Full screenplay script transcript for Seinfeld S03E19: The Good Samaritan
84 Scenes336 Lines
Scene 1
Opening Scene
2 lines
Elaine
You know it's bad enough you have a car phone, you have to use the speaker?
Jerry
It's safer! Plus it's more annoying to the other person.
Scene 2
Driver Cuts in Front of Jerry
5 lines
Jerry
Oh look at this guy.
Elaine
What's goin' on?
Jerry
Oh there's a guy trying to get in front of me, he has to ask permission. Yes. Go ahead. Get in, get in.
Elaine
Did you get a thank you wave?
Jerry
No, nothing. How could you not give a thank you wave? Hey buddy! Where's my thank you wave?
Scene 3
Jerry Sticks His Head Out the Window
16 lines
Jerry
Give me that wave!
Elaine
Jerry, are you free on Friday?
Jerry
Yeah, I'm free, why?
Elaine
Ah, God, I bumped into Robin Sandusky today, she asked me to have dinner with her and her husband.
Jerry
Oh my God! You won't believe what I just saw! A car just bashed into a parked car, and sped off, right on my block!
Elaine
You gotta follow that car!
Jerry
What?
Elaine
You can't let him get away with that!
Jerry
Elaine, the guy could be dangerous.
Elaine
What are you, yellow?
Jerry
I'm not yella. (In a cowboy voice)
Elaine
Jerry, if you don't follow him, you're yella.
Jerry
Wait, he stopped, he's parking.
Elaine
What? What? I can't hear you. Jerry?
SCENE MOVES OUTSIDE WHERE JERRY GET OUT OF HIS CAR TO CONFRONT OTHER DRIVER, WHO AS THEY COME OUT OF THEIR CAR, IS AN ATTRACTIVE WOMAN
Jerry
Uh, excuse me, uh, I was uh, driving behind you, uh, a few blocks back, and I, I couldn't help, uh, maybe you didn't realize, uh, I witnessed that, uh, um, you're tire's a little low. That can affect the performance of the twin high-beam suspension, not to mention your rack and pinion steering.
Scene 4
They Both Smile Flirtatiously at Each Other
4 lines
SCENE MOVES TO JERRY'S APARTMENT WHERE JERRY AND GEORGE ARE TALKING BY THE TABLE
Jerry
So I wound up going out for a decaf cappuccino with her.
George
Boy! What a story! I'm speechless. Speechless. I have no speech.
Jerry
You know, I really liked her. We talked. We flirted. And when she left, she reached out and touched my arm.
Scene 5
Reaches Out to Touch Georges Arm to Demonstrate
3 lines
Jerry
He, he, he. (Simulating her feminine laugh)
George
I love when they touch your arm. I can't get enough of that. Why is that?
Jerry
Let's not even analyze it.
Scene 6
Jerry Begins Walking Towards Door
4 lines
George
So you didn't turn her in?
Jerry
I wanted to but I couldn't go through with it.
George
Gonna see her again?
Jerry
Friday night.
Scene 7
Intercom Buzzes, Jerry Presses the Button
3 lines
Jerry
Yep.
Elaine
It's me!
Jerry
Come on up.
Scene 8
Jerry Unlocks and Opens Door
2 lines
Jerry
By the way, Elaine does not need to know about anything.
George
Hey, hey, hey! I dig.
Scene 9
George Walks Into Kitchen and Opens Cupboard to Get Cups
3 lines
Jerry
Oh, you dig?
George
Yes! I see enormous potential here.
Jerry
Why?
Scene 10
George Pours Two Cups of Milk
4 lines
George
Because great couples always have a great story about how they met. That's why I've never been in a long term relationship. I've never had a good meeting story.
Jerry
I wonder if I'm nuts for pursuing this woman at all.
George
I don't think so.
Jerry
Look, she slammed into a parked car! She took no responsibility for mutilating the property of a stranger, then she sped off like a criminal!
Scene 11
Jerry Takes a Drink of His Milk While Both Remain Silent
1 lines
Jerry
On the other hand, does that mean she should never be allowed to date again? You scratch one car and you're forbidden to have social contact for the rest of your life?!
Scene 12
Jerry Looks at His Cup in Disgust
1 lines
Jerry
What am I drinking, milk?
Scene 13
Elaine Enters, Hanging Up Her Jacket
2 lines
Elaine
Hey!
Jerry
Hi.
Scene 14
Elaine Tosses a Sweater to Jerry
3 lines
Elaine
Sweater.
Jerry
Thank you.
Elaine
So? What happened?
Scene 15
Jerry Starts Walking Away
7 lines
Jerry
With that?
Elaine
With the car!
Jerry
What car?
Elaine
The hit and run!
Jerry
Oh, right, right, right, right, right, right, right, the hit and run. Well. Actually, the guy went into Queens.
Elaine
Queens?! You followed him over the bridge?
Jerry
Over the bridge. (Making a pointing motion with his hand)
Scene 16
George Walks Out of the Kitchen
4 lines
George
Oh, well I didn't know you went into Queens Jerry.
Jerry
Yeah, Queens.
Elaine
So? Then what?
Jerry
So he gets out of the car, I say, "Hey buddy! I saw you hit that car!" So he says to me, "What are ya gonna do about it?"
Scene 17
Elaine Gasps
1 lines
Jerry
So I said to him, "Whatever's necessary."
Scene 18
Elaine Stutters with Her Mouth Open in Amazement
3 lines
Elaine
I am speechless. I am without speech.
George
Tell her about the shoving.
Jerry
What?
Scene 19
George Smiles Pointing at Him
3 lines
Elaine
What shoving?!
Jerry
Oh, it was nothing.
George
No! Tell her.
Scene 20
Jerry Looks at George with a Grin
5 lines
Jerry
Well he kinda lost his temper, and he was pushing me up against the car. So I went into a karate stance. (Jerry assumes karate position and does two punches)
Elaine
You know karate??
Jerry
I know a little.
Elaine
Well, this is so, amazing to me! Jerry what did do?
Jerry
He backed off. Pretty pathetic actually.
Scene 21
Kramer Enters
5 lines
Kramer
Hey! (Group does likewise)
Elaine
Did you tell Kramer?
Jerry
Ah, nah! (Waving his hand and walking away)
Kramer
What? What? What? Tell me.
Elaine
Jerry saw this guy crash into a car, and he followed him.
Scene 22
Jerry Looks at Kramer and Raises Both His Arms Smiling
2 lines
Kramer
Good for you! What kind of a sick lowlife would do a thing like that? You know those people, you know they're mentally disturbed. (Pointing a finger at Jerry)
Kramer
They should be sent to Australia.
Scene 23
Jerry Has a Confused Look
4 lines
Jerry
Australia?
Kramer
Yeah, yeah, that's where England used to send their convicts.
Jerry
But not anymore.
Kramer
No.
Scene 24
Everyone Pauses and Looks at Kramer
4 lines
Elaine
Hey Kramer, Kramer!
Kramer
Yeah?
Elaine
What happened to you right here? (She pointing to her forehead)
Kramer
I don't know!
Scene 25
Jerry Smiles and Shakes His Head
1 lines
Kramer
You know I was watching Entertainment Tonight, and uh, suddenly I got dizzy. And the next thing I know I hit my head on the coffee table.
Scene 26
Elaine Has a Look of Surprise
2 lines
Elaine
Well, that is, that is strange.
Kramer
Yep. (Mumbles off)
Scene 27
Elaine Walks Toward Door
2 lines
Elaine
Alright, oh Jerry, we're still on for Friday night, right?
Jerry
Oh Friday, I can't, I'm sorry, I have a date.
Scene 28
Elaine Closes Door and Walks Back Toward Jerry
2 lines
Elaine
But last night you said you were free! (Sounding very disappointed)
Jerry
We just met.
Scene 29
Kramer Is Tapping His Temple with His Finger
14 lines
Kramer
Maybe it was a reaction to the sardines.
Elaine
But I, I can't go alone!
Jerry
Ask George to go with you.
Elaine
George, come on! I'll pay for you.
George
You'll pay? I'm there.
Jerry
Why do you even need anybody?
Elaine
Because I hate being at a table alone, with a married couple. Talking about their married friends, and their married furniture. They're always trying to make me feel like their life is so much better than mine. You know, I have a very exciting life. It's very exciting. (As she's closing the door to leave)
SCENE MOVES TO RESTAURANT WITH ELAINE, GEORGE, AND THE MARRIED COUPLE,
Michael and Robin, sitting down talking, George is mainly focused on eating his meal)
Robin
You went out with a bullfighter?
Elaine
Yes, well, an ex-bullfighter now.
Michael
Wow.
Robin
What was his name?
Elaine
His name? Name, um, his name was uh, uh, Eduardo Carochio.
Scene 30
George Points Across the Table
3 lines
George
Pass the salt please.
Robin
Where did you meet him?
Elaine
Um, actually, I met him in Switzerland, and he was fighting uh, is that the word they use? Fighting? Because they don't really fight the bull, they avoid fighting the bull.
Scene 31
Elaine and Couple Laugh, George Points at the Bread
1 lines
George
Bread.
Scene 32
Elaine Hands Bread to George
3 lines
Elaine
I just love meeting new people. You know that's how you really do learn about life.
ROBIN SNEEZES, NO ONE SAYS ANYTHING, GEORGE LIFTS HIS HEAD AND LOOKS AT MICHAEL
George
God bless you.
Scene 33
Robin Smiles
2 lines
Robin
Thank you.
George
I wasn't going to say anything, but then I could see that he wasn't going to open his mouth. (Chuckles)
Scene 34
Michael Stops Pouring Wine and Looks Seriously at George
5 lines
SCENE MOVES TO JERRY'S CAR, WHERE JERRY AND HIT-AND-RUN WOMAN ARE BOTH EATING AN ICE CREAM CONES
Woman
You know who's a good actor? Anthony Quinn.
Jerry
Oh, Anthony Quinn, fine actor. But from what I understand, not a very good driver. Hits everything on the road. But always leaves a note.
Woman
Did you ever see Zorba the Greek?
Jerry
Excellent film. In fact Quinn said he never felt so good as when he left a note after smacking into a car.
Scene 35
Woman Touches Jerry's Hair, Smiling
4 lines
Woman
Come here. (moves in for a kiss)
SCENE MOVES BACK TO RESTAURANT WHERE AN ARGUMENT HAS DEVELOPED BETWEEN MICHAEL AND GEORGE
George
Really, I was, I was only kidding around.
Robin
He was only joking Michael.
Scene 36
Michael Throws Down His Serviette
10 lines
Michael
You think you're so damn special because you say 'God bless you'?
George
No, no, I don't think I'm special. My mother always said I'm not special.
Robin
He was only joking Michael! Sorry.
Michael
All right! Take his side!
Robin
I am not taking his side.
Michael
Well who's side are you taking?!
Robin
Well I'm not taking your side!
ROBIN SNEEZES, GEORGE GESTURES TO MICHAEL THAT THE FLOOR IS HIS
SCENE MOVES BACK TO JERRY'S CAR, WHERE JERRY AND THE HIT-AND-RUN WOMAN ARE NOW KISSING
Jerry
Kirk Douglas. Now there's another very bad driver. But he's such an unbelievable guy, that when he hits someone, he doesn't even leave a note. He sits in his car and waits for the other person to show up so he can exchange license, registration, and apologize.
Scene 37
Woman Pulls Jerry Back in and Starts Kissing Him Again
6 lines
SCENE MOVES BACK TO JERRY'S APARTMENT WITH GEORGE TALKING OUTSIDE JERRY'S ROOM
George
I said 'God bless you'. Was that so wrong?
Jerry
The question is, did you allow a space for the husband to come in with his 'God bless you'? Because as the husband, he has the right to first refusal.
GEORGE MAKES A CONFUSED LOOK. THE INTERCOM BUZZES, JERRY WALKS OVER AND PRESSES THE BUTTON
Elaine
It's me.
Jerry
Come on up.
Scene 38
Jerry Unlocks Door, Conversation Moves Into Kitchen
4 lines
George
Yes, yes, I definitely waited. But let me say this: Once he passes on that option, that 'God bless you' is up for grabs.
Jerry
No argument. Unless, she's one of these multiple sneezers, and he's holding his 'God bless you' in abeyance, until she completes the series.
George
Well I don't think she is a multiple sneezer, because she sneezed again later, and it was also a single.
Jerry
What if she's having an off night?
Scene 39
Elaine Walks In, Jerry Goes to Sit Down on Sofa
2 lines
Elaine
Hi!
Jerry
Hi.
Scene 40
Elaine Takes Her Coat Off and Walks Into Kitchen
1 lines
Elaine
Well! If it isn't mister gesuntheit!
Scene 41
George Walks Out of Kitchen
1 lines
George
Oh ya, like there's something wrong with saying 'God bless you'. I was raised to say 'God bless you'.
Scene 42
Jerry Sneezes
2 lines
George
Ah, shut up.
Elaine
What does it mean anyway? 'God bless you'. It's a stupid 'stuperstition'.
Scene 43
Elaine Sits on Sofa, George Sits on Arm of Sofa
1 lines
Jerry
A stupid what?
Scene 44
Elaine Looks at Jerry
2 lines
Elaine
Whatever.
Jerry
You know, if you want to make a person feel better after they sneeze, you shouldn't say 'God bless you', you should say, 'You're soo good lookin''.
Scene 45
Elaine Nods, George Rolls His Eyes
3 lines
Elaine
Yeah, yeah, that's better than 'God bless you'. Anyway, she left a message on my machine, she wants you to call her.
George
Who?
Elaine
Robin!
Scene 46
George Looks Quickly at Elaine
2 lines
George
Why?!
Elaine
Well I assumed she called to apologize, that's why she called me.
Scene 47
George Stands Up
3 lines
Jerry
Entertainment Tonight's on.
George
Where's the remote phone?
Jerry
Bedroom.
Scene 48
George Walks Toward Jerry's Bedroom
3 lines
Elaine
Hey, grab Jerry's sweater for me, would you?
THEME MUSIC PLAYS ON TV, KRAMER WALKS IN, WAVES AT JERRY AND ELAINE, THEN WALKS OVER TO JERRY'S BOOKSHELF, DANCING TO THE MUSIC. VOICE OF MARY HART STARTS ON TV AND KRAMER STARTS HAVING A WILD SEIZURE BEHIND THE SOFA.
Jerry
What's it like out?
Scene 49
Kramer Continues to Shake Behind Sofa
5 lines
Elaine
Chilly out.
Jerry
Can I take a sweater?
Elaine
Yeah, you can take a sweater if you want to.
Jerry
Scarf?
Elaine
Nah, hey, shut this off, shut it off.
Scene 50
Jerry and Elaine Finally Notice Kramer As He Finishes
1 lines
Jerry
What's the matter? What's going on?
Scene 51
Kramer Is Looking Around Like He's Lost
4 lines
Kramer
What happened?!
Elaine
What?
Kramer
I think I hit my head again!
Jerry
What is wrong?!
Scene 52
Elaine Is Pointing at the TV
2 lines
Elaine
Hey, hey, wait a minute! Let me ask you something. Kramer, the last time you hit your head, was Mary Hart on TV?
Kramer
Yeah.
Scene 53
Elaine Is Pointing at the TV
2 lines
Elaine
That is it!
Kramer
What?
Scene 54
Elaine Walks Toward Kramer Pointing Her Finger at Him
9 lines
Elaine
That is it! Mary Hart's voice, don't you see? There's something about Mary Hart's voice that's giving you seizures. Just like, just like, just like that woman in Albany!
GEORGE WALKS OUT OF JERRY'S BEDROOM TOWARD KITCHEN, KRAMER SITS DOWN
Kramer
Mary Hart!
George
God.
Elaine
What?
George
Well she apologized, and then she wanted to know if we could get together Wednesday afternoon.
Jerry
Get together?
George
Maybe she just wants to talk to me?
Elaine
Married women don't 'get together'. They have affairs.
Scene 55
George Walks to Other Side of Sofa
1 lines
George
Oh my God, an affair. That's so adult. It's like with stockings and martinis, and William Holden. On the other hand it probably wouldn't cost me any money.
Scene 56
George Sits on Chair
3 lines
Elaine
Are you actually considering this?
George
I can't have an affair with a married woman, that's despicable!
Elaine
Yeah, it's like hitting a car and driving away without leaving a note.
Scene 57
Jerry Moves Around Sofa As If Uncomfortable
1 lines
Jerry
Yeah.
Scene 58
Kramer Walks Out of Washroom
5 lines
Kramer
Hey, you know who owns that car?
Jerry
What car?
Kramer
The one that was hit a couple of nights ago.
Jerry
Yeah who?
Kramer
That blond across the street. You know the one with the long ponytail, she wears those blue sweatpants.
Scene 59
Jerry Stands Up and Walks Toward Kitchen
1 lines
Jerry
The blond with the blue sweatpants! Yeah, I think I've seen her.
Scene 60
Elaine Nods, Smiling
1 lines
Elaine
Well I've got to get going. I'm meeting a guy with grey sweatpants.
Scene 61
Elaine Walks Out Door, Kramer Follows
22 lines
Kramer
Wait, wait, wait, how do you know it's not John Tesh?
JERRY CLOSES DOOR BEHIND THEM, THEN RUNS OVER TO GEORGE VERY EXCITED
Jerry
The blond with the blue sweatpants!
George
Well, who is she?
Jerry
I've had a crush on this woman for year! I've always been afraid to approach her! She looks like she belongs on one of these Hallmark cards.
George
Oh right, right! The blue sweatpants! Gees, it's too bad you can't say anything because of Angela.
JERRY SITS DOWN, DISGRUNTLED, FLIPS AIMLESSLY THROUGH A MAGAZINE
Jerry
Oh yeah. Too bad. Angela. Lousy thug. I mean what kind of sick person does something like that? That woman belongs in prison! I mean, I actually owe it to society to do something about this! I can't sit by and allow this to go on. It's a moral issue is what it is!
JERRY AND GEORGE ARE BOTH POINTING THEIR FINGERS AT EACH OTHER
George
You can't compromise your principles!
Jerry
How am I going to live with myself?!
George
Can't live!
Jerry
I'm not religious, but I certainly know where to draw the line!
George
This country needs more people like you!
Jerry
Don't sell yourself short saying 'God bless you' to every Tom, Dick and Harry in great personal risk.
George
I believe strongly in that as you know.
Jerry
There should be more people like us.
George
That's why the world's in the shape it's in.
Jerry
You're telling me.
JERRY AND GEORGE BOTH FLIP PAGES SIMULTANEOUSLY AND START READING THEIR MAGAZINES
SCENE MOVES TO APARTMENT ACROSS STREET, WHERE JERRY IS TALKING TO THE GIRL WITH THE BLUE SWEATPANTS, BECKY GELKE, OUTSIDE HER DOOR
Jerry
Anyway, I just wanted you to know, that I'm going to do everything I can to make sure the party responsible is made to be responsible or something very close to that.
Scene 62
Becky Touches Jerry's Arm, Smiling
1 lines
Becky
Well God bless you.
Scene 63
Jerry Pauses
26 lines
Jerry
Thank you very much.
SCENE MOVES TO GEORGE'S APARTMENT, WHERE GEORGE AND ROBIN ARE TOGETHER IN BED
George
Oh my God. I must be crazy. What have I done?
Robin
Oh no, what's wrong?
George
What's wrong? I'll tell you what's wrong. I just committed adultery!
Robin
You didn't commit adultery, I did.
George
Oh yeah.
Robin
If I didn't do it with you, I would have done it with someone else.
George
Well, I wouldn't want you to do that. You know there's a lot of losers out there.
Robin
Maybe even someone who didn't say 'God bless you'.
George
Well, that's a given.
Robin
In three years with Michael, not one 'God bless you'.
George
Must be hell living in that house.
SCENE MOVES TO ELAINE'S APARTMENT, WHERE SHE IS TALKING ON THE PHONE TO MICHAEL
Michael
Hi, it's Michael.
Elaine
Hi, Michael!
Michael
Is Robin there?
Elaine
Robin? No, why?
Michael
Uh, she said she was going to be with you.
Elaine
No I haven't spoken to her all day-uh, yeah right, um, as a matter of fact, um, she was here, and she uh, left a note, but I wasn't here, but I have the note, uh, right here.
ELAINE SITS ON THE COUCH AND CRUMPLES NEWSPAPER INTO THE PHONE
Michael
If she's not with you, then where is she?
Elaine
Well I, I don't know.
Michael
Is she with your bald friend from the other night?!
Elaine
No, no, come on Michael!
Michael
He's finished! I'm going to sew his ass to his face! I'm going to twist his neck so hard his lips will be his eyebrows! I'm going to break his joints, and reattach them!
Scene 64
Michael Sneezes
5 lines
Elaine
You're soo good lookin'.
SCENE MOVES BACK TO JERRY'S APARTMENT, WHERE JERRY AND ANGELA ARE TALKING BY THE SOFA
Angela
Now you listen to me, suck face! You tell anybody, anything, and I will carve my initials in your brain tissue!
Jerry
Let me rephra-
Angela
I'll bash your skull into a vegematic like a bad cabbage, and I'll have a party on your head!
Scene 65
Elaine Walks In
2 lines
Jerry
Hi Elaine, this is Angela.
Angela
I'll pluck all your body hairs out with my teeth!
Scene 66
Jerry Walks Past Her Away From the Kitchen
4 lines
Jerry
Well I think I get the gist of it.
Angela
So you don't say anything to anybody about me hitting that car!
(JERRY SHRUGS
Jerry
What car?
Scene 67
Jerry Hands Angela Her Purse
2 lines
Angela
Good. I'm glad we understand each other.
Jerry
It's not complicated.
Scene 68
Angela Walks Out and Down Hall, Elaine Waves
3 lines
Elaine
Very nice meeting you!
INTERCOM BUZZES, ELAINE HITS BUTTON WHILE WALKING TOWARD JERRY
Elaine
Come on up.
Scene 69
Elaine Laughs
4 lines
Elaine
Well, well, well, Mr. Seinfeld! That must have been so frightening! When you confronted that guy, in Queens! Now, let's just see if I've got this scenario right.
Jerry
Alright Elaine.
Elaine
No, no, no, no, no. Because I'm picturing 'French Connection', kind of thing. You know? Sort of a Popeye Doyle chase through the city!
Jerry
It was just a couple of blocks.
Scene 70
Elaine Takes Cup From Jerry and Sets It on Counter
4 lines
Elaine
Oh no, no, come on. Don't be so modest!
GEORGE WALKS IN OPEN DOOR, AND INTO KITCHEN. ELAINE WALKS TOWARD HIM, JERRY GOES TO WASHROOM
George
Hey.
Elaine
Oh, did you check you machine?
Scene 71
George Takes Glass From Cupboard
11 lines
George
No, why, what's happening?
Elaine
Michael called me today, and he asked me where Robin was.
George
Yeah, okay.
Elaine
And I said I hadn't seen her.
George
What?!
Elaine
No, no George! You don't understand! She didn't tell me she was using me as an excuse! Okay?! But then I realized what was going on, and I said that she left a note. Um, but he didn't really buy that. And then, and then he did mention your name.
George
He mentioned my name?! What did he say?!
Elaine
He said he was going to sew your ass to your face.
George
What? Why couldn't you think of something?!
Elaine
Well I don't know, he caught me off guard!
George
You lie! How hard is it to lie?!
Scene 72
Jerry Walks Back From Washroom
1 lines
Jerry
It's not that hard.
Scene 73
Elaine Points Finger at George
4 lines
Elaine
Well who told you to sleep with her George?!
George
It's not my fault! I wasn't going to do anything until you got her all juiced up with your story about having the affair with the matador!
Elaine
Oh Gosh! None of this would never have happened if you wouldn't have said 'God bless you'!
George
Oh don't-
Scene 74
Jerry Raises His Arms
4 lines
Jerry
Hold it! Hold it! Hold it people! Matador? What matador?
George
She told this couple she had an affair with a matador.
Jerry
A matador! Well, well, well. Uno momento por favor. Pray tell, what was the young man's name?
Elaine
Uh, Eduardo, uh, Carochio.
Scene 75
Jerry Uses Hand Towel to Mimic Matador
7 lines
Jerry
Eduardo, Carochio! That's good. That's very good. Kind of just rolls of the tongue. I wonder where on the upper west side a single girl might meet a matador? Perhaps Zabars? Or Les Pizza!
SCENE MOVES TO BECKY'S APARTMENT, WHERE JERRY IS TALKING TO HER OUTSIDE HER DOOR
Jerry
Anyway, this person told me to tell you to get an estimate on the damage.
Becky
Well, I already got an estimate. It's $875.
Jerry
$875?
Becky
That's right.
Jerry
Uh, well, I'll tell you what. Um, I'll give you a check, and then this person can pay me back.
Scene 76
Jerry Takes Out Checkbook, And Start Writing
3 lines
Jerry
Um, who do I make it out to?
Becky
Becky Gelke. G-E-L-K-E.
Jerry
So, what are you doing this weekend?
Scene 77
Jerry Hands Check to Becky
3 lines
Becky
You have got some nerve! You smash up my car, you don't admit it, and now you want to ask me out on a date?
Jerry
I didn't do it!
Becky
Yeah righ-
Scene 78
Becky Sneezes
1 lines
Jerry
You are soo good lookin'.
Scene 79
Becky Closes Door
3 lines
Becky
Thank you.
SCENE MOVES TO JERRY'S APARTMENT WHERE JERRY IS CHANGING IN BEDROOM AND GEORGE IS LOOKING OUT WINDOW
George
Jerry, let's go! You ready?
Scene 80
Jerry Walks Out of Bedroom
3 lines
Jerry
You sure you want to do this? I'm going to be on the road for three weeks!
George
Excuse me, I've got a maniac stalking me, I'm not staying in the city.
Jerry
Alright!
Scene 81
George Put His Bag Over His Shoulder
1 lines
George
Come on let's get out of here.
Scene 82
Kramer Enters
9 lines
Kramer
How could you?
Jerry
What?!
Kramer
Man! I never thought you were capable of this!
Jerry
What did I do?
Kramer
I just talked to Becky Gelke outside, she told me how you hit and ran.
Jerry
I-
Kramer
I don't even want to look at you anymore! All these years of friendship and you're nothing but a felon. You're an embarrassment to the building.
Jerry
I didn't do it! I just had to pay her to cover for somebody else!
Kramer
Now you're not going to lie to me, are you?
Scene 83
Jerry Is Putting on Sweater
7 lines
Jerry
No, never.
Kramer
Alright. Well. Glad we got that straightened out because I've got a date with her.
Jerry
You got a date with Becky Gelke?!
Kramer
Yeah, going out with her Saturday night.
George
Jerry, can we get out of here?!
Kramer
As a matter of fact, if it wasn't for you, I wouldn't have even had an excuse to talk to her.
Jerry
Well I'm happy to help, in any way that I can.
Scene 84
Jerry Yanks Coat Out of George's Hands
1 lines
SCENE MOVES TO OUTSIDE BECKY'S APARTMENT. KRAMER IS WALKING TOWARD HER DOOR, HAIR SLICKED BACK, WITH A BOUQUET OF FLOWERS IN HIS HAND. HE KNOCKS ON HER DOOR, SHE OPENS. MARY HART'S VOICE IS PLAYING ON THE TV IN THE DISTANCE. KRAMER STARTS HAVING A VIOLENT SEIZURE.
