You keep me posted!
George
I'm aware of you, all right, let's go.
He opens the bathroom door.
George (cont'd)
Let's go!
Jerry and the dog come out.
George (cont'd)
You're on stage in 25 minutes.
Scene 8

Cut To: Int. Comedy Club - Night

1 lines
Jerry
The dating world is not a fun world. It's a pressure world, it's a world of tension, it's a world of pain, and ya know, if a woman comes over to my house, I gotta get that bathroom ready, 'cause she needs things. Women need equipment. I don't know what they need. I know I don't have it, I know that. Ya know what they need? Women seem to need a lot of cotton-balls. This is the one I'm, always has been one of the amazing things to me. I have no cotton-balls. We're all human beings, what is the story? I've never had one. I never bought one, I never needed one, I've never been in a situation when I thought to myself: "I could use a cotton-ball right now. I can certainly get out of this mess." Women need them and they don't need one or two, they need thousands of them, they need bags, they're like peat-moss bags, have you ever seen these giant bags? They're huge and two days later, they're out, they're gone, the, the bag is empty. Where are the cotton-balls, ladies? What are you doing with them? The only time I ever see 'em is in the bottom of your little waste basket, there's two or three, that look like they've been through some horrible experience! Tortured, interrogated, I don't know what happened to them. I once went out with a girl who left a little zip-lock baggy of cotton-balls over at my house. I don't know what to do with them, I took them out, I put them on my kitchen floor like little tumbleweeds. I thought maybe the cockroaches would see it, figure this is a dead town: "Let's move on." The dating world is a world of pressure. Let's face it: a date is a job interview that lasts all night. The only difference between a date and a job interview is not many job interviews is there a chance you'll end up naked at the end of it. Ya know, "Well, Bill, the boss thinks you're the man for the position, why don't you strip down and meet some of the people you'll be working with?"
Scene 9

Cut To: Int. Airport - Day

41 lines
Jerry and George are waiting on Laura.
Jerry
Wouldn't it be great if you could ask a woman what she's thinking?
George
What a world that would be, if you just could ask a woman what she's thinking.
Jerry
Ya know, instead, I'm like a detective: I've gotta pick up clues, the whole thing is a murder investigation.
George
Listen, listen, don't get worked up, 'cause you're gonna know the whole story the minute she steps off the plane.
Jerry
Really? How?
George
'Cause it's all in the greeting.
Jerry
Uh-huh.
George
All right, if she puts the bags down before she greets you, that's a good sign.
Jerry
Right.
George
Ya know, anything in the, in the "lip-area" is good.
Jerry
"Lip-area."
George
You know; a hug: definitely good.
Jerry
Hug is definitely good.
George
Sure.
Jerry
Although what if it's one of those hugs where the shoulders are touching, the hips are eight feet apart?
George
That's so brutal. I hate that.
Jerry
Ya know how they do that?
George
That's why. You know, a shake is bad.
Jerry
Shake is bad, but what if it's the "two-hander?" The hand on the bottom, the hand on the top, the warm look in the eyes?
George
Hand-sandwich.
Jerry
Right.
George
I see. Well, that's open to interpretation. Because so much depends on the layering and the quality of the wetness in the eyes...
Suddenly, a woman approaches Jerry from behind and puts her hands over Jerry's eyes.
Laura
Guess who?
Jerry
Hey, hey.
Laura And Jerry
Heeeey!
They take each other's hands. George looks puzzled.
Jerry
It's good to see you.
Laura
Hi.
Jerry
This is my friend George.
Laura and George shake hands.
Laura
Hi, how nice to meet you.
George
Hi, how are you?
Jerry
This is Laura.
George
Laura, sure.
Jerry
I can't believe you're here.
George And Jerry
Ooh yeah, the bags, sure.
Laura
Oh, thank you.
Jerry
[privately to George] Now that was an interesting greeting, did you notice that, George?
George
Yes, the "surprise-blindfold-greeting." That wasn't in the manual. I don't know.
Scene 10

Cut To: Int. Jerry's Apartment - Night

32 lines
Jerry is showing Laura around the apartment.
Jerry
So uh, what do ya think?
Laura
Ooohhh, wow! This place isn't so bad.
Jerry
Yeah, it kind a motivates me to work on the road... So uh, make yourself at home.
Laura sits down on the couch, takes off her shoes, and opens some buttons of her shirt.
Jerry (cont'd)
So uh, can I get you anything? Uuhhh, bread, water... salad-dressing?
Laura
[laughs] Actually, do you have any wine?
Jerry
Uh, yeah, I think I do.
Laura
Oh, do you mind if I turn this down?
She points to a lamp.
Jerry
Uh, no, yeah, go right ahead.
Laura
Uh, Jerry, uh, I was wondering: would it be possible, and if it's not, fine, for me to stay here tomorrow night too?
Jerry
Uh, yeah, yeah, sure, why don't you stay? Yeah, uhm...What is your, what is your schedule for tomorrow? Are you, are you doing anything?
Laura
No, I'd love to do something. I have my seminar in the morning, then after that I'm right open.
Jerry
Really? What would you like to do?
Laura
Well... now I know this sounds touristy, but I'd just love to go on one of those five-hour-boat-rides around Manhattan.
Jerry
Yeah, we could do that... why not, why not.
Jerry pours the wine.
Jerry (cont'd)
I'm just, I'm really glad you're here.
The phone rings and Jerry picks it up.
Jerry (cont'd)
Yeah, hello... yes... Yes, she is, hold on. [to Laura] Uhm, it's for you.
Laura
Hello?... Hi!... No no it was great, right on time... No, I'm gonna stay here tomorrow... Yes, yes it's fine.. No, we're going on a boat-ride... Don't be silly... I'm not gonna have this conversation... Look I, I'll call you tomorrow... OK, bye.
[to Jerry] Never get engaged.
Jerry
You're engaged?
Laura
You, you really have no idea what it's like until you actually do it and I'm on this emotional roller coaster.
Jerry
You're engaged?
Laura
Ya know, I can't believe it myself sometimes. You have to start thinking in terms of "we." It's a very stressful situation.
Jerry
You're engaged!
Laura
Yeah... yeah, he's a great guy...
Jerry
Yeah.
Laura
You'd really like him. Ya know, I can't wait to get on that boat.
Jerry
Me too!
Scene 11

Cut To: Int. Comedy Club - Night

1 lines
Jerry
I swear, I have absolutely no idea what women are thinking. I don't get it, OK? I, I, I admit, I, I'm not getting the signals. I am not getting it! Women, they're so subtle, their little... everything they do is subtle. Men are not subtle, we are obvious. Women know what men want, men know what men want, what do we want? We want women, that's it! It's the only thing we know for sure, it really is: we want women. How do we get them? Oh, we don't know 'bout that, we don't know. The next step after that we have no idea. This is why you see men honking car-horns, yelling from construction sites. These are the best ideas we've had so far... The car-horn-honk, isn't that a beauty? Have you seen men doing this? What is this? The man is in the car, the woman walks by the front of the car, he honks: "e-eeehh, eehhh, eehhh!" This man is out of ideas. How does it? [imitates horn again] "I don't think she likes me." The amazing thing is that we still get women, don't we? Men, I mean, men are with women. You see men with women. How are men getting women, many people wonder? Let me tell you a little bit about our organization. "Wherever women are?", we have a man working on the situation right now. Now, he may not be our best man, OK, we have a lot of areas to cover, but someone from our staff is on the scene. That's why, I think, men get frustrated, when we see women reading articles like: "Where to meet men?" We're here, we are everywhere. We're honking our horns to serve you better.