S06E06

The Gymnast

Full screenplay script transcript for Seinfeld S06E06: The Gymnast

26 Scenes306 Lines
Scene 1

Opening Scene

1 lines
Jerry
I've never been able to figure out why they make these bizarre toilet seats that they have. You know, like those clear Lucite ones, with all the, the coins in it? It's a lovely tribute to our past president, by the way. It's not bad enough Lincoln got shot in the head, we gotta pull down our pants and sit on him, too. It's just incomprehensible that you would buy a thing like this, you install it on your toilet seat, and this says what about you? "Well, I can't afford to just throw money down the toilet, but look how close I am!"
Scene 2

Jerry's Apartment

51 lines
Jerry
I cannot believe Lindsay's still seeing you after that "Breakfast at Tiffany's" thing.
George
I think she finds my stupidity charming.
Jerry
As we all do.
George
Yeah, anyway, she's uh, having some kind of a family lunch, I'll swing by after.
Jerry
Oh, so you're gonna meet the mother?
George
Yeah, I'll zip in, "How do you do?", zip out. She'll love me.
Jerry
You're good with the mothers.
George
Y'know, I'm better with the mothers than I am with the daughters.
Jerry
Maybe you should date the mothers.
George
Well, if I could talk to the mothers and have sex with the daughters, then I'd really have something goin'.
Jerry
Oh, you got something goin'.
George
Yeah.
Kramer
(enters apartment) Hey.
George
Hey! (heads toward bathroom)
Kramer
Hey, you got a hammer?
Jerry
What do you need a hammer for?
Kramer
Well, I got this new poster. 3-D art? Computers generate 'em.
Jerry
Oh, yeah! I wanna see that. Bring it over.
Kramer
No, no, I don't have it now. I gotta pick it up at Mr. Pitt's. Elaine was framing a bunch of stuff for him, so she did me a favor. What, you wanna take a ride?
Jerry
Nah, I don't think so.
Kramer
(shouting to the bathroom door) George, you wanna go for a ride?
George
(inside bathroom) Nah.
Kramer
Oh, COME ON!
Jerry
Hey, could you wait until the man finishes?
Kramer
All right, I've had it with you two. (opens apartment door to leave)
Jerry
Hey, guess what? Remember that woman you saw me with the other day? You know, she used to be an Olympic gymnast?
Kramer
A gymnast!
Jerry
Yeah, she's Romanian, she won a silver at the '84 Olympics.
Kramer
A gymnast, Jerry. Think of the flexibility. Mmm, that sex'll melt your face.
Jerry
Yeah, well, I think I'm bailing.
Kramer
(shuts door) "Bailing"?
Jerry
Yeah, you know, Kramer, there's always a price to pay for just a sexual dalliance.
Kramer
Jerry, you should pay that price.
Jerry
She's Romanian. What am I gonna talk to her about, Ceausescu?
Kramer
Ch- oo-... what?
George
(emerging from bathroom, buttoning his shirt) A gymnast! I can't believe it, you didn't tell me she was a gymnast.
Jerry
(watching George buttoning his shirt) What is this?
George
What, I'm puttin' my shirt back on.
Jerry
(stares at George, incredulous) "Back on"? What was it doing off?
George
I take it off when I go to the, uh, y'know, to the "office".
Jerry
(laughing) What for?
George
Well, it frees me up. No encumbrances.
Jerry
Unbuttoned, or all the way off?
George
ALL the way, baby!
Jerry
Of course.
Kramer
(convulses in pain) Yeow! Whoa.
Jerry
What, again? Kramer, if you keep getting these attacks, you should see the doctor and have it checked out.
Kramer
(exiting apartment) Yeah, yeah, yeah...
Jerry
(picks up newspaper, turns to George) You always take the shirt off?
George
Always.
Jerry
Boy, I tell ya', knowing you is like going out in the jungle. I never know what I'm going to find next, and I'm real scared.
Scene 3

Mr. Pitt's Office

34 lines
Mr. Pitt
Elaine, I need you to proofread this report for my meeting with the Poland Creek Bottled Water people.
Elaine
What meeting?
Mr. Pitt
I told you. I sit on the Board of Trustees for Morgan Springs, and we're trying to acquire Poland Creek.
Elaine
Oh! (tries to take paper)
Mr. Pitt
(pulls away) Are you using a fountain pen?
Elaine
Yes?
Mr. Pitt
They smear! Under no circumstances is ink to be used in this office.
Elaine
All right! I'll use a pencil, Mr. Pitt.
(Knock at door)
Kramer
Elaine?
Elaine
Come in, come in!
Kramer
Yeah. (enters, points at package) Yah, huh?
Elaine
Ah, right there, yeah.
Kramer
(rips open package) Yeah, that's...
Elaine
Kramer, it's...
Kramer
(holds up framed picture): There she blows! (throws paper around)
Elaine
Kramer, Kramer, can you do this at home? I've got, I've got work to do, okay?
Kramer
Oh, these are nice corners, huh?
Mr. Pitt
Elaine, did I hear... (sees Kramer) Oh, this is very odd.
Kramer
(looking at picture) Yeah, it's 3-D art. Computers generate 'em. BIG computers.
Mr. Pitt
Yes, I've heard about these. How do they work?
Kramer
Well, you blur your eyes like you're starin' straight through the picture. And you keep your eyes unfocused. And then... (Kramer and Pitt stare at picture) Oh, oh, oh, YEAH!
Mr. Pitt
I don't see it.
Kramer
Yeah, it's a spaceship, surrounded by planets, asteroids...
Mr. Pitt
I still don't see it.
Elaine
Okay, Kramer, that's enough. Mr. Pitt has got work to do.
Kramer
Ya' ever dream in 3-D? It's like the boogeyman is comin' right at you.
Mr. Pitt
A spaceship, where?
Kramer
(pointing) Right in here. Just keep your eyes unfocused. (convulses in pain) Waahh! Oh, mama!
Elaine
Kramer, what's wrong?
Kramer
Mama!
Elaine
Kramer, Kramer, are you okay?
Kramer
I think I gotta go to the doctor! (exits) Oh, mama!
Mr. Pitt
(still staring at picture) How long does it usually take?
Scene 4

Lindsay's Mother's Apartment

14 lines
(Lindsay's relatives are laughing, and George has apparently been witty and charming)
Mrs. Enright
Oh, George, it is so nice to finally meet you. And I'm sorry we've kept Lindsay so long.
Lindsay
Mother...
George
Oh, no, no, not at all. No, I have always felt that the most important thing in the world is spending time with family.
Mrs. Enright
Oh? Are you and your family close?
George
(hesitates) Very close, yes. Almost painfully close.
Lindsay
Mother, I'm going to walk Nana and Aunt Phyllis to the elevator. George, do you mind waiting just one more minute?
George
Mind? Why would I mind? I would love to wait! (shakes hands with Nana) Nana, nice to see you. Ni-ni-ni-ni-NANA! (embraces another guest, kisses her) Aunt Phyllis, always a pleasure. What a pleasure! Hey, let's do this again real soon. I had fun, huh?
Mrs. Enright
Can I offer you anything to eat?
George
Oh, no no no, I'm fine. Let me help you with these dishes, huh?
Mrs. Enright
Oh no, George, you don't have to...
George
No, I know I don't have to, I want to.
Mrs. Enright
George, you are such a gentleman.
George
I'd argue if I could, Mrs. Enright. (exits) Here we go, all right.
Scene 5

Kitchen

3 lines
(George opens trash bin, sees an éclair at the top with one bite taken out of it. After looking around to make sure no one is watching, he picks up the éclair and takes a bite just as Mrs. Enright enters the kitchen.)
Mrs. Enright
(wide-eyed) Oh...
George
(spits out mouthful of food): Mrs. Enright! Mrs. Enright!
Scene 6

Mr. Pitt's Office

15 lines
Elaine
(pointing at 3-D picture) Look, there's a spaceship! That is so cool!
Mr. Pitt
Where is it?
Elaine
(pointing) Right here.
Mr. Pitt
I'm looking there!
Elaine
No, no, unfocus.
Mr. Pitt
I am unfocused!
(Phone rings)
Elaine
(answering phone) Hello? Oh, yeah, okay fine. Uh, he'll be right down. (to Pitt) Car's here to pick you up and take you to the meeting.
Mr. Pitt
(still staring at picture) Meeting?
Elaine
Yeah, the Poland Creek merger?
Mr. Pitt
Why don't you go for me?
Elaine
How can I go?
Mr. Pitt
Oh, all they're gonna do is read the report.
Elaine
Mr. Pitt, I do not think that is such a good idea.
Mr. Pitt
Oh, DAMN this thing!
Scene 7

Jerry's Car

7 lines
Jerry
(trying desperately to make conversation) So, Ceausescu. He must've been some dictator.
Katya
Oh yes. He was not shy about dictating.
Jerry
He, uh, he must've been dictating first thing in the morning. "I want a cup of coffee and a muffin!"
Katya
And you could not refuse.
Jerry
No, you'd have to be crazy.
Katya
He was a very bad dictator.
Jerry
Yes. Very bad. Very, very bad.
Scene 8

Monk's Diner

25 lines
Jerry
So lemme get this straight: you find yourself in the kitchen. You see an éclair, in the receptacle. And you think to yourself, "What the hell, I'll just eat some trash."
George
No, no. No, no, no. It was not trash!
Jerry
Was it in the trash?
George
Yes.
Jerry
Then it was trash.
George
It wasn't down in, it was sort of on top.
Jerry
But it was in the cylinder!
George
Above the rim.
Jerry
Adjacent to refuse, is refuse.
George
It was on a magazine! And it still had the doily on.
Jerry
Was it eaten?
George
One little bite.
Jerry
Well, that's garbage.
George
But I know who took the bite. It was her aunt!
Jerry
Well, you, my friend, have crossed the line that divides Man and Bum. You are now a Bum.
(Kramer enters, walking awkwardly)
Jerry
Hey!
Kramer
Hey.
Jerry
What's with you?
Kramer
I got a stone.
Jerry
What stone?
Kramer
A kidney stone.
Jerry
What is that, anyway?
Kramer
It's a, it's a stony mineral concretion, formed abnormally in the kidney. And this jagged shard of calcium pushes its way through the ureter into the bladder. It's forced out through the urine!
Jerry
Oh, that's gotta hurt.
Scene 9

Poland Creek Office

11 lines
Aronson
Our shareholders have given basic approval for the merger, including the stock swap.
Elaine
Ah. The "stock swap". Let's swap some stock. (giggles)
Beck
And if you'll just give this to Mr. Pitt, and tell him we expect to be in full-scale production by the spring.
Elaine
All right. (standing up) Hey, you guys--what's the name of the new company gonna be?
Beck
Moland Spring.
Elaine
(making a face) "Moland"?
Aronson
Yes, we combined Morgan and Poland.
Elaine
Yeah, I know, but... "Moland"? I wouldn't drink anything called "Moland".
Aronson
But it was Mr. Pitt's idea.
Elaine
Oh! Well, ah, what's in a name? I mean, water's water. Right?
Aronson
(to Beck) We've got to do something about that name.
Scene 10

Jerry's Apartment

21 lines
George
(on phone, as Jerry gestures beside him) No, Lindsay, it was not IN the garbage. It was above the garbage. Hovering. Like an angel. Of course I know your aunt bit it. I kissed her goodbye. Listen, can I tell you something else? In my family, we used to eat out of the garbage all the time. (Jerry makes a face) It was no big thing. That's right. Oh, okay. Buh-bye. (hangs up phone) I'm back in, she gave me a second chance.
Jerry
Good for you.
George
Yes, good for me!
Jerry
Y'know what you should do now? Get her some flowers, smooth it out.
George
Yes, flowers. I will get her flowers, I will go to the florist!
Kramer
(enters apartment, holding up videotape) Behold! The Games of the '84 Olympiad! Katya's silver medal performance! (inserts tape into VCR, sets up TV)
Jerry
Kramer, are you still on this? I've seen gymnasts. I know what they do. It's not going to make any difference.
Kramer
Jerry, what is your problem?
Jerry
Kramer, y'know, guys like you, with no conscience, don't know what it's like for guys like me. I'm in the unfortunate position of having to consider people's feelings.
Kramer
All right, Jerry--are you familiar with the Kama Sutra?
Jerry
No.
Kramer
Tantric yoga?
Jerry
No.
Kramer
Jerry, you stand on the threshold to the magical world of sensual delights that most men dare not dream of!
Jerry
Boy, you can really talk some trash. (to George) I guess that's better than eating it.
Kramer
All right, all right, why don't we just watch the tape? (starts playback)
Jerry
All right.
George
Did you pass your stone yet?
Kramer
Not yet. But the suspense is killing me.
Jerry
(pointing at TV) Hey, that's her!
Kramer
Oh yeah. Oh yeah, that's her. (feminine grunts and sighs can be heard as they watch the tape) Look at the height, Jerry, the extension! Now watch the tuck. Handstand, half-turn, giant into a straddle, back into another handstand. Nice kip. Reverse hecht. Oh, nice leg extension, good form! Now, here comes the big dismount. Look at the rotation, full in, double back, and she sticks the landing! (gets up to leave as George and Jerry continue to watch, mouths agape) Perhaps you'd like to keep the tape? (silence) Well, I'll take that as a yes.
Scene 11

Jerry's Car, Night

7 lines
Jerry
(smiling and excited) Well, here we are.
Katya
Yes. We are here.
Jerry
How did you stay on that beam like that? (holds up hand) I mean, it's only this wide!
Katya
I can balance myself in any position.
(Jerry swallows)
Katya
It is amazing after years of training how one can contort one's body. Of course, it is only useful in gymnastics.
Jerry
Oh boy...
Scene 12

Jerry's Apartment, Morning

27 lines
Jerry
I couldn't believe it. Uh, I mean I thought I was entering a "magical world" of sensual delights, but it was just so ordinary. I mean, there was nothing gymnastic about it.
Elaine
Well, what did you think she was gonna do?
Jerry
Well, you know. I mean... I dunno.
Elaine
No, what?
Jerry
Well, obviously I prefer not to mention any, you know...
Elaine
What did you think, she was going to take some of that chalk and...
Jerry
You see, now I really don't want to get into this, any kind of specifics...
Elaine
Oh, come on. One thing? One thing! What?
Jerry
Well... Frankly, I thought, you know, I was gonna kinda' be like the apparatus.
Kramer
You mean like the uneven parallel bars?
Jerry
See, again, I really don't feel that...
Elaine
The balance beam?
Jerry
Could we stop?
Elaine
(gasps in mock surprise) Not the pommel horse?
Jerry
All right. Let's just drop it.
(Jerry and Elaine move to couch)
Jerry
So lemme ask you this: how long would you say I have to put in now because of, you know, last night.
Elaine
I dunno, at least three weeks.
Jerry
(sarcastic) Oh, great.
Elaine
Jerry, that is such small potatoes. I think that I may have single-handedly put the kibosh on the big water merger.
Jerry
Between Poland and Morgan?
Elaine
Yeah. Started a big name controversy.
(Kramer shouts from off-screen)
Jerry
Kramer! The stone!
(Jerry and Elaine rush to Kramer's apartment, stand in doorway)
Jerry
What happened, did you pass the stone?
Kramer
(Off-screen) No, I tried to do a reverse hecht off my couch and I didn't make it.
Scene 13

City Street

7 lines
George
(singing as he exits florist with bouquet and a cup of coffee) "...tootsie, good-bye. Too-too, tootsie..." (takes a drink, makes a face, shouts back at shop) You call this coffee? (dumps out coffee behind him, accidentally hitting a parked car's windshield)
Man In Car
Hey! What the hell was that?!
George
I'm sorry! I'm terribly sorry! I- I-
Man In Car
Clean that up!
George
Oh, sure. Of course. (looks for place to set down flowers) Um, uh, could you hold these? For just a second, just a second. (grabs newspapers from trash bin, begins wiping windshield) Here you go, now don't worry about a thing. It's gonna be fine. Here we go. Look at this shine.
Mrs. Enright
(sees George cleaning car windshield, looks appalled)
George
Look at this sparkle. (looks up, sees Lindsay's mother) Mrs. Enright! (runs after her) Mrs. Enright! Mrs. Enright!
Scene 14

Jerry's Apartment

16 lines
George
(on phone, as Jerry gestures beside him) No, Lindsay, I had accidentally spilled coffee on the gentleman's windshield. Why would I do that? I have a job! Well, did she see a squeegee? Well, you're not going to make a dime without a squeegee. That's right, that's right, just tell your mother it was all a big misunderstanding. You won't regret it. Okay, I'll see you later. Buh-bye. (hangs up)
Jerry
Strike two!
George
You think I'm going down?
Jerry
You're behind in the count.
George
I know.
Kramer
(enters apartment, points at Jerry) Hey, what are you doing later?
Jerry
I'm going out with Katya, thanks to you.
Kramer
Well, maybe you should try again. You know what happens the first time: people are a little shy, a little reticent.
Jerry
If I do it again, that extends my payment book another two weeks.
Kramer
All right, where you going?
Jerry
We're going to the circus. One of her old Olympic teammates is an acrobat. I don't even feel like going out.
Kramer
Well, Jerry, it's your obligation. C'mon.
Jerry
Yeah, well, y'know what? If I gotta go, and spend time with this girl, then you're coming with me, Dr. Cyclops!
Kramer
No, no, no, I don't wanna go to the circus, Jerry.
Jerry
Yeah, well you're going.
Kramer
Yeah, but I'm afraid of clowns!
Scene 15

Mr. Pitt's Office

7 lines
Mr. Pitt
(in polo outfit, complete with jacket and high boots) I didn't send you over there to complain about the name.
Elaine
Well, I couldn't help it. "Moland Spring"?
Mr. Pitt
I like the name "Moland". I picked it out. After all those months of negotiating!
Elaine
Well, I'm so sorry! I-
Mr. Pitt
Well, I'm going riding. I haven't been on Jenny for three days, all because of this blasted painting. (phone rings) Elaine?
Elaine
Oh, sorry. (picks up phone) Hello?
Mr. Pitt
(walks by 3-D poster, stops) Wait a minute! Wait a minute. Ah!
Scene 16

Circus, Backstage

11 lines
(Clowns rush by Jerry and Kramer, Kramer flinches in fear)
Katya
So, Jerry, you're enjoying the circus?
Jerry
"Greatest Show on Earth"!
Katya
My father used to take me to the circus. When the elephants came by, he would scream curses at them, blaming them for all the ills of society.
Jerry
Well, they certainly take up a lot of space.
(Katya's friend walks up)
Katya
Ah, Misha!
Misha
Katya!
Katya
Misha, this is Jerry.
Misha
Ah, yes. The "co-me-dian", eh? (speaks in Romanian to Katya)
Katya
(laughs, replies in Romanian while pointing at Jerry)
Scene 17

Mr. Pitt's Office

18 lines
Elaine
(on phone) Oh, yes, yes I'll tell him. Yes, thank you. Um, um hold on. (to Pitt) Mr. Pitt!
Mr. Pitt
(staring at 3-D poster) I think I'm on to something!
Elaine
Mr. Pitt! The board of directors is on the phone. They've called an emergency meeting. They want you to be there to discuss the merger!
Mr. Pitt
You said keep your eyes out of focus, which is misleading. You want DEEP focus!
Elaine
(on phone) Yes, hi. Okay, fine, yeah, hold on just a second. Lemme just... (reaches into purse) Yeah, I've got it... (pulls out both hands completely covered in black ink) Oh! Oh! Yeah, yeah, he'll be there. (drops phone, rushes to Pitt) Mr. Pitt, you have GOT to stop staring at that poster!
Mr. Pitt
I see something that could be a spaceship. Is it round? Is it pointy?
Elaine
(grabs poster, smashes it) No, you don't see it, and you're never going to see it! (grabs Pitt by the lapels, getting ink all over his jacket) Mr. Pitt, you have to meet with the shareholders, you have to leave now. Do you hear me? Do you hear me?!
Mr. Pitt
Hmm, what's happened to me? (straightens lapels) When's the meeting?
Elaine
In about twenty minutes.
Mr. Pitt
Oh! (puts finger to face, smearing ink on his upper lip which now resembles an "Adolph Hitler"-style moustache) Do I have time to change?
Elaine
Um, no.
Mr. Pitt
Well, excuse me, I'd better get straight over there.
Elaine
Uh, Mr. Pitt...
Mr. Pitt
Yes?
Elaine
Um, there's a just... (points at her own upper lip)
Mr. Pitt
(sees Elaine's hands covered in ink) Is that ink?
Elaine
No?
(Pitt exits)
Scene 18

George's Car

4 lines
George
Well, here we are.
Lindsay
Do you want to come in? My mother's having a little party.
George
Maybe I could just use the bathroom.
Lindsay
Sure.
Scene 19

Circus, Backstage

8 lines
Announcer
(voiceover) Ladies and gentlemen, could I direct your attention to the center ring, where the incomparable Misha will balance ten stories above the circus floor on a wire no wider than a human thumb.
Misha
It is time.
Jerry
Well, break a leg.
(Misha gives Jerry a dark look)
Jerry
Eh, show biz...
Announcer
Ladies and gentlemen, the incomparable Misha!
(Misha exits)
Jerry
Boy, those capes are really coming back.
Scene 20

Lindsay's Mother's Apartment

2 lines
Party Guest
(exits bathroom, finds George waiting) Oh, sorry I took so long. They've got one of those 3-D art posters in there. (wipes eyes) It's mesmerizing.
(George enters bathroom)
Scene 21

Circus

3 lines
(Kramer repeatedly convulses in pain, spilling popcorn and food everywhere, enters Men's room)
(Misha walks slowly across tightrope)
(Long scream bellows forth from Men's room, causing other occupant to flee and Misha to wobble)
Scene 22

Circus, Backstage

3 lines
Jerry
What is that sound?
Katya
(covering ears) It is horrible!
(Shots of various circus performers reacting to the reverberating scream. Misha falls off the tightrope as audience gasps in horror)
Scene 23

Lindsay's Mother's Apartment

3 lines
(George emerges from bathroom, shirtless and rubbing eyes)
George
Whew! Anybody see that poster in there? That is weird, wild stuff, huh? Whew!
(George looks around and sees all the party guests staring at him, then realizes he's shirtless. Tries to act casual)
Scene 24

Morgan Springs Shareholder Meeting

2 lines
(Mr. Pitt stands at a podium, and still has the small black "ink moustache". He speaks harshly and with conviction, gesturing emphatically.)
Mr. Pitt
I have been accused of wrong-doing. But these false accusations will not deter us. We WILL annex Poland by the Spring, at any cost! AND... our stock will rise HIGH! (raises hand)
Scene 25

Circus, Backstage

5 lines
Katya
He'll be all right. I must go and be with Misha now. I don't want you to come with me.
Jerry
Oh, why not?
Katya
It has been three days since our night together. Misha said that was all the time I needed to put in.
Jerry
Really?
Katya
In my country, they speak of a man so virile, so potent, that to spend a night with such a man is to enter a world of such sensual delights most women dare not dream of. This man is known as the "Comedian". You may tell jokes, Mr. Jerry Seinfeld, but you are no Comedian. (walks off)
Scene 26

Circus, Men's Room

1 lines
(Kramer walks out, jubilant and whistling)