Full screenplay script transcript for Seinfeld S04E19: The Junior Mint
15 Scenes424 Lines
Scene 1
Opening Scene
1 lines
Jerry
You can't just *have* an adultery-- you *commit* adultery. And you can't even *commit* adultery unless you already *have* a commitment. So you have to make the commitment before you can even think about committing it. There's no commit without the commit. Then, once you commit, then you can commit the adultery. Then you can get caught, get divorced, lose your mind and they have you committed. But y'know some people actually *cheat* on the people that they're cheating with. Which is like, y'know, being in a hold up and then turning to the robber next to you and goin' Alright, gimme everything you have, too''.
Scene 2
Jerry's Apartment, Jerry's Unloading Groceries.
39 lines
George
You met her at the supermarket? How did you do that?
Jerry
(flips a roll of paper towels in the air) Produce section. *Very* provocative area. A lot of melons and shapes. Everyone's squeezing and smelling... It just happened.
George
(laughs-hu) So when're you gonna see her?
Jerry
Tonight.
George
What's her name?
Jerry
I... don't... know...
George
How could you not know her name?
Jerry
I was a little nervous, I got distracted. It has something to do with a car, or a fish...
Jerry interrupts himself to pick up a pile of black bananas on his counter
Jerry
Look at that. Why do I get bananas? They're good for *one* day...
Tosses the bananas back in the bowl and goes back to unpacking the grocery bag.
George
Oh my God, I forgot to tell you. I got a letter today from the State Controller's Office. Y'know when I was going to public school back in Brooklyn, every week I used to put fifty cents in the Lincoln Savings Bank.
Jerry
Yeah, I did that too.
George
Yeah, You remember the, the little eh, bank book, there?
Jerry
Sure.
George
Alright, so I haven't put anything in it since sixth grade, I completely forgot about it. The State Controller's Office tracks me down. The interest has accumulated to 1,900 dollars. 1,900 dollars! They're sending me a cheque!
Jerry
Wow!
George
Hu-Yeah, interest. It's an amazing thing. You make money without doing anything...
Jerry
Y'know I have some friends who try and base their whole life on that principle.
George
Really? Who?
Jerry
Nobody you know...
George
Maybe I'll go down to the track. Put it all on a horse...
Jerry
Why don't you put it in the *bank*?
George
The *bank*? This is *found* money. I want to *parlay* it. I wanna make a big score!
Jerry
*Oh*, you mean you wanna *lose* it...
Kramer Enters. Jerry flips him a pack of dishwashing gloves he picked up for him at the grocery store.
Kramer
Yeah... All right....Ya got it, eh.
Jerry
Yes I did.
Kramer
Yes.
George
What's with the gloves?
Kramer
Well, I'm staining my floors, y'know, I don't want to get my hands dirty...
George
Huh. What, the whole apartment?
Kramer
The whole apartment. And I'm buying that fake wood wallpaper. I'm gonna surround myself in wood. It's gonna be like a log cabin. 'Cuz I *need* wood around me. Wood, Jerry [Snaps fingers]... Wood.
Jerry
Wood is good.
Kramer
Definitely.
Jerry
So we're still going to the health club to play racquetball right?
Kramer
Yeah, yeah, whenever you're ready.
Jerry
O.K., soon as Elaine gets here.
Kramer
Yep.
Scene 3
Kramer Exits
13 lines
Jerry
What, you rented "Home Alone"?
George
Yeah.
Jerry
I thought you saw that already...
George
No, I saw "Home Alone II".
Jerry
Oh, right... But you *hated* it!
George
Well I was lost, I never saw the first one. By the way, you mind if I watch it here?
Jerry
What for?
George
Because if I watch it at my apartment I feel like I'm not doing anything. If I watch it here, I'm out of the house; I'm doing something.
Jerry
All right.. Go ahead.
INTERCOM BUZZES - JERRY WALKS OVER TO ANSWER IT. GEORGE PUTS THE TAPE IN THE VCR.
Jerry
Yeah?
Elaine
(on the intercom) It's me, are you ready to go?
Jerry
No. Come on up.
Scene 4
Kramer Enters Wearing the Gloves Jerry Got Him.
32 lines
Kramer
I can't work with these!
Jerry
What's wrong?
Kramer
Well, you bought me dishwashing gloves. There's no *fine touch*...
Jerry
You said "gloves"...
Kramer
No, no, these are too thick. (removes the gloves/tosses them on the kitchen counter)
Kramer
Oooh, is that "Home Alone"?
George
Yeah. The *original*.
Elaine Enters
Elaine
Hey Boys-O!
Everyone
(in unison) Heyyyyyyyy.
Kramer
Hey, how's it goin'?
Elaine
Hello.
Jerry
(to Kramer) Hey (snaps fingers) get your stuff, let's get going.
Kramer get up to leave, but
Elaine
Well wait a minute, there's a slight change of plans.
Jerry
What?
Elaine
eh, Remember Roy, the artist?
Jerry
Oh, the "triangle" guy.
Elaine
Yeah, exactly, the "triangle" guy.
Jerry
Yeah, you liked him. What happened with him?
Elaine
Yeah I did. He was very talented. He was, ah just, I don't know a little too...
Jerry
Artsy?
Elaine
Fat.
Jerry
Oh. (unh - very quiet sigh)
Elaine
He was a fat, starving artist, y'know. That's very rare.
Jerry
Yeah.
Elaine
Anyway, he's in the hospital, he's having surgery and I feel like should go visit him.
Jerry
What's wrong with him?
Elaine
Unh, something with his spleen. Anyway it'll just take five minutes, O.K., and then, the hospital is right on the way.
Kramer
Yeah. (putting hand to his mouth, hatching a thought)
Jerry
All right we'll wait for you.
Kramer
Yeah, maybe I can get some rubber gloves there huh, yea.
Scene 5
Kramer Exits
66 lines
Elaine
Listen, Jerry can you do me a favor? (clears throat) Could you, go into the room with me to visit him because ah, I don't want him to think that I'm, y'know... interested.
Jerry
Oh, you want me to pretend to be your boyfriend.
Elaine
Well...
Jerry
Well I think I can do that. I believe I've played that role before to some critical acclaim.
Elaine
Aha ha ha (laugh)
KRAMER ENTERS, STANDING IN THE OPEN DOORWAY HOLDING A SPORTS BAG
Kramer
All right, lets go.
Jerry
All right (picks up his sports bag)
Kramer
Yep yep yep.
Elaine notices George is staying behind
Elaine
What's with him?
Jerry
Y'know a lot of people have asked that...
EXTERIOR SHOT OF THE HOSPITAL WITH CARS DRIVING BY -- THEN INTERIOR OF ROY'S HOSPITAL ROOM. ROY IS LYING IN BED, RESTING. AT THE HOSPITAL, ELAINE AND JERRY ENTER -- FINDING THE TRIANGLE? MAN'S ROOM
Elaine
Roy!
Roy
*Elaine*! What a *surprise*. (sitting up)
Elaine
(gasp) Oh, my *God*! I hardly recognize you! You look so...
Roy
Yeah, ya know, I've lost some weight...
Elaine
A *lot* of weight. (enthusiastically)
Roy
I know.
Elaine
Aha hu, You look *terrific*.
Roy
Thank you. So do you.
Elaine
Ah hahaha hhuu ha (flirty laughing)
Elaine introduces Jerry the boyfriend? to Roy
Elaine
Ah, This is... uh... you *really* lost weight.
Roy
Thank you.
Since Elaine is preoccupied, thinking about Roy, Jerry takes it upon himself to be introduced and sticks out his hand.
Jerry
Jerry, uh, I'm the boyfriend. (puts his arm around Elaine's shoulder, but she shrugs it off twice)
WHILE ROY, ELAINE AND JERRY ARE TALKING -- KRAMER IS OUT IN THE HALLWAY LOOKING FOR SOME THINNER GLOVES ON A HOSPITAL CART.
Hospital Voiceover
Doctor Wittenberg, Outside call. Doctor Wittenberg, Outside call.
Kramer opens a door
Woman
AHAaaaaaaaaa! (scream)
Kramer
(a bit startled) Ahh.
(he takes a few steps down the hallway and sees another door to try).
Hospital Voiceover
Doctor Wittenberg, Outside call.
Kramer
Ah, the mother lode! (the door squeaks a bit as he pushes it open)
GEORGE SITS ON THE COUCH IN THE DARKENED APARTMENT -- WATCHING HOME ALONE, AND EATING A BAG OF POPCORN -- 6 SECONDS OF FUNNY DRAMATIC MUSIC FROM THE MOVIE PLAY DURING THE SCENE
BACK IN ROY'S ROOM, ELAINE IS SITTING ON THE BED, CLOSE TO ROY -- JERRY SITS IN A CHAIR IN THE CORNER
Elaine
I can't believe it! You were *huge*! Like blubber! I couldn't even get my arms around you...
Roy
Yesss, I remember.
Elaine
Ahahaha. Well that's the positive thing about getting sick, you get to lose weight.
Roy
Elaine, it wasn't the illness. It was you.
Elaine
Me?
Roy
(quietly- yeah) After you stopped seeing me, I was devastated. I couldn't eat for weeks.
Elaine
*Get* *out*!
Roy
Really, it's the truth.
Elaine
Jerry, did you hear this? He couldn't eat for weeks...
Jerry
That's terrible...
Elaine
I had no idea I had that kind of effect on you.
Jerry gets up and starts playing with a Yo-Yo
Roy
You did.
Jerry
You know I can't get this *damn thing* to sleep. (about the Yo-Yo)
Elaine
Now listen Roy, tell me something. When, are you gettin' out of here?
Roy
Next Thursday.
Elaine
Okay, I'll tell you what. How about on Friday I take you out for a *big* meal because *you* are getting *too* thin...
JERRY THE BOYFRIEND? SEEMS TO HAVE A PROBLEM WITH THIS -- AND THE TWO EXCHANGE IN A BANTER AS THEY SPEAK TO EACH OTHER IN SUPER-POLITE, HIGHER-PITCHED VOICES.
Jerry
Honey... Aren't we going to the Poconos next Friday?
Elaine
No that's the week after.
Jerry
No, I believe it's next week.
Elaine
You're wrong.
Jerry
No I'm not...
Elaine
Shut up...
Kramer comes back in the room with a mitt full o' gloves.
Kramer
Pay dirt! (holding up the hand full of gloves. He looks behind himself as the door closes)
Elaine
Uh Roy, this is uh Kramer -- he's one of our friends.
Roy
Oh, How do you do?
Kramer
Yeah... I do great, yeah.
Scene 6
Roy's Doctor Enters the Room.
22 lines
Doctor
Hi Roy.
Roy
Oh, hey Dr. Siegel.
Jerry
Hey Doc, check this out. [does an around-the-world with the Yo-Yo]
Kramer
Heey.
Jerry
I *just* learned that. (proudly holding the Yo-Yo)
Doctor
A-hu. (The doctor is at a loss)
Doctor
I just wanted to stop by -- see if you had any questions about tomorrow's operation.
Kramer
Ah, Yeah Yeah, I have a - I have a question, um -- What do you know about inter-abdominal retractors?
Doctor
Are you asking because you saw "20/20" last night?
Kramer
I sure am.
Doctor
Well that report was about *one* very specific type of retractor and I can assure you we do not use that retractor in your friend's procedure.
Kramer
But you *will* use... a retractor.
Doctor
We have to...
Kramer
Mmm-hmm... (turns and walks away, makes a face, raises his eyebrows, nodding his head, then turns back to the group.)
Doctor
Tell you what. You're obviously concerned about your friend's welfare. A few of my students will be observing tomorrow's operation from the viewing gallery. How would you like to watch it with them?
Kramer
I'd love to watch the operation, yeah!
Jerry
I dunno...
Kramer
Oh, come on Jerry. You gotta see the operation. They're gonna cut him open -- His guts'll be all over the place...
Jerry
Yeah, that's true...
Kramer
...They'll saw through bone. Uuuuuuuing yutyutyutyutn naannnaaa [makes saw noises while gesturing over Roy's chest] You'll see what's *inside* bone...
JERRY'S APARTMENT. GEORGE IS FINISHING WATCHING THE MOVIE, MUSIC PLAYING -- HE IS CRYING
George
Ttu (wipes nose and sniffs) Ttu.
Scene 7
Jerry Enters
32 lines
Jerry
Hey.
George
Hi...
Jerry
What are doing, you crying??
George
No... (takes off his glasses and wipes his eyes with his sleeve)
Jerry
You crying from "Home Alone"??
George
The old man got to me.
Jerry
Alright, just get yourself together... I dunno if I can be friends with you anymore after this display.
George
Oh Shut up! What are you doing back so soon, anyway? (puts the tape back in it's case.)
Jerry
Oh, I never even got to the gym. Kramer got the gloves, wanted to come home and start working on his floor.
George
Oh. How's the guy?
Jerry
Oh, he's okay. In fact him and Elaine are getting ah, pretty chummy. Now Elaine wants me to buy some of his art. (opens the fridge and gets a bottle of water.)
George
Hnh. That's nerve...
Jerry
Yeah, so she and "Triangle Boy" can go out to fancy restaurants. (takes a sip of water)
George
Y'know what it is? It's "Clara Nightingale Syndrome." He falls ill; she falls in love.
Jerry
You mean Florence Nightingale. **
** Footnote
see short bio at end of script **
George
What'd I say? Clara?
Jerry
Yeah, you must have meant Clara Barton. **
** Footnote
see short bio at end of script **
George
Clara Barton? What did she do?
Jerry
I'm not sure, but I think she was nice. (takes a sip of water)
George
Susan B. Anthony** I think I'd have a problem with.
** Footnote
see short bio at end of script **
Jerry
Yeah, I think you would.
George
So, you gonna buy his art?
Jerry
No. Why don't you buy it? You got 1,900 dollars.
George
Yeah, that's what I want-- triangles. Alright, I'm outta here. Have fun with what's-her-name.
Jerry
I will.
George
Y'know, now you gotta ask her her name. It's so embarrassing.
Jerry
No, it isn't. I can find out.
George
Yeah? How?
Jerry
There are ways.
Scene 8
Later, The Mystery Woman and Jerry Are Sitting on the Couch
25 lines
Jerry
Y'know I remember when I was a kid growin up, kids would make fun of my name like you wouldn't believe-- "Jerry Jerry Dingleberry", and-hu "Seinsmelled"...
Woman
"Seinsmelled"?
Jerry
Yeah. a-hu. What about you? Did people make fun of your name?
Woman
Are you kidding? They were merciless! What do you expect when your name rhymes with a part of the female anatomy?
They both laugh, she leans in and kisses his ear and they hug. Jerry looks confused. She leans back --
Woman
(con't) Of course, not everybody can be as sweet as you are.
They embrace and a couple of light kisses and a hug
Woman
Oh, oh Jerry...
Jerry
Oh... *you*...
EXTERIOR SHOT OF MONKS RESTAURANT THEN INSIDE TO JERRY AND GEORGE SITTING IN THE USUAL BOOTH. SEEMS LIKE IT'S THE NEXT DAY -- THEY'RE IN THE MIDDLE OF A CONVERSATION WHEN WE JOIN THEM.
George
Now let's try "breast"... Celeste... Kest...
Jerry
No.
George
Rest... Sest... Hest...
Jerry
"Hest"? That's not a name.
George
What, you should've just asked her.
Jerry
I know, I should've asked her.
George
What're you gonna do now?
Jerry
I dunno. I can't ask her now; I've already made out with her. Once you make out with a woman, you can't ask her her name.
George
Aretha! (points finger at Jerry)
Jerry
No...
George
Bovary! (points finger again at Jerry)
Jerry
Alright, that's enough. (sips coffee)
George
Alright, well you know what'cha gotta do, you gotta go through her purse. Y'know, the-the credit cards, driver's license...
Jerry
How am I gonna do that?
George
When she goes to the bathroom.
Scene 9
Kramer Enters
56 lines
Kramer
Ah, (smacks hands) there you are. My date stood me up. Listen, will you guys go to the operation with me?
Jerry
You asked a date to go to the operation?
Kramer
Yeah... So c'mon, (smacks hands and rubs them together) what d'you say?
George
What kind of operation is it?
Kramer
Spleenectomy.
George
Isn't that where they remove the--
Kramer
No No, Don't ruin it for me, I haven't seen it yet! Ah-C'mon, what d'you say?
George
Mulva! (again pointing finger at Jerry -- Kramer watches the exchange back and forth)
Jerry
Mulva? (waves off George with his hand)
Kramer
C'mon, C'mon. You wanna go? (pats Jerry a couple times on the shoulder quietly) C'mon. Yeah, yeah, yeah.
Jerry
Alright, alright. Just let me finish my coffee... then we'll watch 'em go slice this fat bastard up. (sips coffee)
EXTERIOR OF THE HOSPITAL THEN CUT TO THE OPERATING ROOM WHERE JERRY AND KRAMER, DRESSED IN GREEN SCRUBS AND HEAD COVER, ARE SEATED IN THE FRONT ROW OF THE VIEWING GALLERY DIRECTLY OVERLOOKING THE TABLE BELOW. THERE'S NO GLASS IN FRONT OF THEM, SO THEY CAN LOOK RIGHT OVER THE EDGE. SEVERAL STUDENTS ARE ALSO IN THE GALLERY BEHIND THEM. THE SOUNDS OF BEEP, BEEP, BEEP FROM THE HEART MONITOR, AND THE BREATHING FROM THE PATIENTS OXYGEN MASK ARE A CONSTANT THROUGHOUT THE SCENE
Doctor
Now we'll open the peritoneal cavity, exposing the body's internal organs. Nurse-- retractor.
Kramer gets a box of candy out and pours a few into his hand and starts to munch
Jerry
What are you eating?
Kramer
Junior Mints. Do you want one?
Jerry
No...
Kramer
Now, I can't see..... Psst.... Psst...
The entire surgical team stops and looks up at him. Kramer motions to a nurse to get out of the way so he can see.
Kramer
... Cou, ye, ge...
The doctor shakes his head in disbelief and returns to the surgical procedure
Kramer
Y-ea (pours a few more Junior Mints into his hand and eats them)
Jerry
Where'd you get those?
Kramer
The machine. You want one?
Jerry
No.
Kramer
Here, take one.
Jerry
I don't want one.
Kramer
No, they're good! Take one..
Jerry
I don't want any!
Kramer
Just take one.
Jerry
No! Stop it! Kramer, stop it!
[as They Struggle To Force The Junior Mint On Each Other, Jerry Pushes Kramers' Hand Away And -- In Slow Motion With The Sound Of A Beating Heart To Emphasize The Event -- The Junior Mint Is Launched Into The Air Towards The Operating Table And, Well, In A Word
"Bingo" -- with a small "splat" sound -- falls into Roy, the patient. The surgical team looks around puzzled as to what just happened -- but they continue on with the operation)
JERRY AND KRAMER LOOK AROUND AT THE OTHER STUDENTS AND AT EACH OTHER IN AMAZEMENT AS TO WHAT JUST HAPPENED
Jerry
(pointing at the operation he mouths the words) Did it go in?
Kramer
Ge--
Camera fade to black with familiar Seinfeld music
JERRY'S APARTMENT WHERE HE IS OBVIOUSLY RELATING THE DAY'S EVENTS TO GEORGE.
Jerry
...Over the balcony, bounced off some respirator thing *into* the patient!
George
What do you mean "into the patient"?
Jerry
Into the patient, *literally*!
George
Into the hole?
Jerry
Yes, the hole!
George
Didn't they notice it?
Jerry
No!
George
How could they not notice it?!?
Jerry
Because it's a little mint. It's a *Junior* Mint.
George
W-ca-What did they do?
Jerry
They sealed him up with the mint inside.
George
They *left* the Junior Mint *in* him?
Jerry
Yes!
George
I-I guess it can't hurt him... People eat *pounds* of those things.
Jerry
Yes they *eat* them. They don't put them next to vital organs in their abdominal cavity!
INTERCOM BUZZES - JERRY ANSWERS IT. GEORGE GOES TO THE FRIDGE
Jerry
Yeah.
Elaine
It's me.
Jerry
Come on up.
Scene 10
Kramer Enters with a Sheet of the Wood? Wallpaper
8 lines
Kramer
Hey. This wallpaper is *very* good. My place looks like a ski lodge!
Jerry
Why did you force that mint on me? I told ya I didn't want the mint!
Kramer
Well, I didn't believe you.
Jerry
How could you not believe me?!?
Kramer
Well who's gonna turn down a Junior Mint? It's chocolate, it's peppermint-- it's *delicious*!
Jerry
That's true.
Kramer
It's very refreshing!
Jerry
Well, just don't say anything about this to Elaine...
Scene 11
Elaine Enters the Apartment, Looking Forlorn and Morose...
59 lines
Elaine
Prognosis... negative.
Jerry
Prognosis *negative*!?
Elaine
He's not doing well, the doctors don't know what it is. They're baffled.
Jerry And Kramer
Oh, my God...
Elaine
Just my luck, y'know... just when he's getting thin and attractive. Y'know Jerry, you should buy some of his art. That would really lift his spirits.
George
It's that bleak? (pours a glass of milk)
Elaine
Mmm... (Elaine goes to the bathroom)
George
Y'know if the guy dies, the art could really be worth something...
Jerry
We gotta confess.
Kramer
Really?
Jerry
Yes!
Kramer
We could be tried for murder...
Jerry
I can't have this on my conscience. We're like Leopold and Loeb! **
** Footnote
see short bio at end of script **
Kramer
You're not gonna say anything, you got that?
Jerry
I'm telling and you can't stop me!
Kramer
You're *not*!!!
(Elaine comes out of the bathroom -- just in time before Jerry and Kramer resort to fisticuffs).
George
Hey Elaine? Put me down for some of that art. 1,900 dollars worth.
KRAMER, JERRY AND ELAINE LOOK AT GEORGE LIKE THEY CAN'T BELIEVE HE WOULD DO THAT. GEORGE RAISES A TOAST? WITH HIS GLASS OF MILK. HE HAS A LARGE SANDWICH IN HIS OTHER HAND.
LATER, AT JERRY'S APARTMENT, THE MYSTERY WOMAN GIVES HIM A MASSAGE.
Jerry
Oh yeah, that's the spot...
Woman
What're you so tense about?
Jerry
Oh, nothing really, just a homicide. [She finds the right spot on his back] Oh that's terrific... Mulva.
Woman
What?
Jerry
Mulva?
Woman
Mulva?
Jerry
Oh my eh, my Aunt's name is Mulva. She's-she's a masseuse.
Woman
huh.
Jerry
Yeah.
Woman
Um, I'm going to the bathroom. I'll be right back.
Jerry
Oh, good idea...
She walks into the bathroom and closes the door. Jerry gets up quickly and opens her purse to look for an ID, but she comes back suddenly, catching him with the open purse.
Woman
What are you doing?
Jerry
Oh, I was just looking for er, some... gum or... mint.
Woman
Oh, I have Junior Mints.
Jerry
No! [throws her purse back at her] No, I mean, no thank you, nah...
She turns and walks back into the bathroom taking her purse with her.
Stealthy Kramer enters the apartment
Kramer
Any news?
Jerry
[whispering] No, no news. You better get out of here.
Kramer
Oh.
Jerry
Oh No, wait a second... Wait a second... I-I don't know the name of this woman in the bathroom, so when she comes out, you introduce yourself and then she'll be forced to say her name.
Kramer
10-4.
Jerry
O.K. (closes the apartment door)
Woman
Oh, hello.
Kramer
Hello, I'm Kramer.
Woman
Nice to meet you.
Kramer
See you later. (He promptly turns and leaves)
Woman
Well, I better get going. I don't want to be late for the play. (Grabs her coat.)
Jerry
Oh, okay.
Woman
Y'know my cousin knows the producer. I may get to go backstage and meet Olympia Dukakis.
Jerry
Oh, Hey, there's a name you don't forget.
Woman
Mm. Bye Jerry.
Jerry
Bye.
[They kiss. She turns and opens the door to leave. In the hallway, George is just reaching for the door knob as she opens the door. He has three more videos with him to watch at Jerry's -- the movie on top looks to be "Pretty Woman", in which Jason Alexander plays an evil lawyer)
Woman
Oh, hi.
George
Oh, Hi, I'm George. (they shake hands)
Woman
Oh, Nice to meet you, George.
Scene 12
She Leaves
30 lines
George
Yeahaha, I gave it a shot (pats Jerry on the arm)... So, any word on the "artiste"? (puts a video in the VCR)
Jerry
No, I haven't heard anything.
George
Hehe. Well, I got my triangles. (sitting on the couch)
Jerry
Really...
George
Yup, y'know, they really spruce up the apartment.
Jerry
Yeah, I'm sure...
Jerry
Well, I-I gotta call the Hospital. I gotta tell 'em what happened.
George
No-no Jerry. I wouldn't do that.
Jerry
Why?
George
Ehh, You could get in trouble.
Jerry
Look, I gotta try and help the guy.
George
Who are you to play God!? Every man's time comes! If his number is up, who are you to interfere!?
Jerry
Yes I'd like to speak with Dr. Siegel... it's about Roy Kordic's condition...
George
W-What? What?
Jerry
Oh, that's *fantastic*!
George
He didn't get better, did he?
Jerry
Thank you very much. O.K. Bye-bye. He's gonna be okay!
George
Where's the luck? There's no luck. 1,900 dollars down the drain.
EXTERIOR OF THE HOSPITAL THEN INTO ROY'S ROOM. ROY IS RECOVERING WITH A HUGE PLATE OF SPAGHETTI. JERRY, ELAINE, KRAMER AND GEORGE ARE VISITING
Roy
You saved my life, George. You buying my art is what inspired me to get better. I'll never forget what'cha did for me.
George
Oh, well th-that's great. It's really great. Hm hm mm.
Kramer
Y'know, art's a great investment.
Elaine
And they're gonna look great in your apartment, George.
George
Yes I look forward to many years of... looking at the triangles. Well, I'll ah, I'll wait for you outside.
Roy
Hey, George...
George
Yeah.
Roy puts his hand out -- George takes it, but Roy pulls him in and kisses him on the cheek. George is a bit surprised but does not let on -- he claps his other hand to Roy's
Kramer
Awe, alright
Jerry
That's nice.
George
Thanks Roy.
Scene 13
George Leaves As the Doctor Enters the Room
16 lines
Roy
Heeyy - there's the guy who saved my life. (points at the doctor.)
Doctor
Y'know... I don't want to totally discount the emotional element in your recovery but, I think there were other factors at play here.
Jerry
What do you mean?
Doctor
I have no medical evidence to back me up but, something happened during the operation that staved off that infection. Something beyond science. Something perhaps, from above...
Kramer reaches into his shirt pocket and takes out a box of Junior mints -- he rattles it.
Kramer
Mint?
Doctor
Those can be very refreshing.
Kramer shakes a couple of mints from the box into the doctor's hand. The doctor turns and exits.
Roy is thinking about Elaine while continuing to eating the giant plate of spaghetti like an absolute pig.
Roy
So Elaine... Where are we going for our big dinner on Friday? (takes a big mouthful of spaghetti)
Elaine
Uh-m, uh I'm so sorry Roy, but actually, we are going to the, Poconos on Friday, right honey? (pointing to Jerrythe boyfriend?)
Jerry
I don't think so...
Elaine
We are... that means that we ah, we are...
Jerry
I believe we're not...
Elaine
(Catching another glimpse of Roy eating) Hunh, Please can we go to the Poconos?
Jerry
Well, I'll think about it...
Scene 14
Exterior of Jerry's Apartment Building Then Inside Where Jerry and the Woman Are Talking...
24 lines
Woman
Great seats. You could see the actors spitting.
Jerry
Really...
Woman
Uh-huh. And afterwards we went backstage and Olympia Dukakis autographed my playbill.
Jerry
Oh, Wait a second, you got her autograph?
Woman
Yeah.
Jerry
Do you have it with you?
Woman
Yeah, it's in my purse.
Jerry
Ah, Le'me see. (hands Jerry the playbill)
Woman
Y'know I really think I'm falling for you, Jerry Seinfeld. (stands up, a quick kiss on the cheek and hugs him.)
Woman
Oh, well, I really think I'm falling for you... [opens the playbill and flips five pages till he finds and reads autograph] .....Joseph Puglia...
Woman
I had it autographed for my uncle.
Jerry
Yeah, I-I know...
Woman
(licks he lips) You don't know my name, do you?
Jerry
Yes I do.
Woman
What is it?
Jerry
It-it rhymes with a female body part.
Woman
What is it?
Jerry
Mulva...
She turns and grabs her purse, playbill and coat and leaves the apartment. Jerry follows
Jerry
Aub, ah, Gipple?
He stands in the open doorway and tries again
Jerry
Loleola?
Nope, obviously not. He closes the door and and goes to get something out of the refrigerator, but before the fridge light can even go on, a light goes on in Jerry's head and he rushes to the window to catch the Mystery Woman before she gets out of earshot.
Jerry
Oh! Oh! *Delores*!
Scene 15
Closing Monologue
1 lines
Jerry
Ages zero through ten, candy is your life. There's nothing else. Family, friends, school-- they're only obstacles in the way of getting more candy. And you have your favorite candies that you love. You know the ones I love those... I hate those...''. ``I hate those... I love those...''. And only a seven year old kid could actually taste the difference between like a red M&M and a light brown, M&M. That's two totally different things when you're seven years old. "Well, your red is more of a main course M&M, but the brown it's more of a mellower flavor; it's an after dinner M&M, really''.