Great! Well, take a look around. Pick out something you like. (George reluctantly begins to look around, while Jerry strolls over to the painting-in-progress [Kramer] and picks up a brush.)
Jerry
May I? (pantomimes making a big "X" across the painting)
Nina
(laughing) Get outta here! (beat) Here, play with this. (hands Jerry a small white envelope)
Jerry
What's this?
Nina
My father gave me four tickets to the Yankee game for Saturday afternoon. Owner's box, first row behind the dugout.
Jerry
(sincerely disappointed) Oh, Saturday... I'm working, I'm going out of town.
Nina
Oh, well. I'm not gonna go without you. Do you guys want 'em?
Kramer
(immediately) Yeah.
Jerry
They're right behind the dugout, George, first row!
George
Behind the dugout, are you kidding? How did you get them?
Nina
Oh, my father's the Yankees accountant... it's the owner's box.
George
All my life I've dreamed of sitting front row, behind the dugout!
Nina
(gesturing towards a small, ugly painting George was apparently look-ing at and happens to be holding) You like that one?
Scene 5
Saturday, The Game
58 lines
(George, Kramer, and Elaine are being lead to their seats)
George
Look at where we are! (referring to the seat usher) He's not stopping! He just keeps going and going and going! (the usher abruptly stops at the second row) We're not in the first row?
Usher
No, no, these are your seats.
George
She said first row! Right behind the dugout!
Elaine
Well, it's the second row. It's just as good.
George
I was all primed for the first row; I was gonna put my feet up on the dugout!
Elaine
Would you shut up? These are great! You can't get any better than this.
George
Oh, there's better, (pointing at the row in front of them) right there, that's better.
Kramer
Right. (Elaine giggles) Oh boy... okay, who wants a dog? (Kramer hands out the hot dogs)What a great day!
Elaine
I could've been at my boss' son's bris right now.
George
(amused) You're supposed to do that?
Elaine
(shrugs) Yeah. (beat) What makes you think anyone would want to go to a circumcision?
George
I'd rather go to a hanging.
Elaine
Anyway, I called him back... I told him I had to go visit my father in the hospital in Maryland. (George laughs)
Kramer
(screaming at the players on the field) YOU BETTER CATCH IT,
JOHNNY, 'CAUSE THIS AIN'T PHILIDELPHIA!!
(A man approaches the trio)
Man
George?
George
Yeah?
Man
Hi. I'm Leonard West, Nina's father.
George
Hi! Mr. West, this is my friend Elaine--
Elaine
Hi!
Kramer
(screaming again) HEY, 230 AIN'T GONNA CUT IT IN THIS TOWN, BABE!
George
--and this is Kramer.
Kramer
Oh, hey.
(The Yankees make a good play, the crowd applauds)
West
So how are the seats?
George
Okay.
Elaine
Great, great.
Kramer
Yeah.
West
George, I heard you bought one of Nina's paintings.
George
Yeah, it's being framed right now. I don't even know what it costs. (beat) Not, uh, too expensive, is it?
West
Well, if you have a lot of money.
(Yankees make a horrible play, the crowd responds)
West
(leaving) Well, enjoy the game. (beat -- to Elaine) I think you better take off that Orioles cap.
Elaine
(thinking he's joking) Yeah. I better!
West
No, no, no. Seriously. You're in the owner's box, and I don't think it's a good idea.
Elaine
You're not serious.
West
Yes, yes, yes, I am!
Elaine
Well, did he say that?
West
No, no, but he gave me the seats. I don't think he'd like it if you wore an Orioles cap.
Elaine
Well maybe you should ask him!
West
I don't have to ask him! Now are you gonna take the hat off or not?
Elaine
No! I don't have to take it off, why should I take it off? This is ridiculous!!
George
Just take the cap off.
Elaine
George, we are at a baseball game! This is America!
West
Look. Either you take the cap off, or you'll have to leave.
Elaine
Well, I don't care, I'm not taking it off.
George
Just take the cap off!
Elaine
No!
(A fight starts between Elaine and George; Elaine ends up taking off
GEORGE'S hat, and throwing it onto the field... West calls security over, they proceed to remove Elaine)
Kramer
Hey! Just wait a minute. We just got here!
George
(to Elaine) Do you want us to go with you?
Kramer
(getting up) I'll go get your hat, George.
Elaine
(sarcastically, to George) Stay!
George
Okay, we'll go!
(meanwhile Kramer Is Climbing Over The Dugout Retrieve George's Cap... The Camera Cuts To The Field Where The Batter Hits A Pop Fly To Where Kramer Is
the ball knocks him squarely in the head, he falls off the dugout onto the crowd)
Scene 6
Jerry's Apartment
17 lines
Elaine
...and then the ball hits him in the head and he falls right over the railing!
Jerry
Is he okay?
Elaine
Well, yeah, he's fine! We took him to the emergency room, and you know, the x-rays were all negative. (beat) It was quite a day!
Jerry
This is the most amazing story I've ever heard--why did he want you to take off the baseball cap? That is so insane!
Elaine
I know! Can you imagine that?
(Kramer enters with a bandage wrapper around his forehead)
Jerry
How you feeling?
Kramer
Oh, yeah, yeah, I'm fine, I'm fine. (beat--holds up newspaper) Hey, we made the paper. Eh? Look at this- page 2, sports section... we're all in the picture.
Elaine
Wha- a picture?
Kramer
A picture.
Elaine
OUR PICTURE'S IN THERE??
Kramer
Uh-huh.
(they all crowd around, looking at the picture)
Elaine
(gasps) I cannot believe this!
Jerry
(pointing) There's George!
Kramer
Yup, yup!
Elaine
Ohmygod! Lippman could see this! He thinks I was visiting my father! Oh my g-I make up one little white lie and they put my picture in the paper!
Scene 7
Lippman's Office
28 lines
(Lippman is at his desk, Elaine enters.)
Elaine
Hi, Mr. Lippman.
Lippman
How's your father?
Elaine
My, my father?
Lippman
Yeah. You, you went to see him, right?
Elaine
Yeah.
Lippman
Uh-huh.
Elaine
I went to visit him.
Lippman
Uh-huh. So, what was wrong with him?
Elaine
Well, you name it, uh, neuritis, uh, neuralgia...
Lippman
But--but he's feeling better now?
Elaine
Um, yup. Yes, yes, it just... such a miracle, um. My visit must have buoyed (Elaine says "boyed") his spirits.
Lippman
(correcting her) Boo-eed.
Elaine
What--what did I say?
Lippman
You said "boyed."
Elaine
I did?
Lippman
Yeah.
(Elaine starts to laugh hysterically, and at the same time discreetly removes Lippman's sports section from his desk. She manages to maneuver it into her lap, out of sight.)
Lippman
Well, I got a plane to catch.
Elaine
Oh! Where are you going?
Lippman
Going to Houston. It's a publisher's convention. (beat) Can I have my sports section?
Elaine
Ah. ...Yeah.
Lippman
I've been saving it for the plane. I never miss the Sunday sports section.
Elaine
There's nothing to read, it's just yesterday's news. You know, the Yankees won, the Mets lost, Ricky Henderson's unhappy...
Lippman
Right, right. (starts to take the paper from Elaine's hand; Elaine holds on tight.) What, what are you doing?
Elaine
Wha-- oh! (noticing her hand) Oh, god! (laughs) That is the THIRD time today I have done that! BLAAAH! (laughs again) Grabbing news- papers... I'm just tugging at 'em... (laughs)
Lippman
Gotta go.
Elaine
Okay! Well, you know, have a nice trip, and uh... alrighty! (beat) I'll just hold down the, uh, fort!
Scene 8
Nina's Studio
4 lines
(Mr. and Mrs. Armstrong are admiring Nina's "Kramer.")
Mrs.arm
I sense great vulcrability. A land child crying out for love, an innocent orphan in the post-modern world.
Mr. Arm
I see a parasite.
Mrs.arm
A sexually-depraved miscrient, who is seeking to gratify only his most basic and immediate urges.
Scene 9
Another Part of the Studio
3 lines
(Jerry and Nina are arguing.)
Nina
She was a guest of my father's. She should've taken the cap off.
Jerry
It's preposterous! They ask someone to take off a baseball cap at a baseball game. (beat) How can you defend that?
Scene 10
Armstrongs Admiring Painting
2 lines
Mrs.arm
He is struggled, he is man-struggled. He lifts my spirit!
Mr. Arm
He is a loathsome, offensive brute, yet I can't look away.
Scene 11
Jerry and Nina
4 lines
Jerry
Look, I'm really getting tired off all the fighting. Maybe we should just end this before we really start hating each other.
Nina
Oh, well, you wouldn't want that because you always have to remain friends!
Jerry
Well, I like to remain friends with people I was friends with!
Nina
Hey -- why don't you just go then! And -- oh, give this to George. Tell him he owes me $500!
Scene 12
Armstrongs
4 lines
Mrs.arm
He transcends time and space.
Mr. Arm
He sickens me.
Mrs.arm
I love it.
Mr. Arm
Me too.
Scene 13
Jerry's Apartment.
31 lines
George
Five-hundred dollars?! What?
Jerry
That's what she told me!
George
I'm not paying $500 for this! It's a piece of junk!
Jerry
That's what it costs!
George
Why did you even take it? You broke up with her!
Jerry
I wasn't thinking! I don't know.
George
You weren't thinking.
Jerry
Well, she framed it and everything.
George
Well, I'm not buying it. No way. Forget it. No way I'm buying this! (beat) I mean, look at it! What is it? It's a bunch of squiggly lines! (beat) Are you telling me you couldn't paint this?
Jerry
Do you want me to paint you something? I'd love to paint you some- thing!
George
I'm not paying for this. If you were going out with her, it'd be a different story.
Kramer
(entering, handing Jerry a piece of paper) This was in front of your door.
George
Hey, Kramer.
Kramer
Hi, Mike.
Jerry
(looking at the paper) Wow, a letter from Nina!
Kramer
(notices the painting) Whoa, man! That is the ugliest thing I've ever seen!
Jerry
(reading note) Oh my god!
George
What?
Jerry
This is amazing, you can't believe this!
George
What's it say?
Jerry
Listen to this: "I don't know what you expect to find out there, Jerry, you know what you want better than me. But there's one thing I do know. I know I can stand here watching you destroy everything I've ever wanted in my life, wanting to smash your face with my fists, because you won't make even the slightest effort to offer happiness and still know that I love you. You mean so much to me that I'm will-ing to take all your abuse and insults and insensitivity."
George
WOW!
Kramer
(emotionally) She's deep.
Jerry
(reading on) "...'cause that's what you need to do to prove I'm not going to leave you. I'm sick and tired of running from places and people and relationships. You want me, that fight for me, becau-"
(Kramer blows his noes loudly) "...because I'm sure as hell fighting for you!"
Kramer
You know Jerry, she sounds like a poet!
Jerry
No one's ever written me a letter like this. Maybe I was wrong about her!
Kramer
(pushing Jerry towards the phone) Yeah! Get in there and give her a call. Pick up the phone and call her!
Jerry
Should I?
Kramer
(screaming) YES! YOU'RE DAMN RIGHT YOU SHOULD! (hysterically) Fight for her, Jerry, she's sure as hell fighting for you!
Jerry
ALL RIGHT, all right! I'll call her.
Scene 14
Jerry's Apartment
36 lines
(Jerry is helping Nina put on her coat. The TV is on a horse race.)
Jerry
SHOT! (the sound of a shot on the TV is heard) I told ya! (the inter- com buzzes) Yeah?
George
(on intercom) It's George.
Jerry
Come on up. (to Nina) Well, now we gotta get a posse together. I love a good posse.
Nina
What's the appeal of the posse?
Jerry
The appeal of the posse? The posse has tremendous appeal. Get away from the job, camp out, you're with your friends... Come on, it's a week-long game of hide-and-seek on horseback.
(George enters)
Nina
Hello, George.
George
Hey, Nina! (beat) I owe you some money, don't I?
Nina
Well, I really love that piece.
George
Oh, yeah, me too, me too. Boy oh boy oh boy...! You know, in fact, I've been thinking about it, and I feel like I'm stealing from you! Five-hundred dollars! It's gonna be worth thousands soon! You know what? On second thought, I can't even accept it.
Nina
No, no no no, George! A deal's a deal. I want you to have it!
George
This could be in a museum some day! It's not safe with me! It should really be in a doormanned building.
Nina
Honestly, George, the money's not important.
George
Who said anything about money? (intercom buzzes)
Jerry
Yeah?
Elaine
(on intercom) It's Elaine.
Jerry
Come on up.
Nina
Elaine?
Jerry
...Yeah.
Nina
(rolling eyes) This person does not believe in telephones, does she?
Jerry
She likes the pop-in. I've told her how I hate the pop-in. (pointing to George) He likes the pop-in, too.
George
I just popped in now. I'm a big pop-in guy.
Jerry
Yeah.
George
How 'bout Kramer.
Jerry
HUGE pop-in guy!
Nina
Well, I was leaving anyway, so, uh, we're on for tomorrow?
Jerry
Yeah.
Nina
Okay.
Jerry
Okay!
Nina
Bye. (just as Nina is about to leave, Elaine walks in.)
Elaine
(to Nina) Hello!
(Nina doesn't respond, just walks past Elaine)
Elaine
(sarcastic) Chatty gal. (beat) Lippman's coming back tomorrow, I'll be fired!
Jerry
If he noticed, he would have called you from Houston!
Elaine
No, he wants to torture me.
Scene 15
Later on That Night
24 lines
(George, Elaine, and Jerry are watching TV. Jerry, with the remote, is furiously flipping through channels.)
Elaine
(annoyed) Oh! Would you gimme the clicker? I hate it when you're the clicker! You go too fast! (Elain makes a grab for the clicker, instigating a tug-o-war between Elaine and Jerry over the clicker)
Jerry
(tugging at the clicker) I'm a great clicker! (gets the clicker back) Great instincts. How dare you impune my clicking.
Elaine
You're all over the dial! You don't know what you want! I've never seen you stay on anything for more than 5 seconds. Gimme that.
(Another tug-o-war starts)
Jerry
Let go!
Elaine
No, come on! I want it, Jerry!
Jerry
Let go, Elaine!
Elaine
Well at least let George do it!
Jerry
Oh, George can't click! (George joins in the fight)
George
(as Jerry and Elaine continue to whine) Give it! Give it! (he finally gets the remote away from them) Pinheads.
(George starts clicking, the first station he lands on is playing Neil Simon's Chapter 2. After a few seconds, George gets bored, and changes the station)
Jerry
Wait, wait a second! Go back, go back to that. (they watch it a little longer)
Elaine
It's Chapter 2, it's Neil Simon.
Jerry
(on to something) Wait a second... wait a second!! (he watches the TV for another minute) The letter, that's the letter!
Elaine
What letter?
Jerry
This is the letter she wrote to me, she stole it right from the movie!
(Jerry get up to go find the letter. A second later, he returns, and starts reading in unison with movie on TV.)
Jerry
"...'cause you don't even make the slightest effort to offer happiness still know that I love you!!"
George
This is incredible!
Jerry
I always thought there was something funny about this letter! She copied it right out of Chapter 2! She a thief, a bunko-artist!
George
Maybe I won't send her that check.
Elaine
You know, it's not really that terrible.
Jerry
What are you talking about? She completely misrepresented herself! (mimicking the letter) I don't offer happiness. I offer happiness! James Caan doesn't offer happiness!
Scene 16
Lippman's Office.
15 lines
(Lippman is on the phone when Elaine walks in and places something on his desk. After she does, she tries to leave but Lippman, still on the phone, motions for her to stay in the room)
Lippman
(into phone)...yeah, yeah. But she wouldn't take the cap off? (beat) But didn't she know they were the owner's seats? (beat) Aw, that's unbelievable. (beat) Yeah. Okay. Alright Lenny, thanks again. Take care. (hangs up the phone, and then, to Elaine) That was Lenny West, my accountant, who is a hell of a guy. And he handles the Yankees too; it's his biggest account. So every once in a while they throw him a couple of seats and last weekend he gave them to his daughter. She's an artist, by the way. Anyway, her daughter gives 'em to some friends, you know. One of her friends shows up wearing a Baltimore cap! (beat) You're from Baltimore, right?
Elaine
Um, oh, it's Townscend, which is NEAR Baltimore.
Lippman
Yeah, but you're an Oriole fan, right?
Elaine
Well, uh, fan. My father--
Lippman
Anyway, she refused to take the cap off; caused a whole big scene!
Elaine
Really?
Lippman
Yeah.
Elaine
So... impudent.
Lippman
Yeah, so Lenny gave me the tickets for tomorrow night. I'm inviting Frank and Marsha. 'Wantcha to come.
Elaine
(pause) Ah. I've-I've got plans, though, Mr. Li--
Lippman
Well, break 'em. You missed the bris, I want you at the game.
Elaine
(very reluctant) Okay.
Lippman
Good. (Elaine stars to leave) Oh--and Elaine. You know the Baltimore cap you got in your office? Wear it. I'm gonna have a little fun with him.
Elaine
That will be fun.
Scene 17
Nina's Studio.
11 lines
(Nina is working on a painting. Jerry is watching her, sitting on the sofa.)
Jerry
How's it coming?
Nina
Good, good.
Jerry
Seen any good movies lately?
Nina
No... not really. You?
Jerry
No. I like a good comedy. You know, like a Neil Simon? You like Neil Simon?
Nina
Neil Simon? Uh, some of his stuff.
Jerry
I've seen MOST of it. I guess my favorite would have to be, uh... Chapter 2. Have you ever seen that?
Nina
I don't know... maybe.
Jerry
I have. Funny, funny. In fact it was on TV just the other night. Happened to catch it. (a knock is heard at the door) I couldn't help notice a STUNNING similiarity-- (Jerry is interrupted as Nina opens answer the door...)
Mr. Arm
Well, we've made our decision. We want "The Kramer."
Scene 18
Jerry's Apartment
11 lines
(Jerry and George are watching a baseball game and talking.)
George
Five-thousand? Why would anybody buy Kramer for $5000? (laughs)
Jerry
Boy, the Yankees cannot buy a hit tonight!
George
So is it all over between you and... Marsha Mason?
Jerry
Yeah. (picks up Nina's painting George bought) And by the way, can you get this thing outta my house?
George
Tell you what, I'll make a deal with you. I'll sell it to you right now for ten bucks.
(The Yankees announcer is heard on TV)
Tv Voice
Uh, there's seems to be a lot of trouble in the area just behind the Yankee dugout.
George
Behind the dugout, that's where we were sitting the other day.
Tv Voice
Well, we're not going to show it, we don't want to encourage that kind of behavior. Say, it's a young lady, and boy she's really going at it with the security guard. She's a fiesty one. And now they're getting the other security guard to come down. How do you like that Seegers? Boy, she's someting. (beat) And a ball to left field..."
(Jerry and George look at each other, wondering.)
Scene 19
The Armstrong's Dining Room
6 lines
(Mr. and Mrs. Armstrong are having Kramer over for dinner.)
Kramer
...then, when I was seventeen, I ran away from home and hopped a steamship to Sweden. (beat) This steak is excellent, by the way.
Mrs.arm
More potatoes?
Kramer
Yeah, sure. Please.
Mr. Arm
Yes, yes. Go on. You hopped a steamship to Sweden?