Full screenplay script transcript for Seinfeld S08E07: The Checks
32 Scenes503 Lines
Scene 1
Opening Scene
15 lines
Jerry and Elaine come out of a drugstore. Elaine has a couple of carrier bags she's fussing with the contents of.
Jerry
Hey, have you seen all these new commercials for indigestion drugs? Pepcid AC, Tagemat HB.
Elaine
Ugh, the whole country's sick to their stomach.
Jerry
Now, you know you're supposed to take these things before you get sick?
Jerry and Elaine begin to walk along the street.
Elaine
What is this, a 'bit'?
Jerry
No.
Elaine
'Cos I'm not in the mood.
Jerry
We're just talking. Is this not the greatest marketing ploy ever? If you feel good, you're supposed to take one!
Elaine
Yeah, I know that tone. This is a bit.
Jerry
They've opened up a whole new market. Medication for the well.
Elaine
(tired) Alright, are you done with your little amusement?
Jerry
(hopeful) Then you admit it was amusing?
Elaine
It was okay, but move the 'medication for the well' to the front, and hit the word 'good' harder.
Jerry
(thinking) Great. Thanks.
Scene 2
Some Fancy Place
19 lines
The room is stylishly furnished. A number of people sit around, chatting and drinking. Elaine and her new boyfriend, Brett, walk across the room, carrying drinks.
Elaine
So, your firm designed all the furniture in here?
Brett
We manufacture it. The original designs are by Karl Farbman.
Elaine and Brett sit on a couch
Elaine
(as if she knows) Oh, Farbman.
Brett
You know Farbman?
Elaine
Mm, love Farbman.
Brett
Most people go their whole lives without sitting in a Farbman.
Elaine
Wuh, if you call that living. (laughs) Ahaha.
Music begins to play. It's The Eagles' Desperado. Brett hears the music and is enraptured. He stares off into the distance, oblivious to everything but the song.
Elaine
Wouldn't it be great if Farbman designed shoes?
Brett hasn't heard a word of what Elaine said, continuing to stare off into the distance.
Elaine
Brett? Don't you think that would be great?
Brett still doesn't react.
Elaine
Brett?
Brett
(still staring off) After the song, babe.
Elaine
Huh?
Brett
The song.
Elaine stares at Brett and puts a hand to her chest, moved by his sensitivity.
Scene 3
Street
30 lines
Jerry and Elaine come round the corner, past the Chinese restaurant and walk along the street.
Jerry
So when do I meet this jerk?
Elaine
He's not a jerk, Jer. He only works with Karl Farbman.
Jerry
Who?
Elaine
(dismissive) I dunno, some designer. Anyway, Brett is so generous, and sensitive. Last night he was moved just listening to a song.
Jerry
What song?
Elaine
Desperado.
Jerry
Desperado?
Elaine
Uh huh.
Jerry
And you're still dating him? I tell you who sounds a little desperado.
Ahead of the strolling twosome, a guy stands on the sidewalk, twirling a brightly-coloured umbrella over his shoulder.
Jerry
(pointing toward the guy) See that salesman, twirling that umbrella.
Elaine
Uh huh.
Jerry
I invented that.
Elaine
That, had to be invented?
Jerry
When I started out as a comedian, I sold umbrellas. It was my idea to twirl it, to attract customers.
Elaine folds her arms, unconvinced.
Elaine
(skeptical) Oh hoh, really? Well, why don't we ask him about it?
Elaine marches toward the umbrella guy.
Jerry
Elaine.
Elaine
Excuse me. Hey, how you doing. Uhm, my, uh, friend here says that he invented that little twirl you're doing.
Jerry
Elaine, please, it was a long time ago. The man doesn't want a history lesson.
Clicky
Teddy Padillac came up with this twirl.
Elaine
(looking at Jerry) Ohh.
Jerry
I know Teddy Padillac. I worked with him on Forty-eighth and Sixth.
Clicky
Yeah, that's where he come up with it.
Jerry
In his dreams.
Elaine
Alright, can we (glances at her watch) go?
Elaine walks off, crossing the street. Jerry follows.
Jerry
(to Clicky) By the way, you're doing it too fast. You'll disorient the customers.
Scene 4
Jerry's Apartment
29 lines
Jerry is demonstrating twirling an umbrella to George, who sits in a chair with a magazine.
Jerry
It's the twirling that dazzles the eye.
George
(pulls a face) I find it disorienting. Who buys an umbrella anyway? Y..you get 'em for free in the coffee shop in the metal cans.
Jerry
(as if speaking to a moron) Those belong to people.
Jerry tosses his umbrella onto the couch, and walks toward the kitchen. The door opens and Kramer enters, carrying a large envelope.
Kramer
Hey. Well. (proffers the envelope) This was downstairs for you. Ker-ching.
Jerry
(taking the envelope) Oh no, not more checks. They're coming faster than I can sign 'em.
George
What checks?
Kramer
Oh, you didn't hear? Jerry's a big star in Japan.
Jerry
I don't know why. There's a one-second clip of me in the opening credits of some Japanese comedy show.
Kramer
Yeah, the Super Terrific Happy Hour.
Jerry
(opening the envelope and pulling out a stack of checks) They run it all the time, and now I'm starting to get all these royalty checks.
George
Look at all of those! You're rich!
Jerry
Naw. Each one is for like twelve cents. It's barely worth the pain in my hand to sign 'em.
Kramer sits on the couch and flinches as he sits on the umbrella. He reaches under himself and extracts it, then jumps again as he accidentally opens it. He gets back up, and heads to the kitchen.
Kramer
Hey, Jerry, you need any new furniture?
Jerry
Why?
Kramer
(getting a bottle of water out of the fridge) Yeah, well, Elaine's new boyfriend, you know. He's giving me this oversize chest of drawers. It's a Farbman.
George wanders over.
George
He's giving you furniture? Who is this guy?
Jerry
Ah, who are any of her losers?
George
(dryly) You're on that list.
George goes and gets his coat.
George
Alright, I gotta go home and open up with the house for the carpet cleaners. You know they're doing my whole place for twenty-five dollars.
Kramer
Oh, no, no, no. Not the Sunshine Carpet Cleaners?
George
Yeah, you heard of 'em?
Kramer
They're a crazy religious cult. The carpet cleaning is just a means for them to get into your apartment.
George
So? For a twenty-five dollar cleaning, I can listen to some pointless blather.
Jerry
I do it, I'm not even getting the cleaning.
Scene 5
Street
28 lines
Kramer and Jerry stroll along. Jerry is massaging his left hand, as if it's giving him discomfort.
Jerry
Signed over a hundred checks this morning.
Kramer
Hello, twelve dollars.
Jerry and Kramer draw level with three Japanese tourists. One of them steps forward, holding out a camera.
Mr Oh
Excuse me. Would you take picture please?
Kramer
(takes camera) Oh, yeah, sure.
Jerry has spotted something further along the street. It's another umbrella salesman, twirling his wares.
Jerry
I'm gonna ask this guy something.
Jerry walks along to the guy. Kramer fusses about, taking a picture of the three Japanese guys, at one point he steps back to frame them all, and stumbles off the curb.
Jerry
(to umbrella guy) Hey. Nice twirl you got there. You know who invented that, don't you?
Back down the street, Kramer has finished photographing. He looks over toward Jerry, and thinks for a second.
Kramer
(to tourists) Hey, are you folks from Japan.
Mr Yamaguchi
Hai.
Mr Oh
Yes.
Kramer
(points over to Jerry) You recognise that mug?
Jerry has taken one of the umbrellas, and is demonstrating the twirl to the guy. He's speaking animatedly, with lots of hand gestures and arm waving.
Kramer
That's the funny face that greets you at the beginning of the Super Terrific Happy Hour.
Mr Oh
Ahh, Super Terrific Happy...
The three guys all speak to each other in excited Japanese.
Kramer
Ah, yeah. Yeah, that's him.
Kramer and the three guys look along to where Jerry is still talking vigorously to the umbrella guy.
Mr Oh
What is he doing?
Kramer
Well, I don't know. But something super terrific, I'm sure.
Mr Oh
He's funny.
Kramer
Oh yeah, very funny. And it wouldn't be impolite to laugh at his antics.
Jerry is tossing the umbrella from hand to hand, with the unimpressed guy watching him. Kramer laughs, and the Japanese all join in.
Kramer
Yeah. Yeah, that's it. Because everybody laughs at Jerry here in America.
Kramer and the Japanese all laugh uproariously, watching Jerry.
Scene 6
George's Apartment
16 lines
Three guys in bright yellow overalls stand in George's living room. Two of them have a large carpet cleaner by the door, ready to leave, The third, the leader, has a notebook.
Crew Leader
(calling to George) We're pretty much finished.
George enters from another room.
Crew Leader
There's just one more thing.
George
(smiling expectantly) Here it comes.
The leader opens his book and holds up a check.
Crew Leader
(clears throat) You forgot to sign your check.
The leader hands George a pen, and waits as George appends his signature.
George
(signs) Sorry. (expectant) You're sure, uh, there isn't anything else?
Crew Leader
(flat) No.
The carpet cleaners begin to leave. George follows the leader toward the door, looking disappointed.
George
(let down) So, that's it?
Crew Leader
Unless you need a receipt.
George
(melancholy) I wish that was all needed. Life can be so confusing. I..I'm searching for answers, anywhere.
Crew Leader
(flat) Good luck with that.
The leader closes the door on a perplexed George.
Scene 7
Jerry's Apartment
35 lines
Jerry sits at his table. He's signing checks, and holding his pen awkwardly in his hand which is twisted uncomfortably. Elaine enters and notices his hand.
Jerry
Hey.
Elaine
What's with the claw?
Jerry
Super terrific carpal tunnel syndrome.
Elaine wanders toward the kitchen. The door opens and Brett enters.
Brett
(to Elaine) There's no sign of Kramer.
Elaine
Oh, Brett. (indicating) This is Jerry.
Jerry
Hi.
Jerry holds up his twisted hand in greeting. Brett copies the position of the fingers in his wave back.
Brett
That's very funny. Elaine told me you were some kinda comedian.
Jerry
Ah, I'm one kind.
Elaine gets a bottle of water form the fridge.
Elaine
Have you seen the chest of drawers that Brett gave to Kramer?
Jerry
The Fleckman.
Brett
Farbman.
Jerry
Right.
Elaine
You gotta see 'em. Beautiful.
Jerry
(not interested) Oh, I'm sure they are.
Brett
I'd be happy to get you some if that's what you're driving at.
Jerry
No. I'm fine, thank you.
Brett
Don't worry. It's no charge to you.
Brett walks over past Jerry and points to Jerry's desk.
Brett
Looks like what you really need is a decent desk for writing your skits.
Jerry
(quiet annoyance) I don't write skits.
Brett
(walking back to Elaine) Well, of course you don't. You don't have a proper workstation. I'll fax you over my catalogue.
Elaine
Mmm. Brett, uhm, Jerry doesn't have a fax machine.
Brett
(quiet) Oops.
Brett looks round at Jerry, seeming embarrassed.
Brett
Well, I'm sure things'll pick up for you soon. Elaine, maybe we should get going.
Brett opens the door.
Elaine
Oh. Jerry, you wanna join us?
Jerry
Oh, where you going? The coffee shop?
Brett
(scoff) Coffee shop? I think we can do a little better than that. You look like you could use a solid meal at a real restaurant.
Jerry
You look like you could use a...
Elaine
(warning) Jerry.
Scene 8
Saks
8 lines
Kramer and the Japanese tourists are looking at stuff. Kramer picks up a Stetson and reads the price tag.
Kramer
(reads) Three hundred dollars. Hey, Mr Oh, how much would these run you in Tokyo?
Kramer holds the hat over, so Mr Oh can get a look.
Mr Oh
(thinks for a second) Ahh, about, uh, thirty thousand yen.
Kramer
(shocked) Thirty thousand?! These are practically free.
Kramer places the hat on an unsure Mr Oh's head.
Kramer
Giddyup. You're a cowboy now.
Kramer hands Stetsons to each of the other Japanese.
Scene 9
Brett's Car
15 lines
Brett and Elaine sit in his parked two seat Ferrari.
Brett
I feel terrible about your friend Jerry. He's upset that I gave Kramer that chest of drawers, isn't he?
Elaine
Why? Why d'you think he's upset?
Brett
How could he not be? Living in that cramped little apartment. And outdated furniture, so terribly... un-Karl Farbman-like.
Elaine
(romantic) We're not gonna talk about Karl Farbman all night, are we?
Brett
(smiling) I hope not.
Brett leans across to kiss Elaine. Just as they begin to kiss, the Eagles' Desperado comes on the radio. Brett immediately breaks off the kiss, and stares off into the distance again.
Elaine
(surprised) Brett? Everything alright?
Brett makes no response.
Elaine
(worried) Brett! What is it? Is there someone outside?
Brett
Elaine, the song.
Elaine
(relieved) Oh. Oh, oh, phew. You know, for a minute there I thought it was like that urban legend about the guy with the hook who's hanging on the fender...
Brett
Elaine, could you just not talk for one minute?
Elaine
(apologetic, silently mouthed) Sorry.
Elaine stares queryingly at the rapt Brett.
Scene 10
Monk's
27 lines
Jerry and George sit in a booth, sipping coffee.
Jerry
No spiel?
George
(annoyed) Not a peep. They just cleaned the carpets and left. Call themselves a cult!
Jerry
So you're angry that this bizarre carpet cabal made no attempt to abduct you?
George
They could've at least tried!
Jerry
You know, maybe they thought you looked too smart to be brainwashed?
George
Please.
Jerry
Too dumb?
George gives Jerry a look. Kramer enters, wearing a snazzy new suit. He strolls over to the booth.
Jerry
(impressed) Well! Mack is back in town! Nice duds.
Kramer
Konichi-wa. Yeah, it's a gift from my Japanese friends. (sits beside Jerry) They're known as gift-givers. And tonight we're going dancing at the Rainbow Room.
Jerry
Sounds like you're throwing a lot of their money around.
Kramer
Well, Jerry, they're Japanese. I mean, that TV you watch, that sushi you eat, I mean, even that kimono you wear. Where to you think all that money goes, hmm?
Jerry looks puzzled.
Kramer
That's right.
George
How'd you hook up with these guys?
Kramer
Well, they recognised Jerry from the Super Terrific Happy Hour. See now, you should be doing your own show in Japan. Now, they get you.
Jerry
What kind of show am I gonna do in Japan?
Kramer
(to George) Alright, what'd you do with that pilot you did.
George
(excited) Yeah, the pilot!
Kramer
That's right, I think that had marvellous production values.
George
(enthusiastic) And, you know, I do a lotta business with Japanese TV. They broadcast a lot of American baseball. They got an office here in New York!
Jerry
Forget it! The pilot was awful. It failed.
George
(animated) It failed here! Because, here, every time you turn on a TV, all you see is four morons sitting round an apartment, whining about their dates!
Jerry looks doubtful.
Kramer
George is right, Jerry. See, here, you're just another apple, but in Japan, you're an exotic fruit. Like an orange. Which is rare there.
Jerry looks at George, wondering.
Scene 11
Japanese TV Office
21 lines
Jerry and George sit on a couch. Two Japanese TV executives, one male, one female, sit on chairs. They are all watching the pilot show Jerry made at the end of Season 4. The Japanese are not looking impressed. George is smiling and pointing, enthusiastically. On a coffee table sits a large bowl containing a plastic bag of oranges.
Tv Jerry
You had a date? You went out with my butler?! Who said you could go out with my butler?!
Tv Elaine
Well, why do I need your permission?
Tv Jerry
Because he's my butler.
The first executive stops the tape.
George
(eager) So? What d'you think?
Executive 1
We're bit confused. Why was this man Jerry's butler?
George
Ah. You see, the man who was the butler, uh, had gotten into a car accident with Jerry, and because he didn't have any insurance, the judge decreed that the man become Jerry's butler.
Executive 1
Is this customary in your legal system?
Jerry
No. That's what makes it such a humorous situation.
Executive 1
(speaks Japanese) SUBTITLE: Are you following any of this?
Executive 2
(speaks Japanese) SUBTITLE: I'm still trying to figure out why they gave us a bag of oranges.
Executive 1
(to Jerry and George) I'm sorry. I'm sure Mr Seinfeld is very funny to Americans, but I'm not sure this butler show would work in Japan.
George
Oh, I, uh, I disagree. You've, uh, you've been living in America too long. (indicates the bag of oranges) You've forgotten what it's like to have no oranges.
Jerry nods, sagely, and picks up a cup of coffee. His fingers are still twisted from the check signing.
Executive 1
(speaks Japanese) SUBTITLE: Again with the oranges
There's a crash as Jerry's grip on the cup fails and he drops it.
Jerry
(flexing his fingers) Sorry. My hand is numb.
George
(positive) Yes. From endorsing checks for the Super Terrific Happy Hour. (laughs)
Executive 1
You must go now.
Jerry pats George on the knee. George squeezes Jerry's shoulder and they ruefully begin to depart.
Scene 12
Jerry's Apartment
36 lines
Jerry sits at his table, signing yet more checks, the pen gripped in his clawed fingers. Elaine stands in her jacket, her bag on the table.
Elaine
Ah, I think I'm on the outs with Brett. I got shushed during Desperado.
Jerry
(throws out his hands) What does he listen to? The all Desperado station?
Elaine
He is just in his own world when he hears that song. It's like, I'm sitting there in the car, and he's.. out riding fences.
Jerry
You know, what you need is a song you can share.
Elaine
Yes. You're right. We need to find 'our' song.
Jerry
Okay. So, is there any song that you feel very strongly about?
Elaine tips back her head and thinks for a second, before something occurs.
Elaine
(points) I like Witchy Woman.
Jerry
Witchy Woman?
Elaine
You know, Witchy Woman. (sings) 'Ooo-ooh, wit-chay woman'.
Jerry
(getting it) Ahh. Wit-chay Woman.
The door opens and Kramer enters, wearing his suit and carrying another fat envelope.
Kramer
(to Jerry) Hey, man.
Elaine
Hey.
Kramer puts the envelope down on the table next to Jerry. Elaine walks to the kitchen.
Jerry
Hey. How was the Rainbow Room?
Kramer
Uh, well, we, uh, we had to leave early. There was a, uh, slight monetary discrepancy regarding the bill.
Jerry
Ah.
Kramer
Uh, listen, uh, can I borrow some pillows?
Jerry
What for?
Kramer wanders into Jerry's bedroom.
Kramer (o.c.)
Yeah, well, uh, my Japanese friends're gonna stay with me.
Jerry
I thought they all had suites at the Plaza?
Kramer reenters, carrying three pillows.
Kramer
Well, I'm sorry, Jerry, we all don't have checks rolling in like you do.
Jerry
Well, what about all that money from the kimonos I wear?
Kramer
Well, they ran out of it. Manhattan can be quite pricey. Even with fifty thousand yen.
Elaine is in the kitchen, eating cereal from the box.
Elaine
Fifty thousand yen? Isn't that only a few hundred dollars?
Kramer
Evidently. (To Elaine) Oh, by the way, tell Brett that his chest of drawers are a big hit. My guests are very comfortable in them.
Elaine
In them?!
Jerry
You have them sleeping in drawers?!
Kramer
Jerry, have you ever seen the business hotels in Tokyo? They sleep in tiny stacked cubicles all the time. They feel right at home.
Jerry
This has 'international incident' written all over it.
Kramer
(smiling) Oh yeah, yeah.
Scene 13
Kramer's Apartment
11 lines
Up against one wall of the apartment stands a very large chest of three drawers. It's about six feet long and each drawers is maybe a foot and a half deep. Kramer walks over to it and looks into the open top drawer.
Kramer
Goodnight, Mr Tanaka.
One of the Japanese tourists sits up in the drawer.
Mr Tanaka
Goodnight.
Mr Tanaka lies down again, and Kramer slides the drawer shut. He then speaks to the occupant of the next drawer.
Kramer
Goodnight, Mr Oh.
Mr Oh
(sits up) Goodnight.
Mr Oh lies back down and Kramer slides the drawers shut, and speaks to the final drawer's occupant.
Kramer
Goodnight, Mr Yamaguchi.
Mr Yamaguchi
(sits up) Oyasuminasai *(Japanese for goodnight)
Mr Yamaguchi lies down. Kramer shuts the final drawer, switches off the lamp and, yawning, walks off toward his own bed
Scene 14
Jerry's Apartment
7 lines
Kramer is in the kitchen. He has three bowls out on the counter, and a box of Rice Crispies. Jerry walks over, pushing a bunch of checks into an envelope.
Jerry
What is this?
Kramer
Rice Crispies. East meets West, Jerry.
Jerry
Ah. It's a lovely little bureau and breakfast you're running. Well, I'm off to the bank.
Kramer
(opening the fridge) Sayonara.
Jerry
(leaving) Konichi-wa.
Kramer fetches out milk and continues making breakfast.
Scene 15
Brett's Car
9 lines
Elaine and Brett sit in the parked Ferrari. Witchy Woman is playing on the stereo. Elaine is listening, with her eyes closed and her head nodding. Brett looks puzzled.
Brett
Elaine, I...
Elaine
Shh-shh! (smiling) What d'you think?
Elaine continues to listen. Brett leans forward and switches off the music.
Elaine
What are you doing? That's Witchy Woman. That could be our song.
Brett
Witchy Woman is okay for you, but I've already got a song.
Elaine
Oh. Oh, then how about Desperado? (smiling) We can share it.
Brett
(flat) No. It's mine.
There is a flash of lightning and thunder rolls. Elaine peers out at the weather.
Scene 16
Kramer's Apartment
6 lines
The top and bottom drawers are open in the chest. Mr Yamaguchi sits up in the bottom drawer, and Mr Tanaka sits on top of the chest, with his feet in his drawer. Kramer comes over and hands bowls of Rice Crispies to the pair of them.
Kramer
Here you go. Snap, crackle and pop.
Kramer leans over and raps on the face of the middle drawer.
Kramer
(loudly) Good morning, Mr Oh. I gotta make up the drawer.
Mr Oh (o.c.)
Ach, come back in half hour.
Kramer looks impatient. He puts the bowl of Rice Crispies on top of the chest and walks off mumbling irritably.
Scene 17
Street
24 lines
It is pouring with rain. Jerry walks along the street, wearing just a light jacket over his clothes. He still has the envelope in his hands. Jerry spots the umbrella vendor, twirling his wares.
Jerry
(calls) Hey, I'll take one.
Clicky
Well, look who's back!
Clicky turns to another umbrella seller,who is facing the other way.
Clicky
Teddy! (indicates Jerry) This's the guy says he invented the twirl.
Teddy
(unfriendly recognition) Jerry Seinfeld!
Jerry
Teddy Padillac. Long time, no see. (pointing at the umbrellas) What've you got in a push-button mini.
Teddy
(bitter) Same thing we had, when you bailed on us, fifteen years ago.
Jerry
Bailed? C'mon, you knew I wanted to be a comedian. Besides, we had some good time. Remember Tropical Storm Renee?
Teddy
(angry) Oh, yeah, sure. But where were you during the poncho craze of eighty-four? I almost lost my house.
A guy comes along the street, wearing one of Elaine's urban sombreros. Clicky tries to catch his attention.
Clicky
Umbrella, buddy?
The sombrero wearer waves away the attention and crosses the street.
Clicky
Now we got that damn 'urban sombrero' to contend with.
Teddy
(to Clicky) Easy, there. (to Jerry) I hear you're taking credit for the twirl.
Jerry
Aw, it was so many years ago. Who cares?
Teddy
(intense) I care. Clicky cares.
Jerry
So, could I...
Another peal of thunder rolls as interruption.
Jerry
Could I just buy an umbrella?
Teddy
(sour) Yeah, sure. Two hundred dollars.
Jerry
(shock) What?!
Teddy
(caustically) Special price, for a real foul-weather friend.
The rain continues to pour down unabated.
Scene 18
George's Office, Yankee Stadium
21 lines
George is removing a tape from a VCR. Kramer enters, followed by the three Japanese tourists. Outside the window, the rain can be seen bucketing down.
Kramer
Hey, George. How about that tour, huh? These guys are ready to run the bases.
George
(indicating the window) Kramer, it's, it's raining. They got the tarp on the field.
Kramer
(quietly) Ah, listen, George, what else can I do with these guys? Now, bear in mind, they're a little light on the yen.
George thinks for a minute, then looks down at the tape in his hands.
George
Well, I, I got the pilot of the Jerry show.
Kramer
(snaps his fingers) That's perfect. (to the Japanese) Hey, how would you guys like to watch Super Terrific Happy star Jerry Seinfeld?
The Japanese nod to each other.
Mr Oh
But, we are also very hungry.
Kramer
Oh, yeah, yeah. (feeds tape into VCR) Well, you guys just watch the tape and, uh, I'll get you some food.
Kramer and George wave the Japanese toward seats. Kramer leaves the office and looks down the corridor. He raises his arm to attract attention.
Kramer
(shouts) Hey, peanuts!
As the Japanese sit, Mr Wilhelm comes to the door.
Wilhelm
George. (waves George over) George.
George goes out into the hall with Wilhelm.
Wilhelm
(puzzled) Uh, George, uh, did you call some carpet cleaners?
George
Are they here?
Wilhelm
They're in my office, right now.
George
(suspicious) They haven't said anything to you, have they?
Wilhelm
About what?
George
(to himself, resentful) What kind of a snobby, stuck-up, cult is this?!
Scene 19
Street
19 lines
Jerry walks along. He is still carrying the envelope of checks, and by now he's drenched. A familiar red Ferrari pulls to a stop level with Jerry, and the window winds down.
Brett
(calls over) Hey Jerry!
Jerry peers at the car and walks out into the road as he recognises Brett.
Jerry
Oh, hi Brett.
Brett
Haven't you ever heard of an umbrella?
Jerry
Ah, I didn't have enough money.
Brett
I'm sure things'll pick up for you.
Jerry
No, it's not that, it's the...
Jerry looks down at the envelope of checks in his hands. The rain has soaked them so thoroughly that the ink of his signatures has run and become illegible.
Jerry
Oh no, look at the checks! Hours of hard work ruined!
Brett peers over at the mass of sodden paper in Jerry's grip.
Brett
Ah, don't worry, I can spot you the (reads) twelve cents?
Jerry
No, it's not the money. It's my hand. It's crippled from writing and writing.
Brett
Nothing's working for you, is is?
Jerry
(bitter) Not at the moment, Brett.
Brett
I'd give you a ride, but I got Karl Farbman here.
Beside Brett sits a bald-headed, bearded, guy in shades.
Jerry
(sarcastic) Thanks for stopping!
Jerry walks away
Scene 20
Jerry's Apartment
25 lines
Jerry is drying the checks. Dozens hang from lines around the apartment, and more sit on the table, where Jerry dabs them with a towel.
Elaine
Brett said you ran away from him, as if he were the boogetyman.
Jerry
Boogeyman.
Elaine
Boogey?
Jerry
I'm quite sure. Anyway, any luck getting together on a song?
Elaine
No. He blew out my Witchy Woman, and he won't share Desperado. Hey, what d'you think of Oye Como Va?
Jerry
(negative) Eehh.
Elaine
(desperation) Well, I'm running outta guys here in this city, Jer!
Elaine puts he hand to her head, walks round the room and flops onto the couch. The door opens and George enters. He's in buoyant mood.
Jerry
Hey.
George
(excited) Great news! I showed the pilot to Kramer's Japanese friends. They loved it!
Jerry
Really? They bought the butler character?
George
(excited) Did I tell you that story's relatable?! That was a great show! That is why I'm bringing it back to NBC.
Jerry
NBC?
George
(little subdued) Nakahama Broadcast Corporation.
Elaine looks heavenwards.
Jerry
Ah. But they told us we must go now.
George
But now I have my own market research. Actual Japanese viewers, that love the show! I'm gonna talk to Kramer.
George opens the door. Jerry comes over before he can leave.
Jerry
Hey, George, do me a favour. If they make you an offer, whatever it is. (vehement) Just take it!
George smiles, claps Jerry on the shoulder and leaves. Jerry starts to close the door, but George turns back
George
Hey, by the way, what'd you think of Miss Yoshimura?
Jerry
Who?
George
The network executive. You think she liked me?
Jerry swings the door closed in George's face.
Scene 21
Hallway
1 lines
George crosses the hall to Kramer's door. He knocks, but there is no immediate reply. George listens, and can hear excited shouting and laughter. He opens the door and goes in
Scene 22
Kramer's Apartment
9 lines
Kramer and the three Japanese sit in the hot-tub. They're stripped to the waist (at least), wearing Stetsons, and drinking sake. They spot George as he enters and shout greetings.
Kramer
Heyy! Look who's here.
The Japanese whoop and wave at George.
Kramer
(beckoning to George) Come on, I want you to come in here.
All the Japanese gesture and shout that George should get in the tub with them.
Mr Oh
Come on in, fat boy!
George waves away their appeals with a smile.
George
Get a good night's sleep, alright fellas. (thumbs up) Big day tomorrow!
Kramer and the Japanese cheer and splash water at George, who leaves. Then they go back to knocking back sake.
Scene 23
Jerry's Apartment
4 lines
Jerry is re-signing all the checks he dried out.
Jerry
(to himself) Last one.
Jerry completes his signature and drops the pen from his claw-like hand. It's clearly painful.
Jerry
(agonised) Uugh! Ahh.
Scene 24
Street
11 lines
George stands outside the Nakahama Broadcast Corp offices. He's waiting for someone. Kramer wanders up behind him and speaks into George's ear.
Kramer
There you are.
George jumps, surprised by Kramer.
George
Uh. (smiles) Where's the boys?
Kramer
Uh, no, I let 'em sleep in.
Kramer reaches into his pocket and pulls out a number of airline tickets.
Kramer
I'm on my way to cash in their plane tickets for them. They need a little food money.
George
(horrified) But that meeting starts in ten minutes!
Kramer
No, well, I set their alarm. But they did have a lot of sake in that hot-tub.
A panicky George rushes toward a payphone.
George
(frantic) I'm calling Jerry.
Scene 25
Street/jerry's Apartment
9 lines
Jerry is bathing his crippled left hand in a bowl of ice-water. The phone rings and he picks up (with his right).
Jerry
Yeah?
George
(panicked and rushed) Jerry! The Japanese guys had sake in the hot-tub! You gotta get 'em outta the drawers and get 'em down here, or I don't have a focus group to sell the pilot to Japanese TV!
Jerry
(kidding) Uncle Leo?
George
(scream) Jerry!!
George begins hammering the phone against the kiosk. Jerry lifts the phone away from his ear at the noise.
Jerry
Alright, alright. I'll wake 'em up.
Jerry hangs up the phone.
Jerry
(to himself) Hmm, testy.
Scene 26
Kramer's Apartment
9 lines
The chest of drawers still stands against one wall. All the drawers are shut, and from within them can be heard thumping noises and cries for help. Jerry enters and hears the calls.
Jerry
Hello?
Mr Oh (o.c.)
Mr Jerry! Open the drawer, please!
Jerry pulls at the handle with his good hand, but it won't move. He tries to hook his bad hand round the other handle and pull.
Jerry
It's stuck. (pained) Oww! The steam from the hot-tub musta warped the wood.
Mr Oh (o.c.)
Pull harder.
Jerry
I'm trying. I can't get a grip. My hand's had kind of a bad week.
Mr Oh (o.c)
Very funny, but no joking, please.
Jerry
(looks round) Don't worry, I'll get you out.
Scene 27
Hallway
8 lines
Elaine and Brett stroll up to Jerry's door. Brett is carrying an umbrella. Elaine looks dubious.
Elaine
Brett, believe me. You don't have to do this.
Brett
Elaine, I know he'll appreciate this. Granted, it's not as nice as Kramer's cabinet, but it's start.
Elaine
Uh, I promise you, Jerry is not jealous of Kramer's cabinet.
Elaine reaches for Jerry's doorhandle, but a shout from Kramer's apartment distracts her.
Jerry (o.c.)
(yell) Move to the back of the drawers!
Elaine moves to enter Kramer's apartment.
Elaine
Jerry?
Scene 28
Kramer's Apartment
5 lines
Elaine enters followed by Brett.
Elaine
Jerry.
Jerry stands in front of the chest of drawers, holding a large fireman's axe. He swings it high and smashes it into the top of the chest, the wood splintering under the impact. Brett looks horrified. He drops the umbrella, and rushes forward to protect the furniture.
Brett
(shouting) Not the Farbman!!
Elaine stares after the charging Brett. She puts her hand to her mouth and screams, horrified at what she sees.
Scene 29
Japanese TV Office
22 lines
(The Japanese tourists sit on the couch, looking like survivors of some horrible ordeal, with the two executives in their chairs. George perches on the arm of the couch).
Mr Oh
(speaks Japanese) SUBTITLE: Jerry Seinfeld is a dangerous lunatic. He wouldn't let us out of the drawers. Then he came at me with an axe.
Executive 1
(speaks Japanese) SUBTITLE: We suspect his friend here is also unbalanced.
The tourists turn slowly and look nervously at the smiling, uncomprehending, George.
George
So, uh, gentlemen, do we have a deal?
Mr Oh
(speaks Japanese) SUBTITLE: Could we have a couple of those oranges?
The executives gesture their assent. The tourists eagerly grab the fruit.
Mr Oh
(speaks Japanese) SUBTITLE: We are very hungry and have survived many hardships.
Behind the couch, two of the carpet cleaner people enter, including the leader. They walk over to a corner. George notices them and stands.
George
(to the executives) Excuse me. Did you hire the Sunshine Carpet Cleaners?
Executive 1
Yes. Cleaned up the (points) coffee stain, left by Jerry Seinfield.
Wilhelm enters, dressed in the same yellow overall as the other carpet cleaners. George looks stunned.
George
Mr Wilhelm? Wha..what're you doing here?
Wilhelm
I'm here to clean the carpets. Most of the world is carpeted. And, one day, we will do the cleaning.
George lets this sink in, then slowly turns to the leader.
George
(incredulity) Him you brainwashed! (angry shout) What's he got that I don't have?!
The leader shrugs, as if to say 'You work it out.'
George
(urgent) Mr Wilhelm, listen. You've been abducted! Please, Mr Wilhelm, you gotta listen to me!
Wilhelm
Wilhelm? (he raises the nozzle of his cleaner) My name is Tanya.
George purses his lips.
Executive 1
(speaks Japanese) SUBTITLE: With these two idiots I don't know how the Yankees won the World Series.
The second executive shakes her head.
Scene 30
Jerry's Apartment
11 lines
Brett sits next to Jerry's table, looking dazed. Elaine stands beside him, applying an icepack to his temple. Jerry stands opposite Eaine.
Jerry
(apologetically) Brett, I'm, I'm really sorry. I didn't mean to hit you in the head with.. an axe.
Elaine gives Jerry a look.
Jerry
(defensive) At least it was just the handle!
Brett
It was a beautiful cabinet. What am I gonna tell...
Brett looks concerned.
Brett
I can't remember his name!
Jerry
Fleckman?
Elaine
Calm down Brett, okay. You could have a concussion. Calm down. (holds Brett's head and sings) 'Desperado, mmm-mm-mmm. You better...'
Elaine/jerry
(singing) '...let somebody love you. Let somebody love you, before it's too...'
Brett slips out from under the icepack and falls face-first onto the table with an audible clunk. Elaine looks down, shocked. Jerry just looks down.
Scene 31
Insert
1 lines
An ambulance races through the streets of New York, siren wailing.
Scene 32
Emergency Room
12 lines
Brett lays on his back, as a doctor and nurse examine him.
Nurse
His pulse is fine.
Doctor
Hmm. Looks like a minor concussion. Let me see what I can do to relieve the swelling.
Music begins to play. It's Witchy Woman, and the doctor gets the same look on his face as Brett with Desperado. He looks off into the distance.
Nurse
Doctor?
The doctor stares away.
Nurse
(concerned) Doctor?
The doctor is oblivious to the nurse.
Nurse
(worried) Doctor?
There is still no response from the doctor.
Nurse
(alarm) Doctor, I think we're losing him!
As the doctor stares off into the distance, the monitoring instruments can be heard beeping faster and faster.