Full screenplay script transcript for Seinfeld S03E13: The Subway
27 Scenes199 Lines
Scene 1
Opening Scene
23 lines
Kramer
All right, Coney Island. Ok, you can take the B or the F and switch for the N at Broadway Lafayette, or you can go over the bridge to DeKalb and catch the Q to Atlantic Avenue, then switch to the IRT 2, 3, 4 or 5, but don't get on the G. See that's very tempting, but you wind up on Smith and 9th street, then you got to get on the R.
Elaine
Couldn't he just take the D straight to Coney Island?
Kramer
Well, yeah...
Elaine
Ok, what time is your job interview George?
George
9:45
Jerry
Remember, don't whistle on the elevator.
George
Why not?
Jerry
That's what Willie Loman told Biff before his interview, in 'Death of a salesman'.
George
What, you are comparing me to Biff Loman, very encouraging. The biggest loser in history of American literature.
Elaine
All right, I'm gonna go.
Jerry
What time is the lesbian wedding?
Elaine
9:30
George
Lesbian wedding. How do they work bride and groom out, what do they flip a coin?
Elaine
Yeah, they flip a coin.
George
What, was that not politically correct? It's a legitimate question.
Jerry
I'm so tired. I'll fall asleep on that train (yawns)
George
I get the feeling when lesbians are looking at me, they're thinking: "That's why I'm not heterosexual".
Kramer
Jerry, come on let's go, pick up the check so we can go.
Jerry
Oh, I'm paying for breakfast?
Kramer
Yeah.
Elaine
Yeah.
George
Yeah.
Jerry
Why do I always pay? What am I made of money? You bunch of deadbeats.
Scene 2
On the Subway
20 lines
George
How many tickets are you paying today?
Kramer
Well, let's see: speeding, running a red light, no license, no registration, no plates, no brake lights, no rear view mirror...yeah. (gives George a ticket)
George
No doors?
Kramer
I'm fighting that one. You know, this is gonna cost me over six hundred bucks.
BLIND VIOLINIST COMES PLAYING, WITH MUG FOR THE MONEY. EVERYBODY ELSE GIVES HIM SOME CHANGE, EXCEPT GEORGE
George
I can't carry any changes in these pants, it falls out.
Violin Player
Thank you.
George
That guy is not blind.
Jerry
So, can I convince anybody to come down to Coney Island with me? I got to pick up my car at the pound. George?
George
I can't believe they actually found your stolen car.
Jerry
Not only that they found it. It was simonized and the front end was aligned.
George
That's amazing.
Jerry
So what do you say? Run in the cyclone. Hotdogs on Nathan's is on me.
George
What are you? Satan? I'm close to a job here. It's my second interview with them.
Jerry
All right, biff. Elaine, merry-go-round?
Elaine
I can't. I'm the best man.
Jerry
Kramer, bumper-cars?
Kramer
I've gotta go to court, I'll get in trouble. What's the matter with you?
Jerry
Could be years before I get back to Coney Island. I can't go to rides alone.
Subway Announcement
42th street. Change to D,N,RR,2,3,4,5,7,C,E,F train.
Scene 3
They All Get Off and Go to Different Directions.
1 lines
Elaine
See'ya.
Scene 4
Multiple Subway Train Intro Scenes
4 lines
JERRY COMES IN AND SITS DOWN. A FAT MAN ACROSS FROM HIM GIVES A LOOK.
GEORGE GETS ON ANOTHER SUBWAY TRAIN. SITS NEXT TO A BEAUTIFUL WOMAN. THEY SMILE TO ANOTHER.
KRAMER RUSHES TO YET ANOTHER SUBWAY AND TRIES TO FIND A SEAT. STUMBLES AROUND AS ALL SEATS GET FILLED RIGHT BEFORE HIM. HE SQUEEZES HIMSELF INTO A SEAT WITH A YOUNG OBESE MAN.
JERRY IS FALLING ASLEEP AND LEANS TOWARDS THE NEXT GUY WHO LEAVES AND JERRY FALLS IN HIS SEAT.
Scene 5
Woman Next to George Rubs Her Leg and George Looks at Her
14 lines
Woman
You looking for a job?
George
Me, why?
Woman
Well, you're reading the classifieds.
George
Oh, no no no. I was just looking for stock-pages. Here it is. Looking for the quotes. Gotta check to quotes. Love a good quote. Oh, IBM up a quarter.
Woman
You didn't look like someone who needed a job.
George
Me? No, no, I don't, I don't. Doing very well, very well, yep.
Woman
So, you're in 'the market'?
George
Yeah I'm, eh, in 'the market'.
Woman
Which market?
George
Which market, the, eh, big one, the big market, the big board. Bull market, bear market, you name the market, I'm there.
Woman
So, do you work for one of those big broker-houses?
George
They wish. I hate the big broker-houses. Hate them with a passion. Big broker-houses killed my father.
Woman
Really?
George
Well, they hurt him bad. Really hurt his feelings. It's a long story. I- I don't like to talk about it, but I swore then that I would never work for big broker-houses. See, all they care about is money. I'm about more than money, I'm about people, always gone my own way and I've never looked back.
Scene 6
Elaine's Train
25 lines
SHE'S CARRYING A WEDDING PRESENT. A OLDER WOMAN APPROACHES HER
Woman
I started riding these trains in the forties. Those days a man would give up their seat for a woman. Now we're liberated and we have to stand.
Elaine
It's ironic.
Women
What's ironic?
Elaine
This, that we've come all this way, we have made all this progress, but you know we've lost the little things, the niceties.
Woman
No, I mean what does 'ironic' mean?
Elaine
Oh...
Woman
Where are you up to, with such a nice present, birthday party?
Elaine
A wedding.
Women
A wedding?
Elaine
Yeah
Woman
Hah, I didn't know people still get married. It's hard today with men and women.
Elaine
You're telling me.
Woman
So, are they a nice couple?
Elaine
Oh, very nice.
Woman
What does he do, if you don't mind me asking?
Elaine
She.
Women
She? She works, he doesn't. He sounds like my son.
Elaine
There is no he.
Women
There is no he. So, who's getting married?
Elaine
Em, two women. It's, eh...lesbian wedding.
Women
Lesbian wedding.
Elaine
Aha, yep. I'm the...eh...bes tman.
Women (talks To Man Next To Her)
My luck. I don't talk to a soul in the subway for 35 years. I get a best man at a lesbian wedding. (leaves)
Elaine
No, no, no, you don't understand! I'm not a lesbian! I hate men, but I'm not a lesbian!
Scene 7
Kramer's Train
1 lines
A MAN LEAVES AND LEFTS A NEWSPAPER TO HIS SEAT. KRAMER AND ANOTHER GUY GLANCE EACH OTHER AND RUSH TO GET THE PAPER. THE OTHER MAN GETS TO IT FIRST AND KRAMER GETS ONLY LITTLE PIECE OF ONE PAGE.
Scene 8
Jerry's Train
1 lines
HE IS STILL SLEEPING AND TRYING NOT TO FALL TO THE FLOOR. MAN ACROSS GIVES HIM A LOOK.
Scene 9
Train Is Full Packed
1 lines
Elaine's Voice
I'm really looking forward to this. I love weddings. Maybe I'll meet somebody, umm maybe not.
Scene 10
Train Suddenly Stops
1 lines
Elaine's Voice
Oh, man. We're stopping?
Scene 11
George's Train
9 lines
Woman
Well, this is where I get off.
George
Oh, you do?
Woman
Eh, hey why don't you...oh nothing.
George
No, no, what, what?
Woman
Well, I was going to say: why don't you get off with me, but you're obviously very busy on your way to some important meeting or something.
George
Yeah, well....
Woman
Yeah I knew it was a bad idea.
(George is in agony thinking if he should go or stay. Then runs after her)
George
Hey, what's another million, give or take. I get off where and when I wanna get off.
Scene 12
He Gets Stuck Between Closing Doors
1 lines
George
I'm stuck. Pull a little, just a second. Don't start the train! Don't start the train!!
Scene 13
Kramer's Train
8 lines
KRAMER IS READING A NEWSPAPER. COUPLE OF MEN BEHIND HIM ARE TALKING
Man1
This, it's the fourth horse of the first race, Pappanick.
Man2
How do you know it's going to win?
Man1
My UPS-guy tells. Guys who own the horses are regular customers. Every horse he has ever given me has won. See, they've been sandbagging and looking for a good spot. He's been getting it light cause they've been using bug boy and the workout hasn't been published. Now they are ready to run with it. They are gonna break his maiden. It's going to go to great price, maybe 30:1. I'm telling you, it's a lock.
Man2
But it rained last night.
Man1
Exactly, this horse loves the slop. It's in his bloodlines. His father was a mudda', his mother was a mudda'.
Man2
His mudda' was a mudda'?
Man1
What did I just say? Come on, let's go to the office, I'm going to call my bookie. (looks around to see if anyone is listening) Hey, don't tell anybody.
Scene 14
Jerry's Train
14 lines
JERRY WAKES UP AND LOOKS TO GUY OPPOSITE TO HIM. THE FAT GUY IS NAKED AND READING A PAPER.
Jerry
O-K. You realize of course, you're naked?
Naked Man
Naked, dressed. I don't see any difference.
Jerry
You oughta' sit here. There is a difference.
Naked Man
You got something against naked body?
Jerry
I got something against yours. How about a couple of deep knee bends, maybe a squat thrust?
Naked Man
Who's got time for squat thrusts?
Jerry
All right, how about skipping breakfast. I'm guessing you're not a 'half-grapefruit and black coffee' guy.
Naked Man
I like a good breakfast.
Jerry
I understand, I like good breakfast. Long as you don't wind up trapped in a room with bib overalls and pigtails, been counseled by Dick Gregory.
Naked Man
I'm not ashamed of my body.
Jerry
That's your problem, you should be.
(Naked man drops half of his newspaper)
Jerry
Don't get up, please, allow me.
Scene 15
Elaine Is Still Trapped in a Stopped Train.
1 lines
Elaine's Voice
Oh, this is great. This is what I need, just what I need. Ok, take it easy I'm sure it's nothing. Probably rats on the track, we're stopping for rats. God, it's so crowded. How can there be so many people? This guy really smells, doesn't anyone use deodorant in the city? What is so hard, you take the cap off, you roll it on. What's that? I feel something rubbing against me. Disgusting animals, these people should be in a gage. We are in a gage. What if I miss the wedding? I got the ring. What'll they do? You can't get married without the ring. Oh, I can't breath, I feel faint. Take it easy, it'll start moving soon. Think about the people on the concentration camps, what they went through. And hostages, what would you do if you were a hostage? Think about that. This is nothing. No, it's not nothing, it's something. It's a nightmare! Help me! Move it! Com'on move this fu(beep) thing!! Why isn't it moving?!? What can go wrong with a train!?! It's on tracks, there's no traffic! How can a train get stuck. Step on the gas!! What could it be? You'de think the conductor would explain it to us? 'I'm sorry there's a delay we'll be moving in 5 minutes'!! I wanna hear a voice. What's that on my leg?!!
Scene 16
George and the Woman Step in to a Hotel Room
2 lines
George
Are you often on business trip? Nice...oh, hey nice ice-bucket.
Woman
Make your-self comfortable.
Scene 17
She Steps in to Bathroom.
1 lines
George's Voice
Make myself comfortable. What does that mean? Does she want me to take my clothes off? Is she taking her clothes off? What if I take my clothes off and she still has hers' on? Then I really look like an idiot. She could get offended and leave. So maybe I should leave them on, but what then if she takes her off? Then she'll feel humiliated. 'Make yourself comfortable'. I got this unbelievable woman and this 'comfortable'-thing can ruin me. I got it! I take my shoes off and sit on the bed. There, that's comfortable. She can't accuse me being unconvertible.
Scene 18
She Comes Out From the Bathroom, Wearing a Nightie.
11 lines
George
Gotta tell you I'm pretty comfortable.
KRAMER IS IN THE "OFF-TRACK BETTING" OFFICE. HE IS TALKING WITH A GUY BEHIND IN THE LINE.
Kramer
Oh yeah, it's all set. They got the bug boy on him.
Guy
The bug boy.
Kramer
Yeah, the little father has run his hard out. They're gonna break his maiden.
Guy
Really? But, it's a little bit slow out there it rained last night.
Kramer
Oh, this baby loves the slob, loves it, eats it up. Eats the slob. Born in the slob. His father was a mudda'.
Guy
His father was a mudda'?
Kramer
His mudda' was a mudda'.
Guy
His mudda' was a mudda'?
Kramer
What did I just say?
Scene 19
Kramer Gets to the Cashier
1 lines
Kramer
Hey, all right, 600 Pappanick to win.
Scene 20
Jerry's Train
11 lines
Naked Man
They still have no pitching. Goodin's a question mahk. ...You don't recover from those rotator cuffs so fast.
Jerry
I'm not worried about their best pitching. They got pitching. ...They got no hitting.
Naked Man
No hitting? They got hitting! Bonilla, Murry. ...They got no defence.
Jerry
Defence? Please. ...They need speed.
Naked Man
Speed? They got Coleman. ...They need a bullpen.
Jerry
Franco's no good? ...They got no team leaders.
Naked Man
They got Franco! ...What they need is a front office.
Jerry
But you gotta like their chances.
Naked Man
I LUV their chances.
Jerry
Tell you what. If they win the penant I'll sit naked with you at the World Series.
Naked Man
It's a deal!
Scene 21
Elaine Is in a Stopped Train with No Lights
4 lines
Elaine's Voice
Why couldn't I take a cab. For 6 dollars my whole life could've changed. What is that on my leg? I'll never get out of here. What if I'm here for the rest of my life? Maybe I'll get out in 5 seconds. 1 banana, 2 banana, 3 banana, 4 banana, 5 banana...no, I'm still here! Still here! Why don't they start moving? Move! Move!! Move!!! *Train starts moving, lights get back on* It's moving! It's moving! Yes! Yes!! *Train stops again and lights go off* Motherf(beep-beep)!!!
GEORGE AND THE BEAUTIFUL WOMAN ARE STILL IN THE HOTEL ROOM. THE WOMAN IS PUTTING HANDCUFFS ON GEORGE AND THE OTHER END TO THE BACKBOARD OF THE BED
George
Eh, gee, I hope you have the key for these things.
Woman
Oh, don't worry. I do.
Scene 22
She Steps in to the Bathroom
3 lines
George
You know, my mother used to walk around on our apartment just in her bra and panties. She didn't look anything like you, she was really disgusting, really bad body. If you could imagine uglier and fatter version of Shirley Booth. Remember Shirley Booth from Hazel. Really embarrassing, cause you know I had only mother in the whole neighborhood who was worse looking than Hazel. Imagine the taunts I would hear.
Woman
Like what?
George
Like a "Hey your mother is uglier than Hazel. Hazel really puts your mother to shame"
Scene 23
She Comes Out of the Bathroom Fully Clothed
11 lines
George
What's going on?
Woman
It was a pleasure doing business with you George, but I'm afraid I have to get going.
George
Get going? But we haven't really, you know....
Woman
Eight dollars? Eight dollars?
George
What are you doing? You're robbing me?
Woman
I wasted my whole morning with you for eight dollars?
George
Wait, wait a second, what are you doing?
Woman
I'm taking your clothes.
George
No, that's my only suit. It cost me 350 dollars. I got it at Moe Ginsburg.
Woman
Bye George.
George
No wait, you can't just leave me here! Will I see you again?
Scene 24
Kramer Is in the "off-Track Betting" Office
6 lines
The Race Is On And Pappanick Is Slowly Making Ground. Kramer Is Pounding Himself Imitating The Jockey And Shouts
YES, YES, YES... THE WINNER IS PAPPANICK
Kramer
Yes! Yes! I won, hey (shouts to cashier)
KRAMER COLLECTS THE WINNINGS. A BIG PILE OF CASH. SHOWS THE MONEY AROUND. THERE IS A BIG THUG LOOKING AT THE MONEY. KRAMER GOES INTO THE SUBWAY AND SEES THAT THE THUG FOLLOWED HIM. HE MAKES A RUN FOR IT. THUG FOLLOWS. KRAMER STEPS OUT OF THE TRAIN AND SO DOES THE THUG. KRAMER TRIES TO JUMP BACK ON THE TRAIN, BUT DOOR CLOSES. THE NAKED MAN HAS PUT HIS CLOTHES BACK ON AND HE AND JERRY ARE GETTING OF THE TRAIN.
Naked Man
I haven't had a hotdog at Nathan's for 20 years.
Jerry
First we ride the cyclone.
Naked Man
Chilly out.
Scene 25
Jerry Takes a Deep Breath
9 lines
Jerry
Aah, French fries.
KRAMER IS RUNNING AWAY FROM THE THUG AND ENTERS THE TRAIN WHERE THE BLIND VIOLINIST IS PLAYING. KRAMER KNOCKS DOWN THE VIOLIN PLAYER AND THE THUG PICKS KRAMER UP AND LOOKS FOR THE MONEY.
Thug
Give me the money. Give me the money!
Blind Violin Player
(puts a gun to the thug's head) Freeze, Police!
BACK TO THE MONK'S CAFÉ. JERRY, KRAMER AND ELAINE ARE SITTING IN A BOOTH
Jerry
No, I never got the car. We were having such a good time, by the time I got to the police garage, it was closed.
Elaine
Too bad.
Jerry
You wouldn't believe what this guy put away at Nathan's. Look at what we won!
(Waves around a stuffed monkey)
Scene 26
Waves Around a Stuffed Monkey
3 lines
Jerry
You want him?
Elaine
Get that out of my face.
Jerry
So, you missed the wedding. You'll catch the bris!
Scene 27
George Enters Wearing a Sheet
13 lines
Man At The Counter
(yelling) Hare Krishna, Hare Krishna!
George
How would you like a 'Hare Krishna' fist on your throat, you little punk?
Elaine
George?
Jerry
Biff, what did you whistle on the elevator?
George
You have my spare-key in your apartment, right?
Jerry
Yeah, it's in the kitchen drawer.
George
Give me your key, I gotta get it.
Kramer
What happened?
George
Never mind what happened, just give me the key.
Jerry
Come on, I'll go with you.
Elaine
Here, pay. (Gives the check to Jerry)
Kramer
Wait, wait, wait...
KRAMER GETS THE CHECK, LOOKS AT IT AND GETS PILE OF CASH AND PAYS. JERRY AND ELAINE LOOK AMAZED