S07E08

The Pool Guy

Full screenplay script transcript for Seinfeld S07E08: The Pool Guy

15 Scenes433 Lines
Scene 1

Opening Scene

5 lines
Jerry
I'd like to know when Tic-Tac-Toe became the Pound sign, that's what I'd like to know. Why don't they call it what it really is -- "Leave your numeric message now and then press Archie's head." And what is that redial button? Let's face it -- you're either going to get the person, the machine or they have call waiting. Who is redialing and redialing? This is like the harassment key for people in a fight, you know.
Jerry holds his right hand up to the side of his face, thumb and pinky extended like a phone receiver
"Hey I'm not through --" CLICK. Blulululululu.
"You can't do that to me --" CLICK. Blulululululu.
"And another thing --" CLICK. Blulululululu.
Scene 2

Exterior Daylight Shot of Jerry's Brick Apartment Building, Then Inside.

60 lines
George
Let me ask you a question. Who would win in a fight between you and me?
Jerry
Well, what do you mean?
George
Well if you and I ever got into, like a really serious fight you know, and the punches started flying -- who do you think would win?
Jerry
Well I think that's pretty obvious.
George
Yeah. Me too.
Elaine enters carrying a cup of coffee
Jerry
Hey Elaine.
Elaine
Hey.
Jerry
Who, who, who do you think would win in a fight between me and ah, gorgeous George here. (pointing up and down at George)
Elaine
You mean in a real Fight Fight?
Jerry
Mona a Baldo .
Elaine
George.
George
Ah-Ha! (he turns and walks over to the refrigerator)
Jerry
Why?
Elaine
George fights dirty. (she sips her coffee)
Jerry
Really? What would you do?
George
Pull hair, Poke eyes, Groin stuff. Whatever I gotta do. (he opens a blue bottled beverage)
Jerry
Hmm.
Elaine
So. Listen ... You're not doing anything tomorrow, are you? Because I have an extra ticket to the historical clothing exhibit at the Met.
Jerry
I'm sorry.
Elaine
George?
George
Would I want to see what Mary Todd wore to Lincoln's funeral?
Elaine
There's nobody I can go with.
Kramer enters
Elaine
You know what. I don't have one female friend left.
Kramer
Oh, no, of course you don't. You're a Man's Woman. You hate other women, and they hate you.
Elaine
Thank you.
Kramer
So Jerry, (smacks hands and rubs palms together) What time we going to the movies?
Jerry
Ah, how about 8:30?
Kramer
Saddle up and ride. (opens the fridge and pulls out some food -- takes a big bite)
Jerry
You want to get something to eat first?
Kramer
(mumbling with full mouth) No, I'm good.
George
I wonder if, ah, Susan ... (picks up the phone from the coffee table, then decides not to call) No. I better just go. (claps hands) heh. All right! See ya. (grabs his rain coat from the hook by the door and rushes out)
Kramer
There's nothing more pathetic, than a grown man, who's afraid of a woman . (voice get high-pitched for the last line)
Jerry
Hey, why don't cha ask Susan?
Elaine
George's Susan?
Jerry
Yeah.
Elaine
Yeah. Why not Susan. I should be friends with Susan. (smacks her forehead with hand) Of course! Susan! Oh! OK, I'll see you guys. Huh. (rushes out the door.)
Kramer
That's gunna be trouble.
Jerry
Why?
Kramer
Jerry, don't you see? This world here, this is George's sanctuary. If Susan comes into contact with this world, his world's collide. You know what happens then?
Kramer raises his hands into the air and slowly brings them together in an explosion. He's holding some food in one hand, so when his hands come into contact food flies all over
Kramer
Ka shha shha shha Pkooo (exploding sound)
CAMERA FADES FROM THE APT. TO THE PARAGON MOVIE THEATER. JERRY AND KRAMER WAIT OUTSIDE IN A LINE TO BUY TICKETS.
Kramer
Did I tell you I'm getting a new telephone number?
Jerry
How come?
Kramer
Whew, chicks man. Too many chicks know my number.
Jerry looks at Kramer, raises his eyebrows with an expression that says "really?"
Ramon
(recognizes Jerry) Hey Jerry. How are you Mr. Backstroke?
Jerry
Kramer this is Ramon, from the new health club I joined.
Kramer
Oh, yeah.
Ramon
So you know what happened don't chu?
Jerry
No what?
Ramon
I got fired.
Jerry
Really?
Ramon
Yeah, said I put too much chlorine in the pool.
Jerry
Ahh.
Ramon
Hey well, ah, stay out of the deep end, eh.
Jerry
OK, see you later.
Kramer
What's in the deep end?
Scene 3

Night Exterior of George's Apartment Building, Then Inside. Susan Sits on the Couch Reading.

47 lines
Telephone rings
George
Hello?
Elaine
Hey George.
George
Hey Elainie. What's going on?
Elaine
(sitting up in bed) Nothing much, um. Can I talk to Susan
George
Ha, Yeah right, hang on, I'll ah, I'll get her for you. he, he, he, he. Seriously, what's up?
Elaine
No, George really. Can I talk to Susan?
George
Susan, why?
Elaine
Because I want to ask her to lunch and to the Met tomorrow.
George
Oh, I don't think you want to do that.
Elaine
Why not?
George
Well what would be the point of that?
Susan, hearing her name glances over at George
Elaine
George, are you going to put her on the phone?
George
Where did this come from all of a sudden?
Elaine
George, are you going to let me talk to Susan, or Not?
George
I really think I should have been consulted about this.
George takes the phone from his ear and walks over to the couch and hands the phone to Susan
George
Here ... something.
Susan
Hello? (with hesitant surprise) Oh, that sounds great. I love that sort of stuff.
George stands behind the couch, arms crossed with his right hand clenched up to his mouth. He takes off his glasses, puts his left hand just above his eyes and rubs them in disbelief and walks out of the room.
NIGHT EXTERIOR OF A BUSY NYC STREET. LARGE LIT ADVERTISING SIGNS FOR PANASONIC, JVC AND A COUPLE OF MCDONALDS "GOLDEN ARCHES" ARE VISIBLE. THEN TO THE INSIDE OF THE MOVIE THEATER.
Kramer
You want to sit here?
Jerry
Yeah. (Kramer sits in the seat next to Jerry) Uh, uh, oh, oh, Over there. (points to the next seat over)
Kramer
Why?
Jerry
Little buffer zone.
Kramer
(Quietly) Buffer zone (Kramer moves to the other seat)
Jerry
Thank you. If we were in my apartment and we were watching a movie on the couch, would we sit right next to each other?
Kramer
No. You got a point.
Jerry
All right.
Kramer
I can't ...
Jerry
What are you doing?
Kramer
Well these seats have no lumbar.
Jerry
Oh hey, there's Ramon. Pre, pretend we're talking.
Ramon is looking for a seat. He's carrying a drink, a bunch of napkins, and a huge bucket of popcorn
Kramer
We are talking.
Jerry
Pretend it's interesting.
Kramer
So, ah then, I ah had to kill him and ah, well the police are still looking for me.
Jerry
That's shocking, but sounds ...
Ramon
Hey, hi Jerry.
Jerry
Oh, hey Ramon.
Ramon
Hey, hey, I took a bunch of napkins. You want some?
Jerry
Oh, no thanks. (turns back to Kramer)
Ramon
Hey, ahhh, is this seat taken?
Ramon proceeds to sit down between Kramer and Jerry
Jerry
No.
As Ramon sits down, he bumps into Kramer and startles him. Jerry looks like he can't believe Ramon sat down. Ramon is bobbing his head front to back with his neck, like sitting there worked out pretty good
Scene 4

Exterior of Jerry's Apartment Building Then Inside Where Jerry and George Are Talking.

40 lines
Jerry
And then the worst part is, after the movie, he leached on to us ... We wound up having coffee with him for like two hours. Then he walks us home, all the way back to the front of the building. Finally I said, look Ramon, I gotta go to bed now.
George
By the way, have you spoken to Elaine yet today?
Jerry
No why?
George
(sighs) She called Susan last night.
Jerry
Oh yeah, I know.
George
How do you know?
Jerry
Well it was my idea.
George
Your idea?
Jerry
Yeah.
George
Wha'd you do that for?
Jerry
She was looking for someone to go to the show with.
George
Well that was a really stupid thing! You know what's going to happen now?
Jerry
World's collide. (points at George)
George
Whe ... Well yeah!
Jerry
Because this world is your sanctuary and if that world comes into contact with --
George
YES! It Blows Up! If you knew that, what did you tell Elaine for?
Jerry
I didn't know. Kramer told me about the worlds.
George
You couldn't figure out the "World's Theory" for yourself? It's just common sense. Anybody knows, ya gotta keep your worlds apart. (gesturing with hands going outward)
Jerry
Yeah, I guess I slipped up.
Kramer enters
Kramer
Hey.
George
Hey.
Jerry
Hey.
George
He knows the worlds theory.
Kramer
What is it blowing up?
George
Ha! (grabs his coat and exits the apartment)
Telephone rings - Kramer pulls a cordless phone from his pocket
Kramer
Cosmo, go. No, no, na, na. (he pushes the end button and pushes the antenna down) Boy this new telephone number's driving me crazy -- wrong numbers, every five minutes.
Jerry
What is it?
Kramer
Well it's 555-3455.
Jerry
555-3455.
Kramer
Yeah.
Jerry
(picks up the phone on the coffee table) "555-3455." Well wait a second, don't you see that's 555-FILK.
Kramer
What's Filk?
Jerry
Filk's nothing, but 555-FILM is Movie Phone.
Kramer
Oh Movie Phone.
Jerry
Yes, so people are just dialing it by mistake and getting you.
Kramer
So, I'm Filk?
Jerry
You're Filk.
Kramer
Oh, Mama.
Scene 5

Susan and Elaine Are Walking Down the Sidewalk.

20 lines
Elaine
Well what about that number Susan B. Anthony wore to the 19th Amendment party. Hnuh. Eye yye yye.
Susan
Oh whoo. Quite the DèColletage for a suffragette.
Elaine
Ha, ha, ha, ha, well it must have been one hell of a party.
Susan
Whoo.
Elaine
Ha, ha, ha, ha.
Susan
Oh, I know what I wanted to tell you.
Elaine
What?
Susan
Ehahh, forget it.
Elaine
What? You can tell me. I'll put it in the vault.
Susan
The vault?
Elaine
Mm-Hmm.
EXTERIOR SHOT OF PHYSIQUE (JERRY'S HEALTH CLUB) THEN INSIDE TO THE MEN'S LOCKER ROOM WHERE JERRY IS PUTTING SOME CLOTHES IN A GYM BAG. SOME MEN ARE IN THE BACKGROUND TALKING.
Paul - Locker Room Attendant #1
Oy, Mr. Seinfeld. We heard you went to the movies with Ramon.
Jerry
Oh, well, I didn't actually go with Ramon. I just bumped into him there. (putting on coat)
Dustin - Locker Room Attendant #2
It's a good thing he has friends like you to cheer him up.
Paul
Tell him to call us.
Dustin
Tell him, Dustin says, "Hello."
Jerry
All right, I gotta go.
Paul
To see Ramon?
Paul, with his eyes wide open looking at Jerry. Dustin stares off the other direction, laughing to himself
Scene 6

Exterior of Jerry's Apartment Building, Then Inside Jerry's Apartment.

37 lines
Jerry
What else did you two do?
Elaine
Oh, I don't know, you know, girlie stuff.
Jerry
Ah, so, ah, flower shows and, shopping for pretty bows, and then back to her place, strip down to bra and panties for a tickle fight?
Elaine stands there for a good 6 seconds with arms crossed, blank expression, just looking at Jerry
Elaine
That's really what you think girls do, isn't it?
Jerry
Yes, I do. (very serious)
Elaine
All rightee. (turns and walks to the bathroom)
Jerry
Hey you know George isn't to happy, ahh, about your new friendship.
Elaine
Yeah? Well I don't really give a Sh... (closing the bathroom door)
Kramer enters and leaves the door open
Kramer
Hey man, what's going on?
Jerry
Hey.
Telephone rings
Kramer
Ooh, here we go. (pulls a cordless phone from his pocket) Yeah hello. Yeah, no, no, no, hold on.
Kramer walks over to the table, opens the newspaper to the movie section
Kramer
Yeah, Cupid's Rifle -- 8:30, Sony Lincoln Square. Yeah, no, no, no, no problem, yeah.
Kramer hangs up the cordless and pushes the antenna back in, puts the phone in his pocket
Jerry
You're looking up movies for people now?
Kramer
I got time.
Telephone rings
Kramer
And this. (pulls out the cordless phone from his pocket) Cosmo here. Yeah, un-huh, no, no, no, no, I'll help. Yeah, Firestorm's good. I saw it yesterday. Yeah well my buddy Jerry , ah, he's seen it twice. You want to talk to him? Here -- (holds the phone out to Jerry)
Jerry
(shaking his head no) No Kramer I don't want to talk to him.
Jerry is backing away, as Kramer attempt to foist the phone on to Jerry, but he will not take it -- Kramer continues to try and get Jerry to take the phone from him
** Continuity Error -- During this part of the scene, we clearly see Kramer's right hand holding the phone, his left hand is empty. This sequence is shot from several camera angles. At the end of the sequence, Kramer is holding the folded newspaper in his left hand -- he did not reach over to pick up the paper -- so this is obviously a Continuity Error **
Kramer
Just, just tell him about the picture. What's the matter with you? Stop it. (puts the phone back to his ear) Yes, are you still there? Look I'm sorry about that. All right there's an 8:30 and a 10:15showing.
Kramer walks out the open door and into his apt. with the newspaper. Elaine walks back into the living room, wondering what just happened, she gestures towards Kramer as he exits
Intercom buzzes
Jerry
Oh that's George. (presses the intercom button) Yeah?
Ramon
(Hey it's Ramon)
Jerry
What?
Ramon
(Hey, It's Ramon Jerry. I'm coming up)
Jerry
(to Ramon) Oh. Okay. (to Elaine) Wh, what is he doing here?
Elaine
Who? Who is Ramon?
Jerry
He's the pool guy.
Elaine
What pool guy?
Jerry
Do me a favor. Just stick around while he's here.
Elaine
Yeah, no problem.
Scene 7

Scene 7

5 lines
** Inconsistency in reality -- Ramon shows up at Jerry's door, 8 seconds from the time when Jerry stops pressing the intercom buzzer. Either Ramon would have to run up 5 flights of stairs incredibly fast (he does not appear out of breath) or those are some very fast elevators.
-- and we know from a Episode 6 The Ex-Girlfriend that Elaine complains about the slow elevators in Jerry's apt. building. **
Episode 6 The Ex-Girlfriend
Elaine
You know, you have the slowest elevator in the entire city? That's hard to get used to when you're in so many other fast ones.
Jerry
Well, the apartment elevators are always slower than the offices, because you don't have to be home on time.
Scene 8

Scene 8

21 lines
Ramon
Hee hey, hey Jerry (claps hands and points both index fingers at him) How are you, crazy guy?
Jerry
Hey. So, ah, Ramon this is my friend Elaine.
Elaine
Yeah and I was just leaving. Bye-bye Jerry. (smiling as she closes the door. Jerry looks at her like he can not believe she left him on his own)
Jerry
So, ah, what are you doing around here Ramon?
Ramon
Well, I was in the neighborhood. I figured I'd check you out.
Jerry
Ah, actually, I ka, kinda had some things to do.
Ramon
Oh, oh yeah. Wha? Where you going?
Jerry
Ah, just, you know, I don't know. Stuff, I gotta do. (grabs coat and throws it over his shoulder)
Ramon
Hey that's cool. I'm up for some stuff
Jerry
All right.
They head for the door
MOVING SUBWAY CARS BLUR BY, THEN INSIDE THE SUBWAY CAR WHERE JERRY SITS NEXT TO RAMON
Ramon
So get this. I get down there, and right away, I see the drain is clogged. I mean it's obvious. Can you believe it?
Jerry
All right Ramon, I'm going to get going.
Subway train stops and door opens
Jerry
I think we should separate here actually.
Ramon
What are you trying to say Jerry?
Jerry
Look Ramon, you're, you're a nice guy. But I, I actually only have three friends. I really can't handle any more.
Ramon
Oh I see. It's cause I clean pools, right?
Jerry
That has nothing to do with it.
Ramon
You su -- (no audio) (through the moving subway window, Ramon is swearing and pointing at Jerry)
Scene 9

Exterior of George's Apartment Building Then Inside His Apartment.

39 lines
Susan
Yeah, we got along real well.
George
You know, uh, she has no female friends! You know that, don't cha? Something strange about a woman who's friends are all men.
Susan
Yeah, I know. We talked all about that.
George
You talked all about that?
Susan
Oh yeah. Elaine opened up her vault.
George
Did you just say vault?
Susan
Yeah, why? Did I use it wrong?
George
You got that from Elaine.
Susan
Yeah. So what?
George
Well it's a little strange. You going to start to talk like Elaine from now on?
Susan
I don't know. Anyway I thought we'd all go to a movie on Friday.
George
We'd all go to movie on Friday?
Susan
Yeah.
George
This is not good. World's are colliding! George is getting upset!
INSIDE JERRY'S APARTMENT -- JERRY SITS ON THE COUCH LISTENING TO GEORGE.
George
Ah you have no idea of the magnitude of this thing. If she is allowed to infiltrate this world, then George Costanza as you know him, Ceases to Exist! You see, right now, I have Relationship George, but there is also Independent George. That's the George you know, the George you grew up with -- Movie George, Coffee shop George, Liar George, Bawdy George.
Jerry
I, I love that George.
George
Me Too! And he's Dying Jerry! If Relationship George walks through this door, he will Kill Independent George! A George, divided against itself, Cannot Stand!
Elaine enters
George
You're Killing Independent George! You know that, don't you?
Elaine
George I don't even want to get --
George
You know what word Susan used last night? Hnuh. Vault! hu,
hu, hu.
Elaine
So?
George
She got that from you!
Elaine
Well, I didn't tell here to say it.
George
Is she the only girl in the whole world? Why can't you get find your own girl?
Elaine
I Like Her!
George
You see (to Jerry). You see. You see what I'm talking about. It's all just slipping away. And you're letting it happen. (exits -- slamming the door)
Jerry
So you want to catch a movie later?
Elaine
Ahh, yeah, sure.
Jerry
I don't have a paper though.
Elaine
Hmm. (picks up the phone and dials)
Ring
Kramer
Hewwo and welcome to Movie phone. Brought to you by the New York Times and Hot 97. Coming to theaters this Friday ... Kevin Bacon, Susan Sarandon -- "You've got to get me over that mountain!" "Now" (bang, bang) "AHHHHHHHHHH" There is no place higher than ... Mountain High . Rated R. If you know the name of the movie you'd like to see, press 1.
Elaine
Kramer, is that you?
Kramer
Elaine?
Elaine
Uh, what time does Chow Fun start?
Kramer
I don't know.
Scene 10

Exterior of the Physique Health Club, Then Inside to the Men's Locker Room.

12 lines
Ramon
Well, well. Look who's here.
Jerry
Ramon, what are you doing here? You could get in trouble.
Ramon
No, I don't think so Jerry. You see they gave me my job back.
Jerry
What?
Ramon
I'm a pool boy ... again.
Jerry
Look Ramon, about the other day. I'm sorry if I offended you. I get a little crabby on the subway.
Ramon
Do you?
Jerry
What happened to all the towels?
Ramon
Oh, ah, I guess they must have disappeared. (walks away)
Newman rushes up to Jerry
Newman
Hey Jerry. Look at all the towels they gave me! I really hit the jackpot! (holding a large stack of towels, Newman pats his face with the top one) Ha, ha, ha.
Jerry extends his arms, making a vain attempt at a reach for a towel as Newman walks away
Scene 11

Exterior of Elaine's Building. Elaine and Jerry Walk Down the Steps and on to the Sidewalk.

36 lines
Jerry
It's been a terrible situation down there the past couple of days. He's really been making things uncomfortable for me. There's always a big pile of dirty towels in front of my locker ...
Elaine
Uh-huh.
Jerry
And then when I come out of the pool, my towel's always gone.
Elaine
Uhh, so frustrating!
Jerry
Tell me about it.
Elaine
Uhh, so you want to join me and Susan for lunch at the coffee shop?
Jerry
You're meeting Susan for lunch at the coffee shop?
Elaine
Yeah.
Jerry
I'm meeting George for lunch at the coffee shop.
Elaine
Oh, huh. Well, this should be very interesting.
Elaine walks off, while Jerry stands there contemplating the upcoming ramifications
ELAINE AND JERRY ENTER MONK'S COFFEE SHOP AS SUSAN SITS ACROSS THE BOOTH FROM KRAMER.
Susan
Hey! Elaine! Jerry. Over here!
Kramer
There they are.
Susan
Yeah, look who I ran into.
Kramer
Hey.
Elaine
Yeah. (sits down next to Susan)
Kramer
Yeah.
Elaine
Ahh.
Jerry stands a few paces from the booth, looking around for George, and feeling uncomfortable about the upcoming events
Kramer
Come on Jerry. Aren't you going to join us?
Jerry
Ah, you know. I'm supposed to meet, eh, someone -- I'll, I'll wait for them outside. (walks towards the door)
Kramer
Yeah, wait here. Come on, sit down. What's the matter with you?
Jerry
This is gonna to be ugly. (quietly)
Jerry sits down next to Kramer
Susan
What's that Jerry?
Jerry
(coughing) I said, boy am I ugly.
George enters the coffee shop
Susan
Oh, hey, hey, Georgie boy, over here.
George walks in and stops, looking at the four of them sitting in the booth. He nods his head and extends his arm in acknowledgment, nods his head again, he lightly claps his hands and walks up to the table
George
One, two ... three, four.
extending his arm and counting to Elaine, Susan, Kramer and Jerry, who he puts his hand under Jerry's chin and then makes a fist and presses it to Jerry's cheek
George
Ha Ho! (he turns and walks out the door)
Susan
Hey George!
Jerry
We'll pull up another chair.
New scene.
Scene 12

Exterior of Reggie's diner, then inside where George sits alone in a

26 lines
booth. He eats in silence. A man sits at the counter, sipping coffee.
EXTERIOR SHOT OF THE PHYSIQUE HEALTH CLUB, THEN INSIDE TO THE POOL. JERRY IS SWIMMING WHILE RAMON IS CLEANING THE POOL WITH A LARGE SQUEEGEE ON A LONG POLE.
Jerry
I see you there Ramon.
Ramon jabs a little bit at Jerry with the squeegee
Jerry
Hey, l'll just keep swimming. Hey, hey. I'm not done. I know what you're up to Ramon. Because I'm a member here, this is my place to swim.
Ramon pushes the squeegee out into Jerry's swim path -- Jerry grabs the squeegee pole and they struggle in a push-pull match
Jerry
Hey, you better cut it out Ramon. Just stop it.
Ramon loses his balance and Jerry pulls him into the pool
Ramon
Oh.
Newman runs towards the pool in one of those old time bathing suits
Newman
Olly, olly, oxen, free!
It looks like Newman tries to do a cannonball into the pool, filmed in slow motion. Ramon looks up with a stunned look on his face, seeing Newman as he jumps into the pool on top of him.
Jerry
(NO!)
Camera fade to Ramon, lying unconscious on the tile pool deck. Newman and Jerry are kneeling over him.
Jerry
I think he's gonna need, mouth-to-mouth resuscitation.
Newman
Mouth-to-mouth?
Jerry
Yeah.
Newman
Huh.
Jerry
Well? Go ahead.
Newman
You go.
Jerry
You knocked him out.
Newman
Yeah, but you pulled him in.
Jerry
Come on Newman. Do it.
Newman
Nah.
Jerry
He might die.
Newman
Yeah. Maybe.
Scene 13

Night Exterior of George's Apartment Building, Then Inside Where Susan and Elaine Are Sitting and Talking.

17 lines
Elaine
(on the phone to) Look Jerry, we'll meet you at the theater. (hangs up the phone) OK, next showings at 9:00, we can't wait any longer.
Susan
Elaine, where could he be? It's not like George to just disappear.
Elaine
Look, let's just leave him a note, okay?
Susan
Oh, I don't know.
Elaine
Oh, come on, come on, come on. (picks up pad of paper and writes) "George, Elaine and I went to see Chunnel ... with Jerry." Love?
Susan
Yeah.
Elaine
"Love ... Susan."
CAMERA FADE TO ELAINE, SUSAN AND JERRY OUTSIDE THE PARAGON MOVIE THEATER. IT'S NIGHT AS THEY WAIT IN LINE TO BUY TICKETS.
Jerry
So eventually these people came and, somebody, gave him mouth-to-mouth.
Elaine
He could have died
Jerry
Yeah, it was a gamble.
Susan
Why didn't you give him mouth-to-mouth?
Jerry
Ah. (makes face)
Elaine
How can you possibly show your face there again?
Jerry
Oh I can't. They revoked my membership. Newman too. You know, we can't go anywhere near there.
they move up to the ticket window
Elaine
Hi, ah, three for Chunnel -- two adults ... one child. (looking towards Jerry)
Scene 14

Night Exterior of George's Apartment Building, Then Inside Where George Finds the Note.

50 lines
George
What the hell is this? "George, Elaine and I went to see Chunnel ... with Jerry." With Jerry, huh? With Jerry! Great. Great! (dials phone) Probably went to the 84th St. That's where I always go with Jerry.
Rings
Kramer
Hewwo and welcome to Movie phone. If you know the name of the movie you'd like to see, press one.
George
Come on. Come on.
Kramer
Using your touch-tone keypad, please enter the first three letters of the movie title, now.
George presses 3 keys
Kramer
You've selected ... Agent Zero? If that's correct, press one.
George
What?
Kramer
Ah, you've selected ... Brown-Eyed Girl? If this is correct, press one.
George looks baffled
Kramer
Why don't you just tell me the name of the movie you've selected.
George
Chunnel ?
Kramer
To find the theater nearest you, please enter your five digit zip-code, now.
George enters his zip-code
Kramer
Why don't you just tell me where you want to see the movie?
George
Lowes Paragon, 84th and Broadway.
Kramer
(picks up paper) Chunnel , is playing at the Paragon 84th Street cinema in the main theater at 9:30 PM.
George
Yeah, now I gotcha! (hangs up the phone and rushes out the door)
Kramer
It's also playing in theater number two at 9:00.
NIGHT EXTERIOR OF UNITED ARTISTS THEATER WITH A BUSY STREET IN THE FOREGROUND -- TAXI'S DRIVE BY. THEN INSIDE TO A DARKENED THEATER, GEORGE, IN THE ISLE, SEARCHES FOR JERRY, ELAINE AND SUSAN. HE'S TRYING TO BE QUIET AND STILL GET THEIR ATTENTION.
George
Jerry ... Where are you? I know you like to sit back here. Elaine! Susan!
Movie Patron
SHH!
From The Movie We Hear This Dialogue
"The English Channel Tunnel, Chunnel, runs 32.3 miles, with two openings. One here, in England and another one here, in France. That's all we got. Thank you for your time gentlemen. Can I ask you a question Mr. McKittrick." -- it's a bit hard to hear the movie dialogue, as we are supposed to be focused on George, but I was able to make out most of it
CUT TO SUSAN, ELAINE AND JERRY WATCHING CHUNNEL IN THE THEATER NEXT DOOR. JERRY IS EATING POPCORN WHILE ELAINE SIPS A DRINK AND EATS A BIT OF POPCORN
Jerry
I can't figure out what's going on here. I can't follow the plot. Why did they kill that guy? I thought he was with them?
Susan
No, no. That's not the guy. That's a different guy.
Susan looks irritated at Jerry and Elaine's talking
Jerry
What is he doing in the Chunnel?
Susan
Would you two, Please?
movie voice - clearly it's Larry David's voice) ( Everybody out of the Chunnel! Everybody out!
Elaine and Jerry stop eating, sink back into their seats and look at each other, with silent expressions that say "what is her problem."
(again, From The Movie We Hear This Dialogue
"Let me tell you something about the Chunnel, Mr. Thane. That our only freeway is adept. (inaudible) Elaine Brookstone will get the money bag (inaudible) Not as long as I have these long stickers. Find him and Kill him! I don't care if we have to turn this Chunnel upside down! Find Him! Everybody out of the Chunnel! Everybody out! The Chunnel's gonna blow! AHHHHHH (Explosion)"
** this time it's really tough to make all of it out, so there are some inaudible parts, but I tried to pick up most of it)
BACK TO GEORGE IN THE OTHER THEATER. HE STANDS AT THE FRONT OF THE THEATER, THE MOVIE SCREEN BEHIND AND ABOVE HIM. HE IS STILL TRYING TO FIND JERRY, ELAINE AND SUSAN.
George
Susan! Jerry! Where are you? I know you're there! Answer me!
Movie Patron
(Hey, sit down!)
George
Hey. Hey. Answer me! Come on, show yourselves!
Movie Patron
(Hey, we're trying to watch a movie here!)
George
Drink your soda! Come on! I know you're there, laughing at me. Laughing and lying and laughing! I had to go to Reggies, Jerry! Reggies!
Movie Patron
(Move it off of there!)
George
Where are you!
2nd Movie Patron
(Hey are you sure you got the right theater?)
George
Yeah, yeah, yeah. Chunnel . Susan!
2nd Movie Patron
(It's playing in two theaters.)
George
Two theaters?
2nd Movie Patron
(Yeah, there's a 9:00 too.)
George
Oh. Sorry.
A large bucket of popcorn is thrown at George. He tries to deflect it, but the popcorn flies all over
(once Again, From The Movie We Hear This Dialogue
"There's something else, your ex-wife. Alexandra? She's in France, I'm telling ya. No, she's in the Chunnel. The Chunnel? No! Mr. President, I'm sorry to disturb you. What is it? There's something about the Chunnel. Oh?" (inaudible) And that means your daughter is in the Chunnel. Somewhere between France and ... (inaudible)"
** Again, it's really tough to make all of it out, so there are some inaudible parts, but I tried to pick up most of it)
Scene 15

Elaine, Susan and Jerry Exit the Theater.

18 lines
Elaine
I thought that was pretty good, huh?
Jerry
Wha'd you think Susan?
Susan
Oh, I don't know. I couldn't hear anything. You, you talked the whole movie.
Elaine
Oh, well come on. You want to go grab a bite to eat?
Jerry
Yeah.
Susan
Ah, no. I don't think so.
Elaine
Why not?
Susan
Well you know, all you guys ever do is sit around the coffee shop talking, sit around Jerry's apartment talking. Frankly, I don't know how you can stand it. I'll see you.
Susan turns to walk away, but stops and looks at George being escorted out of the theater by two ushers. He struggles to try and stay inside the theater, but they forcefully remove him. Jerry, Elaine and Susan watch as George it escorted out -- he does not see the three of them standing there.
George
I know they're in there, the three of them, laughing at me. Together, laughing and lying.
Usher
Let's go pal.
George
They're -- They're killing independent George! And they're, they're all in on it! World's are colliding!
Camera freeze on George with the two ushers
Outside Kramer's Apartment Door
5B A PARTIAL VIEW OF A MAN'S FACE AND HIS HAND KNOCKS 3 TIMES ON THE DOOR.
Movie Phone Guy
Hello, and welcome to your worst nightmare.
Kramer, sitting on the couch, reading the paper and eating cereal is obviously startled by the voice at his door
Movie Phone Guy
(con't) I know your in there, Cosmo Kramer, Apartment 5B. You're in big trouble, Now. You've been sealing my business. If you'd like to do this the easy way, open the door, Now. Or, please select the number of seconds, you'd like to wait, before I break this door down. Please select Now.
as the Movie Phone Guy talks, Kramer slides off the couch and ducks down under the coffee table, then pops back up with a dazed look.