S04E13

The Movie

Full screenplay script transcript for Seinfeld S04E13: The Movie

7 Scenes298 Lines
Scene 1

Opening Scene

70 lines
What's with the age gap hiring policy at most movie theaters? Didja ever notice, they never hire anyone between the ages of fifteen... and eighty, you know what I mean? Like, the girl that sells you the ticket, she's ten. Then there's the guy who rips the ticket, he's a hundred and two. So, what happened in the middle, there? You couldn't find anybody? It's like they want to show you how life comes full circle. You're fifteen, you sell the tickets. Then you leave, you go out, you have a family, kids, marriage, career, grandchildren, eighty years later, you're back in the same theater three feet away. Ripping tickets. Took you eighty years to move three feet.
A Night At The Improv. Jerry Receives Some Disturbing News From The Manager
The show has been delayed
Jerry
You don't understand. I got this all timed out. I got another spot across town at 9:50, I'm not gonna be able to make it!
As impeccable and precise in his business dealings as he is with his apartment
Kernis
I hear you, guy.
Jerry
And I'm doin' Letterman Monday. You know, I gotta work out the material!
In The Background Is The Plot Complication Of The Week
Buckles. The manager assures Jerry that Buckles isn't on the menu. He just hangs around hoping that somebody drops out
Kernis
Why don't you come back and do the 11 o'clock spot?
Jerry
No, I'm supposed to meet my friends to see this movie ``CheckMate'' at 10:30.
On consideration, Jerry decides to take the 11 o'clock spot and skip the movie. Jerry is on his way out the door when Buckles spots him
Buckles
Hey, Jer!
Jerry
[not losing a step] Heeeeyyyyyyyy..... [and out the door]
At the Paragon Theater, George joins the end of a queue. He taps the shoulder of the man in front of him
George
Excuse me, do you have a ticket?
Man
No.
George
Okay. Good.
Misunderstanding Number One
When Jerry shows up at the other comedy place, the manager tells him his spot was for 9:15, not 9:50. The manager had no choice but to give Jerry's spot to..
Buckles
Jerry!
Jerry
What are doing here?
Buckles
Hey, do you think this is funny? ``Why do they call it athlete's foot? You don't have to be an athlete to get it. I mean, my father gets it all the time, and believe me, he's no athlete!''
And you're no Jack Kennedy. Jerry is understandably unimpressed. He tries to escape, but Buckles won't let him. Jerry is on his way to the theater to tell his friends he can't make it, then back to the Improv. Buckles offers to join him and split the fare. ``I've got time! It'll give us a chance to know each other a little better!'' Elaine joins George in the queue
Elaine
I've been *dying* to see ``CheckMate''.
George
Well, if it's as good as ``Ponce de Leon'', I'll be happy.
Elaine
``Ponce de Leon'', are you kidding me? I hated that movie!
George
``Ponce de Leon''? But that was great!
Elaine
Oh, . That Fountain of Youth scene at the end, where they're all splashin' around, and then they go running over to the mirror to see if it really worked? I mean, come on! [laughing too hard to continue] That's stupid!
George
Lemme tell you sum'in. When Ponce looked in that mirror and saw that he hadn't changed, and that tear started to roll down his cheek? ... I lost it.
Apparently, A Movie That Can Be Interpreted On Two Levels. Misunderstanding Number Two
Kramer joins George and Elaine after looking for them at the Paradise Twin around the corner. Elaine hates the Paradise because it's a multiplex; she'd rather see a movie on a big screen. Something catches Kramer's eye
Kramer
Listen, I'm gonna get a hot dog at Payapa King.
George & Elaine
No, wait!
George
You're not going to get back here in time!
Kramer
I'm starvin', I haven't had any dinner!
Elaine
You can get a hot dog in the theater.
Kramer
I don't wanna get a movie hot dog! [in tears] I want a Papaya King hot dog!
Elaine
Kramer, Jerry is going to be here any second, and then this line is going to start moving, and we're going to end up in the front row.
Kramer
Well, just save me a seat.
This touches a raw nerve
Elaine
No! I don't want to save seats. Don't put me through that! I once had the fleece just ripped out of my winter coat in a seat-saving incident!
Kramer just asks for his ticket, but George doesn't have them
George
I'm in line to buy.
Elaine
No, George, this is the ticket- line.
George
No it's not, it's the ticket- line.
Elaine
Then how come we're not moving?
Kramer
Good question.
George addresses the man in front of him
George
Is this the ticket holders line, or the buyers?
George gloats, knowing what the answer is going to be
Man
Holders.
Instant double-take
George
But I asked you before if you had a ticket, and you said no!
Man
I didn't. My friend was getting it.
George
[furious] Good. It's good to be accurate like that.
Misunderstanding number three. George goes to get tickets, leaving Elaine and Kramer to talk behind his back
Elaine
Can you believe him?
Kramer
He's spaced out.
Let him who is without sin, Kramer
Elaine
How long would *you* have stood in the ticket-holders line?
Kramer
[thinks for a while]
Elaine
[gives up] Yeah, exactly...
The movie has sold out. ``Real good, George. Real good.'' It's now 10:20, and Kramer suggests they go watch the 10:45 showing of "CheckMate" at the Paradise. Elaine enters whine mode
Elaine
I don't wanna go to a... miniplex multi-theater!
George
It's the same movie! What's the difference?
Elaine
It's not a theater, it's like a room where they bring in POWs to show them propaganda films.
But she gives in. New plan. George and Elaine will get tickets at the Paradise, while Kramer waits at the Paragon to tell Jerry of the change in plans. But Kramer can't keep his eye off the Papaya King sign, flashing, beckoning, practically begging... Jerry suffers through Buckles' telling of his life story in the taxi
Jerry
[to taxi driver] Take the Park!
Buckles
No no no, take 55th.
Jerry can't stand it. Buckles somehow drifted onto the subject of fish and how much he hates it
Buckles
Jerry, I want you to do me a favor. No more fish!
Jerry
[rubbing his eyes hoping the nightmare will end] Okay, I get your point!
Buckles
I had a point?
Scene 2

Scene 2

36 lines
At the Paradise, George succeeds in obtaining the tickets, and he joins Elaine in the ticket-holders line. (Right?
George
Hey, you know what else is playing here? ``Rochelle Rochelle''.
Elaine
Sigh/Ugh.
George
I wouldn't mind seein' .
Elaine
Yeah. You know, men can sit through the most boring movie if there's even the slightest possibility that a woman will take her top off.
George
So what's your point?
Yeah, what's your point
George
By the way, you owe me seven fifty.
Elaine
Oh, all right. Can you break a twenty?
George
No, I don't have any change.
Elaine
Oh, well, then I'll pay you later.
George
Or, I could take the twenty, then I could pay *you* later.
Elaine
Yeah, you *could*...
George
Might be easier.
Elaine
I mean, how is that easier? I mean, then you would owe me twelve fifty instead of me owing you seven fifty.
George
[trying to act as if he doesn't care one way or the other, but we know better] Either way.
Elaine
Yeah.
George
So... Can I have it?
Elaine
I tell you what, I'll get the popcorn and the soda.
George
Whaddya mean, you'll ``get'' the popcorn and the soda?
Elaine
I will buy your popcorn and soda. We'll call it even.
George
I tell you what, you give me the twenty, and I will buy *you* a popcorn and soda, and I'll throw in a bon-bons.
Elaine
[exasperated] George, you're sappin' my strength.
The line begins to move. George offers to wait outside for K+J
George
You go in and save seats.
Elaine
[in a panic] Me!? But that's three seats! I can't save three seats! I told you about that guy who tore up my winter coat!
With extreme reluctance, Elaine goes on ahead to save seats
The taxi is stuck in traffic. Jerry bawls out Buckles for choosing 55th on a Saturday night. Buckles considers how various famous people would react to be stuck in traffic, using Jerry as an unwilling guinea pig for his material
Buckles
Jerry, I want you to have this piece of material.
Jerry
That's very nice of you, but I can't do the voices.
Buckles
Jerry! Don't start up with me!
Jerry
I gotta get out of this cab...
Buckles
But Jerry, quit riffing!
Jerry
No, I'm not riffing. I'm ignoring! Do you understand the difference?
Buckles
[pause] Can you help me get on The Tonight Show?
Apparently, not
Scene 3

Elaine Does Her Best to Save Three Seats.

24 lines
Elaine
No, these are saved.
Man
All of them? C'mon, you can't take *four* seats.
Elaine
What, is that a rule?
George comes in; J+K haven't appeared. Elaine sends George to the Paragon to give Kramer his and Jerry's tickets. Throughout the conversation, Elaine fends off would-be claim-jumpers
George
Well, why don't *you* go, and I could save the seats. You said you didn't like saving anyway.
Elaine
[stopping someone from sitting in the seat next to her] No, *TAKEN*, Taken, taken. [to George] [shrugs] I'm getting the hang of it.
George returns to one of his favorite topics
George
Why don't you give me the twenty, and I'll stop and get change, and then you and I can... uh... you-know, settle.
Elaine
Can we do this later, George?
George
Psh. What's the point of even discussing it? [condescendingly takes her hand and pats it] You'll give me the money when you have it. [takes two steps, then reconsiders, then re-reconsiders] I, I trust you.
Kramer stands, mesmerized by the sign that reads, ``100% pure fresh beef. Tastier than Filet Mignon.'' He rushes to the ticket booth
Kramer
Could you do me a favor? If you see a guy that's five foot eleven, he's got uh a big head and flared nostrils, tell him his friend's going to be right back, okay?
Elaine is accosted from all sides
Elaine
No, I'm sorry, these are taken. ... They're in the lobby buying popcorn. ... What are you doing? These are taken, these are taken!
Woman
Which one?
Elaine
These two and this one. ... No! Don't come over here! These are taken. Go! Go! These are taken! They're taken! THEY'RE TAKEN!!!
She can't take it any longer
Elaine
Oh, take 'em.
George reaches the ticket booth of the Paragon
George
Um, excuse me, have you see a guy with like a horse face, big teeth, and a, and a pointed nose?
Clerk
... flared nostrils?
George
Yeah.
Clerk
Nope, haven't seen him.
George leaves, unsuccessful
Scene 4

Jerry Gets Out of the Cab in Front of the Paragon.

70 lines
Buckles
Jerry, could you do me a personal favor? And if I'm out of line, *please*, let me know. Could I keep my trench coat in your closet for a few months?
Jerry
Your trench coat in my closet?
It's not like he's asking for a ride to the airport or anything
Buckles
Jerry, my closet is packed to the gills, I'm afraid to open the door. Just for a few months. It'll make all the difference in the world.
Jerry sanely declines. Jerry doesn't see any of his friends, so he figures they're inside. He'll go in to tell them he can't join them
Buckles
We should see ``Rochelle Rochelle''. I hear it's really hot.
Jerry
No thanks, maybe some other time.
Buckles
Really? Do you really mean that?
Jerry
No, I don't.
Brutal honesty once again saves the day
Buckles
You liked the athlete's foot bit, right?
Jerry
No. No. I was kidding. It's terrible.
Jerry pays his half of the fare then approaches the entrance to the Paragon
Jerry
Hi, I got some friends inside, I gotta get a message to 'em. Mind if I walk through real quick?
Usher
[indicates ``okay'']
Just after Jerry goes inside, Kramer clomps to the ticket booth at warp speed, clutching a precious Papaya King hot dog in his hand
Kramer
Hey, did that guy show up?
Clerk
The guy with the... horse face... and the big teeth...
Kramer
No, the guy with the big head and the flared nostrils.
Clerk
Haven't seen him. There was a short guy with glasses... Looked like Humpty-Dumpty with a melon hat. But he left.
Behind Elaine, a women chats loudly with her friend
Woman
So I got home, and he was vacuuming! I mean, he's twelve years old! Who else but my Alan would do something like that?
Woman
And then last night, he put on my high heels. Oh, he put on such a show for us! He was dancing around, lip-sync'ing to ``A Chorus Line'', I mean you can see he's got talent.
Elaine
[annoyed] Excuse me, excuse me.
Woman
What's the problem?
Elaine
[momentarily shocked, as if the answer were self-evident] You're talking.
Woman
It's the ``Coming Attractions''.
Elaine collects her things and leaves
Woman
So anyway, he sings, he dances. And do you know what he's gotten into now? He is cooking! He does a crepe...
At the entrance to the Paradise Twin, George is stopped by the usher
Usher
Ticket, sir?
George
Uh, I just went out, I went to look for my friend?
Usher
Do you have your stub?
George
[as if the word were totally foreign] My `stub'?
Usher
Mm hm.
George sifts through his pockets, going on about how he never needed a stub before
George
You don't remember me?
Usher
It's a big city, sir.
George
I went in with a pretty woman? You know, kinda short, big wall o' hair, face like a frying pan?
Unable to find his stub, George gives him Kramer's ticket. The ticket-taker tears the ticket and gives George the stub. George goes into the ``CheckMate'' theater just as Elaine leaves it through the other door. Like two dips, passing in the night
George
[whispering] Elaine? [loud whisper] Elaine! [louder whisper] Elaine!
Various movie patrons tell George to shut up
George
[quite out loud, not even pretending to whisper] Elaine!
He is quickly shouted down, making his escape through the exit. The exit to the street
IN THE THEATER AT THE PARAGON, JERRY WHISPERS ``ELAINE'' AND, HEARING NO RESPONSE, GIVES UP.
Narrator
The Village Voice calls it a masterpiece. A young woman's strange, erotic journey from Milan to Minsk.
Something about this preview attracts Jerry's attention. Not sure exactly what, though..
Narrator
It's a story about life. And love. And becoming a woman. ``Rochelle Rochelle'', now playing at Paradise 2.
Meanwhile, Kramer gives up waiting outside the Paragon. Seconds thereafter, Jerry rushes out of the theater and hails a cab. Or tries to
ELAINE REACHES THE CONCESSIONS STAND AND HAS TO DEAL WITH THE PERKY CLERK.
Elaine
Uh, could I have a medium Diet Coke?
Clerk
Do you want the Medium size or the middle size?
Elaine
What's the difference?
Clerk
Well, we have three sizes. Medium, Large, and Jumbo.
Elaine
[momentarily perplexed] What happened to the small?
Clerk
There is no small. Small is Medium.
Elaine
What's... medium?
Clerk
Medium is Large, and large is Jumbo.
Elaine
Oh-kay. Gimme the large.
Clerk
That's medium.
Elaine
Right. Yeah. [fearing the answer] Could I have a small popcorn?
Clerk
There is no small. [flash of perky inspiration] Child-size is small.
Elaine
What's `medium'?
Clerk
Adult.
Elaine
Do adults ever order the child-size?
Clerk
[chuckling] Not usually.
Elaine
[laughs appreciably] Okay, gimme the `adult'.
Clerk
Do you want butter?
Elaine
Is it *real* butter?
Clerk
[perkily] It's butter-*flavored*!
Scene 5

Scene 5

70 lines
Elaine
[exasperated] What is it made of?
Clerk
[perkily] It's yellow!
Leaving the inanities of modern marketing aside, we switch to Jerry, still outside trying to hail a cab. He finally gets one. The driver speaks with a Russian accent
Jerry
44th and 9th.
Driver
Have you got a cigarette?
Jerry
No.
George once again tries to get past the ticket-taker
Usher
Ticket, sir?
George
We've just been through this! You don't remember? We just had this exact same conversation a minute ago!
Usher
I need to see your stub.
George
[realizing the only way out is to show the stub] I've got the stub.
George empties his pockets in a quest for a ticket stub. No dice
George
There you go, okay? That's my *other* friend's ticket. You happy now? You got two tickets.
George goes past the concessions stand, not seeing Elaine, who is searching her pocketbook for change to pay for her popcorn and drink
Usher
Ticket, sir?
Kramer
Uh, no, see, my friend already bought me a ticket. I'm late, and she's inside.
Usher
Go ahead.
George dwells at the ``Rochelle Rochelle'' sign for what must be the 5th time this episode. Kramer heads straight into the theater
Kramer
Is that seat taken?
Woman Behind Elaine
It's all yours.
Kramer lankily stumbles into the seat, but finds the fit uncomfortable
Driver
I'm very sorry, you give me few minutes. I have to stop for gasoline.
Jerry
Gasoline? Can't you get it after you drop me off?
Driver
[taken aback] No! Impossible! It is on `Empty'!
Jerry nervously glances at his watch
Elaine returns to the theater, arms laden with popcorn and soda, trying to find her seat. Various patrons tell her to sit down already. She is finally shouted down and pushed out of the aisle, causing her to spill most of her popcorn in the process. George sits in a half-empty theater watching ``Rochelle Rochelle''. Not a female audience member in sight.
Man
You're soaking wet. Who are you?
Rochelle
My name is Rochelle, I'm from Milan. I'm supposed to visit my relatives in Minsk.
Man
Here, stand by the fire. Take off those wet clothes, you'll catch cold.
Rochelle
Oh, my hand's so cold, I can barely get these buttons open.
George is clearly waiting to see Rochelle's other buttons
Rochelle
Oh, that's much better. Much...
A tall man sits down in front of George, blocking his view of Rochelle's Christmas cards. Elaine stumbles to the ticket-taker, trying to shake popcorn out of her hair.
Elaine
I just went to get popcorn... Ugh... [shakes more popcorn] I just went to get popcorn, okay? And and and somebody took my seat, and my coat is in there!
Usher
There's a seat in the front row.
Elaine
No no, I can't sit in the front row.
Usher
Well, you're going to have to wait, then.
Elaine
I can't stand around here for *two hours*!
Usher
I could let you see ``Rochelle Rochelle''.
Elaine
[heavy sarcasm] Oh. Thanks.
Elaine plods off, then realizes she had something else to say
Elaine
Oh, hey, listen, by the way, have you seen a tall... lanky... doofus, with a, with a bird-face and hair like the Bride of Frankenstein?
Usher
Haven't seen him.
Meanwhile, at a service station, the taxi driver assures Jerry that they will be leaving very soon. He'll just go across the street to buy a cigarette
From His Pocket, Kramer Digs Into His Treasured Papaya King Hot Dog. Then Discovers The Source Of His Discomfort
He's sitting on a coat
Jerry
Hey, did I make it?
Kernis
Sorry.
Jerry
Oh, great. That's great. What a night.
Off-screen, we hear appreciative applause
Announcer
Pat Buckles, ladies and gentlemen. Another round of applause for Pat Buckles!
Jerry spots Buckles
Jerry
You got my spot?
Buckles
That athlete's foot bit killed!
Jerry
Really...
Buckles
Do you think I need to lose some weight?
Jerry
Weight? Naw. Just need some more height.
Jerry
My whole night's ruined. I didn't do any sets, didn't do any movies...
Buckles
Come on, we can still catch most of ``Rochelle Rochelle''.
Jerry
``Rochelle Rochelle'', huh?
Buckles
A young girl's strange, erotic journey from Milan to Minsk.
Jerry
[his interest piqued] Minsk?
George and Elaine watch ``Rochelle Rochelle'' in different parts of the theater. Also there are Jerry and Buckles. George and Buckles seem to be enjoying the movie; Jerry and Elaine can't deal with it
Elaine
Oh, gimme a break!
George turns, as does Jerry
Jerry
Elaine?
Elaine's face lights up
Elaine
Jerry!
Jerry
Elaine!
Voice
[whispered] Shut up.
George
Jerry?
Scene 6

Scene 6

27 lines
Jerry
George?
George
Elaine?
Elaine
George! [waves hi]
Another prized Seinfeld moment, soon to be copycatted around the country
Jerry
Hey, where's Kramer?
Voice
[whispered] Will you shut up?
Elaine
I don't know. Does this movie stink or what!
Jerry
Let's get outta here. [to Buckles] I'll see ya.
Buckles
You're leaving?
Jerry
Yeah.
The music from the movie continues over the next, heart-rending scene..
Buckles
[holding out his coat] Jerry, take the coat. Please. One month.
Jerry
I don't want the coat.
Buckles
Jerry! Call me when you get home so I know you're okay!
Jerry, Elaine, and George fill each other in on their respective miseries out in the lobby
George
[studying his jacket] Oh man! Look at this! I sat in gum. Oh, by the way, you owe me seven fifty.
Jerry
I didn't even use the ticket!
George
I still paid for it!
Kramer wanders out of ``CheckMate'', his newly-found coat draped casually over his shoulders. Jerry looks through his wallet
Jerry
I only have a twenty.
Elaine
That's my coat! Gimme that. Where did you get that?
Kramer
It was on the seat...
Elaine
*YOU* took my seat!?
George
You uh owe me for the ticket.
Kramer
Yeah, right...
Elaine
What is that stain [on my coat]?
Kramer
It's yellow mustard. [To George] Can you break a twenty?
Scene 7

Closing Monologue

1 lines
I Always Get Confused In The Movie Theater By The, By The Plot. It's Embarrassing. It's An Embarrassment To Have To Admit, But I'm The One That You See In The Parking Lot After The Movie Talking With His Friends, Going
``Oh, you mean that was the same guy from the ... Ohhhhhhhhhh...'' Nobody will explain it to you. When you're in the theater, you can't find out. [whispering to imaginary friends seated around him] ``Why did they kill that guy?... Why did they kill him?... Who was that guy? What was the... I thought he was with them? Wasn't he with them? Why would they kill him if he was with them? Oh, he wasn't *really* with them.... I thought he was with them. It's a good thing they killed him.''