S07E11

The Rye

Full screenplay script transcript for Seinfeld S07E11: The Rye

33 Scenes332 Lines
Scene 1

Opening Scene

3 lines
John Germane is playing on stage.
Elaine
(thinking) I can't believe I'm going out with this guy. Wow! He's so cool. Maybe he'll write a song about me. That would be amazing. Oh, Elaine, you are so beautiful. So, so beautiful. Not so mention your personality which is so, so, interesting. If you want, you can quit your job and never work again.
club applauds
Scene 2

Int. Jerry's Apartment - Day

26 lines
Elaine
Jerry, you have got to come see him. He is so terrific.
Jerry
Maybe he'll write a song about you.
Elaine
Yeah. Right. (laughing) Like that really matters.
Jerry
So I take it he's spongeworthy?
Elaine
Oh, yeah.
Jerry
Well, he's a musician. I guess they're supposed to be very, you know, uninhibited and free.
Elaine
Well, actually, he's - he's not that way at all.
Jerry
Oh, no?
Elaine
Yeah. In fact, he....(moaning)
Jerry
Come on. Come on.
Elaine
I don't wanna!
Jerry
Elaine, you're among friends.
Elaine
(sighs) Well, actually, he, um, doesn't really like to do... everything.
Jerry
Oh.
Elaine
Yeah. It's surprising.
Jerry
Yes, it is. It is surprising. Does that bother you?
Elaine
No. No, it doesn't bother me. I mean, it would be nice. I'm not gonna lie to you and say it wouldn't be nice.
Jerry
Sure. Why not? You're there.
Elaine
Exactly.
Jerry
But you said he was just coming out of a very serious relationship. Maybe he's, you know, still....kind of...he...not gonna happen.
Kramer enters
Kramer
Hey, Jerry! Listen, I need you to come downstairs, help me get my stuff outta the car.
Jerry
What stuff?
Kramer
I just came from the price club. I'm loaded up, baby.
Jerry
All right.
Jerry grabs his keys.
Scene 3

Ext. New York Street - Day

23 lines
Kramer's car is overflowing with Price Club Stuff
Jerry
What are you, outta your mind? Look at this. What did you buy here? You will never be able to finish all this stuff.
Kramer
Course I will. These are all staples.
Jerry
(removing item from car) A four-pound can of black olives? That's a staple?
Kramer
Lindsay olives, Jerry.
Jerry
(taking items out of car) A forty-eight pack of Eggo waffles? A gallon of barbecue sauce? Ten pounds of cocktail meatballs?
Kramer
$17.50. You can't beat that.
Jerry
Look...look at this can of tuna!
Kramer
Yeah. Star Kist, Jerry. Most tuna don't make their cut.
Jerry
This isn't for a person. This is for Biosphere 3.
A guy walks by.
Kramer
Hey, Clyde!
Clyde
Hey, Kramer! What's happening, dude?
Kramer
Yeah. Ahh. Hey, this is Jerry here.
Clyde
How ya doin'?
Jerry
Hi.
Kramer
You know, Clyde, he plays backup with John Germaine.
Jerry
John Germaine? That is amazing. I was just talking about him upstairs with Elaine.
Clyde
Oh yeah?
Jerry
Oh, yeah. My friend Elaine and him are goin' out. They're pretty hot and heavy.
Clyde
Is that right?
Kramer
Hey, how 'bout giving me a hand? You know, bring some of this stuff upstairs.
Clyde
Oh, sorry Kramer, I got to watch the hands. My hands are my life.
Scene 4

Int. Costanza Living Room - Day

23 lines
Estelle enters wearing a dress.
Estelle
Georgie, can you zip me up?
George
Yeah. Yeah, one second.
Estelle
Well, come on!
George
All right. All right. Let's not get into panic mode! Let's not make a big deal outta this thing or we're never gonna get through this night.
Estelle
Well, I'm meeting your in-laws, I think I should look nice.
George
My in-laws. Oh, my....
Frank enters.
Frank
So, what do you think? Your old man can look pretty good when he wants to, huh?
Estelle
I don't like that tie.
Frank
What's the matter with this tie? I've hardly worn it.
Estelle
It's too thin. They're wearing wide now.
Frank
How do you know what kind of ties they wear?
Estelle
Go to any office building on 7th Avenue and tell me if there's anyone there wearing a thin tie like that. Go ahead!
Frank
Oh, get the hell outta here. 7th Avenue.
Estelle
George, do you think he should wear a tie like that?
Frank
Huh?
George
I think he should wear whatever tie he wants.
Frank
We gotta stop off and pick up a marble rye from Schnitzer's.
Estelle
It's out of our way. Why can't we pick up something at Lord's? It's right over here.
They begin to exit.
Frank
No! We have to go to Schnitzer's! I'll show these people something about taste!
George
This is gonna be fun.
Scene 5

Int. Jerry's Apartment - Day

23 lines
Jerry
Hey, you'll never guess who I bumped into. This guy Clyde. He's in your friend John Germaine's band there.
Elaine
So what did he have to say?
Jerry
Nothing. I told him you two were pretty hot and heavy.
Elaine
Hot and heavy? You said hot and heavy?
Jerry
Yeah.
Elaine
What did you do that for?
Jerry
What?
Elaine
What if he tells John? Then John's gonna think that I think that we're hot and heavy. I don't want John thinking that I'm hot and heavy if he's not hot and heavy.
Jerry
Oh.
Elaine
I'm trying to get a little squirrel to come over to me here. I don't wanna make any big, sudden movements. I'll frighten him away.
Jerry
Well, Clyde might not tell him.
Elaine
How do you know that?
Jerry
I should have helped Kramer with those packages.
Elaine
Ohh!
Kramer, walking down hall to his apartment, his arms loaded with dozens of pop cans, falls forward, spilling cans about in hallway
Dennis
Let me give you a hand. Hey, Kramer. I wonder, could you do me a favor? I'm taking the family to Disneyworld next week. I wonder...
Kramer
Uh-huh.
Dennis
I wonder, could you pick up my mail?
Kramer
Yeah. Sure. Sure.
Dennis
In fact, you know what, how would you like to take my hansom cab for the week?
Kramer
Drive the horse?
Dennis
It'll just be sitting there. You can really clean up. 500 bucks a day. I'll split it with ya.
Kramer
Oh, giddyup. Yeah.
Scene 6

Int. the Ross' Dining Room - Day

38 lines
George, Susan, and their parents are eating at a nicely set table.
George
This is delicious, Mrs. Ross.
Mrs. Ross
Oh.
Mr. Ross
What are you complimenting her for? She didn't make it Rowenna did.
Frank
What is this thing anyway?
Mrs. Ross
It's Cornish gamehen.
Frank
What is that, like a little chicken?
George
It's, uh, it's not a little chicken. (laughing) Little chicken. It's a gamebird.
Frank
Gamebird?
George
Yeah.
Frank
What do you mean? Like, you - you hunt it?
Mr. Ross
Yes.
Frank
How hard could it be to kill this thing?
Mrs. Ross rolls her eyes and pours herself some wine.
Estelle
I couldn't help but notice that you have quite a library in there.
Mrs. Ross
If I had a dime for every book he's actually read, (laughing) I'd be broke.
Susan
More wine anyone?
Frank
Yeah. I'll take some.
Susan
Hmmm?
Frank
Thank you.
Susan
How do you like the Merlot?
Estelle
Merlot? I never heard of it. Did they just invent it?
Mrs. Ross
Oh, mother.
George
She's, uh, she's heard of Merlot.
Frank
Let me understand, you got the hen, the chicken and the rooster. The rooster goes with the chicken. So, who's having sex with the hen?
George
Why don't we talk about it another time.
Frank
But you see my point here? You only hear of a hen, a rooster and a chicken. Something's missing!
Mrs. Ross
Something's missing all right.
Mr. Ross
They're all chickens. The rooster has sex with all of them.
Frank
That's perverse.
George
Did anybody see Firestorm?
Mr. Ross
Firestorm, that's a hell of a picture.
George
Yeah.
Mr. Ross
Remember when they had the helicopter land on top of that car --
Frank
Hey! Hey! Come on! Come on! I haven't seen it yet.
Mr. Ross
It doesn't have anything to do with the plot!
Frank
Still! Still! I like to go in fresh!
George
Oh mother of God.
Scene 7

Ext. Central Park - Day

2 lines
Kramer in Hansom cab, squiring around Japanese tourists.
Kramer
Of course, uh, this is Central Park. Uh, this was designed in 1850 by Joe Peppitone. Um, built during the Civil War so the northern armies could practice fighting on...on grass. Oh, yeah. Giddyup. On Rusty!
Scene 8

Int. Jazz Club - Night

3 lines
Applause while John is on stage, Elaine creeps into the building.
John
Thank you. Now, I'd like to play something th -- well, actually, it's my latest so it's nice and fresh. It's called " Hot And Heavy."
saxophone playing
Scene 9

Int. Frank Costanza's Car - Night

9 lines
George
Thank God that's over.
Estelle
The mother seems to hit the sauce pretty hard. I didn't like that.
Frank
And who doesn't serve cake after a meal? What kind of people? Would it kill them to put out a pound cake? Something!
George
So, they didn't give you a piece of cake? Big deal.
Estelle
It is a big deal. You're supposed to serve cake after a meal. I'm sorry. It's impolite.
Frank
Not impolite...it's stupid, that's what it is. You gotta be stupid to do something like that!
Estelle
Your father's absolutely right. We're sitting there like idiots drinking coffee without a piece of cake!
George looks down in the front seat between Frank and Estelle, and picks up a marble rye
George
What is this? The marble rye?
Scene 10

Int. the Ross' Dining Room - Night

1 lines
Mrs. Ross
Oh, dear. I forgot to put out that - that bread they brought.
Scene 11

Int. Frank Costanza's Car - Night

2 lines
Estelle
We forgot to bring it in.
Frank
No, I brought it in. They never put it out.
Scene 12

Int. the Ross' Dining Room - Night

4 lines
Mrs. Ross
Where is it?
Susan
I don't know. Where'd you put it?
Mrs. Ross
Right over there.
Susan
Well, it's gone.
Scene 13

Int. Frank Costanza's Car - Night

4 lines
George
You stole the bread?
Frank
What do you mean stole? It's my bread. They didn't eat it. Why should I leave it there?
George
Because we brought it for them!
Frank
Apparently, it wasn't good enough for them to serve.
Scene 14

Int. the Ross' Dining Room - Night

3 lines
Mrs. Ross
Is it possible they took it back?
Susan
Who would bring a bread and take it back?
Mr. Ross
Those people, that's who. I think they're sick.
Scene 15

Int. Frank Costanza's Car - Night

3 lines
Estelle
People take buses to get that rye.
George
Maybe they forgot to put it out!
Frank
Aw, they didn't forget to put it out! It's deliberate! Deliberate, I tell ya!
Scene 16

Int. Monk's Cafe - Day

24 lines
Jerry
He stole back the rye?
George
Yeah.
Jerry
Why?
George
Why? Why? 'Cause he's off his rocker! That's why.
Jerry
So, do the Ross's know?
George
I don't know. They're all very suspicious.
Jerry
Why wouldn't they be? A rye bread doesn't just disappear.
George
Now, because of that stupid rye bread, I gotta keep them all separated for the rest of my life.
Jerry
Bad situation.
George
I'll tell you what I'd like to do. I'd like to replace that rye.
Jerry
What do you mean replace it?
George
You know, you go out, you get another rye. Of course, it would have to be the same one from Schnitzer's. You put it in the kitchen somewhere and you say Ohh! There it is.
Jerry
Well, there ya go. What's so hard about that?
George
What's so hard about that? How am I supposed to get it in there? I can't just walk in with it. I have to get the Rosses out of the apartment!
Jerry
All right. All right. Don't panic. Let's just think about it. Get the Ross's out of the apartment. That can't be so hard. Wait a minute. Wait a second. Wait a second! You know, Kramer's been driving that hansom cab.
George
So?
Jerry
Well, Kramer'll take them around for a while.
George
And it's their anniversary Friday night. I could send them for a hansom cab ride. Y -- you think they'd like that?
Jerry
Are you kidding? People love it. There's something about the clip clop, clip clop. They're nuts for it.
George
So, they go off for the ride, by the time they come back the bread is there.
Jerry
What about Susan?
George
She's working late that night. We're - were supposed to have dinner with everybody at eight o'clock so I'll set up the ride for seven o'clock.
Jerry
Beautiful!
George
You think Kramer'll do it?
Scene 17

Int. Hallway & Kramer's Apartment - Day

32 lines
Kramer
Of course I'll do it. I'd be happy to. So, all I gotta do is be there at seven?
George
Yeah. Just take 'em out and ride 'em around for about..half an hour.
Kramer
Hey.
Jerry
What the hell are you doing there?
Kramer
It's Beef-A-Reeno..and I got fifty cans. You want some?
Jerry
No. No thanks.
They all start walking into Jerry's apartment
Kramer
Jerry, I think I bought too much at that price club. I don't have any room for it all.
George
Hold on. Hold on. Wait a minute. How am I gonna get the rye bread into the apartment?
Jerry
Just put it under your shirt.
George
Have you ever seen a Schnitzer's rye? It - it's huge!
Jerry
I'll tell ya what, I'll bring it over. I'll stop by Schnitzer's, I'll come by five after seven right after they leave.
George
Oh, this is all locking in now. It is all locking in! (laughing)
Elaine
Hey. Is that your horse outside?
Kramer
Yeah. That's Rusty.
George
What? He's outside?
Kramer
Uh-huh.
George
Aw, come on. I wanna go see him.
Kramer
You wanna go see him?
George
Yeah. Hey! Hey!
Kramer
I'll show ya Rusty.
George
Hey, Lainey, wanna see the horsey?
George and Kramer start heading out, Elaine closes the door on them.
Elaine
Well, you really did me in this time, didn't ya? First guy I like in a really long time. I mean, we're getting along, everything is just great. I mean, all right, so he doesn't do... everything, and then you have to come along with your hot and your heavy.
Jerry
So, you think Clyde told him?
Elaine
He wrote a song about it!
Jerry
Well, maybe it's a good thing.
Elaine
No! It's not a good thing! It's a bad thing! Do you know what this is like? To have no control over a relationship? And - and you feel sick to your stomach all the time? Do you know what that's like?
Jerry
No, but I've read articles and I must say it, doesn't sound very pleasant.
Elaine
You know, one of these days, something terrible is gonna happen to you. It has to!
Jerry
No. I'm gonna be just fine, but as far as your situation, you're seeing him tonight so talk to him about it.
Elaine
I can't! He's got a big showcase for record producers at his late show tonight. I don't wanna upset him. Aw, what the hell, I'll upset him.
Scene 18

Int. the Ross' Dining Room - Day

5 lines
Mr. Ross
Yeah George, I gotta tell ya, this is a very nice gesture. We really appreciate it.
George
Aw, well, you know, it's your anniversary. It's - it's the least I can do. I - I just want you guys to go out and have a good time. Ha ha. So, you think we should, uh, we should get downstairs?
Mr. Ross
Oh, we got about twenty minutes. You, uh, seem a little nervous George. Anything wrong?
George
Oh, no. No. No. No. No. Nothing. I'm fine. Everything's fine. Fine. Just get a little nervous on the weekends, that's all. Could I, uh, could I get a glass of water?
Mrs. Ross
We've got water. I don't think we have any bread, but we've got water.
Scene 19

Ext. New York Street - Night

2 lines
Kramer is feeding Rusty his horse Beef-A-Reeno
Kramer
Yeah. There ya go. That's Beef-A-Reeno. (singing) I'm so keen-o On Beef-A-Reeno What a delicious cuisine-o Fit for a king and queen-o! Yeah. Eat up. I got thirty four more cans.
Scene 20

Ext. the Ross' Building (paramount Street) - Night

6 lines
Mr. Ross
Nice night for a hansom cab ride, 'ay George?
Mrs. Ross
You know, George we haven't done anything romantic like this in ....years.
George
(thinking) Oh my God, it's 7:01. What have I done? My whole plan is depending on Kramer? Have I learned nothing? How could I make such a stupid mistake? He'll never show up!
clip clop heard in the background, Kramer shows up with the hansom cab and Rusty.
Kramer
Ah ha!
George
There he is. Right on time as usual.
Scene 21

Int. Bakery - Night

13 lines
Counter Woman
53.
Mabel
53. I'd like a marble rye, no plastic, in a bag.
Counter Woman
Ah! You're lucky. It's our last one.
Jerry
Wait a second, that's your last marble rye?
Counter Woman
That's right.
Jerry
There's none left?
Counter Woman
That's what I said. Number 54.
Jerry
Uh, excuse me. I know this is gonna sound crazy but I - I have to have that rye. It's a - it's a long story, but a person's whole future may depend on it.
Mabel
Well, I'm sorry, but you should have got here earlier.
Jerry
Yes. Well, be that as it may, if you could just find it within yourself to give it up.
Mabel
You're not getting this rye --
Jerry
All right. All right. I'll tell ya what I'm gonna do, I will give you double what you paid for it.
Mabel
You're in my way! (she shoves Jerry out of her way and leaves)
Scene 22

Ext. Paramount Street - Night

4 lines
Kramer
Ahh! Mr. Ross. Mrs. Ross. My name is Cosmo and I'll be your driver for this evening. We have blankets for your comfort. I also have hot chocolate if the mood should strike you.
Mrs. Ross
My favorite.
Kramer
Well, if we're all set to go, why don't you two hop aboard and let me show you a little taste of old New York...the way it once was. Oh, happy anniversary. On, Rusty!
Rusty clip clops away, George is left alone, starts looking around for Jerry when the coast is clear.
Scene 23

Ext. Paramount Street - Night

10 lines
Jerry
All right. Look, I'll tell ya what, I'll give you $50. Now, be reasonable you cannot turn down $50 for a $6 rye.
Mabel
No? Watch me.
Jerry grabs her arm, starts trying to pry the rye out of her hands
Jerry
Give me that rye!
Mabel
Stop it!
Jerry
I want that rye, lady!
Mabel
Help! Someone help!
Jerry
Shut up, you old bag!
Jerry grabs the rye and runs
Mabel
Stop thief! Stop him! He's got my marble rye!
Scene 24

Int. Jazz Club - Night

14 lines
Elaine and John are sitting at a table
Elaine
I'm sorry to just show up unexpectedly like this. I know you've got your big showcase coming up later and I know how important it is, I know how hard you work for this night, but I just had to tell you that I never told Jerry hot and heavy. I didn't think we were hot and heavy. I mean - I mean, who's hot and who's heavy?
John
Whoa. Hold on, Elaine I.....I'm kinda disappointed.
Elaine
Disappointed?
John
Yeah. I mean, I was excited when Clyde told me that.
Elaine
You were?
John
Absolutely.
Elaine
Ohh! Whew! I am so relieved!
John
Listen, uh, I've still got a couple of hours to kill before the next show. My place is only a few blocks from here.
Elaine
Really?
John
And you know what?
Elaine
What?
John
I've been thinking about what we do and I'm thinking..of...adding a new number to my, you know, repertoire.
Elaine
Ohh!
Scene 25

Ext. Paramount Street - Night

13 lines
Hear the clip clop & snorting of Rusty
Kramer
Y'aah!
Rusty farts
Mrs. Ross
(sniffing) What is that?
Mr. Ross
I think it's the horse.
Mrs. Ross
Oh, God.
Kramer
Hey, how's everything? You..you need anything?
Mrs. Ross
This is - this is...horrible.
Mr. Ross
Excuse me,...what do you feed this animal?
Kramer
Oh, you know, oats and hay. You know, they like that stuff.
Mrs. Ross
I can't take this. Let me out of this thing!
Mr. Ross
Turn this thing around. We've had it. We can't breathe back here! And hurry it up!
Kramer
Rusty! Rusty!
Scene 26

Ext. Ross' Building - Night

15 lines
George
(whistling)
clip clopping beginning in distance and growing discernibly louder
Jerry arrives at the same time, George notices and signals to him to hide
Kramer
Whoa!
George
Wha - what happened? What are you doing back so soon?
Mr. Ross
Ask Rusty.
Kramer
I'm terribly sorry, Mr. Ross. One never knows how the gastrointestinal workings of the equine are going to function.
Mrs. Ross
Thanks for nothing! Come on, George. Let's go upstairs.
The Ross' head into the building
George
What the hell happened?
Kramer
The horse is gassy. Must have been the Beef-A-Reeno.
George
Beef-A-Reeno? You fed the horse Beef-A-Reeno?!
Kramer
Well, I overbought!
Mr. Ross
George.
George
(muttering, heads into the building as well)
Scene 27

Int. Jazz Club - Night

3 lines
Music Guy
What's going on? Where is he?
Manager
Uh...he'll be here soon.
Music Guy
I'll give him ten more minutes. I'm not gonna stay here all night.
Scene 28

Ext. Ross' Building - Night

12 lines
Jerry
How much did you give him?
Kramer
Just a can. But he really liked it, though.
George gestures from upstairs in the building
George
Jerry! Up here!
Jerry
Yeah. Hey, what do you want me to do with this?
George
I can't come out. They're standing right by the door. Throw it up!
Jerry
Really?
George
Yeah. Yeah. It's the only way. Come on. What are you, kidding me?
Jerry
Will you get this horse outta here. He's killing me. I can't get any oxygen.
Kramer
I don't wanna go back on there!
George
Come on!
Jerry
(grunting as he throws bread into the air)
Scene 29

Int. Apartment Room - Night

1 lines
Couple sitting, reading, as rye goes past their window several times.
Scene 30

Ext. Ross' Building - Night

1 lines
George
(grunting) Hey! Hey, wait a second. I got an idea.
Scene 31

Int. Jazz Club - Night

2 lines
Elaine and John enter.
Elaine
No. No. Don't be silly, John, you were very good. You just don't have to try so hard. Good luck, honey.
Scene 32

Ext. Ross' Building - Night

5 lines
George starts lowering a fishing line from a rod and reel. Jerry gets the hook.
George
Come on! Come on!
Jerry
Wait a second! I never baited a hook with a rye before. Your hook is too small. This is for, like, a muffin. All right. Take it away.
George finally gets rye into apartment, turning around to discover everyone staring at him
George
... Schnitzer's.
Scene 33

Int. Jazz Club - Night

3 lines
Manager
Ladies and gentlemen, John Germaine.
applause
John attempts to play saxophone, discovering that terrible sound is being created by the instrument