S04E09

The Virgin

Full screenplay script transcript for Seinfeld S04E09: The Virgin

11 Scenes318 Lines
Scene 1

Opening Scene

48 lines
Jerry
We're dead.
George
We're not dead.
Jerry
We are dead.
George
Come on. We got all day tomorrow to come up with a story.
Jerry
All day tomorrow? We had a month and a half to come up with something and we didn't do anything.
George
So we'll do it tomorrow.
Jerry
Let me ask you something. When's the last time you went skiing?
George
About six years ago.
Jerry
I think you can take the lift ticket off your jacket now.
George
Women like skiers.
Jerry
So what? You can't meet anybody. You're going on with Susan.
George
Yeah. Right.
Jerry
Hey, see those two women over there? I almost dated the one on the right. She's in the closet business.
George
The closet business? What's the closet business?
Jerry
What is it your business?
George
I'm interested.
Jerry
She reorganizes your closet and shows you how to maximize your closet space. She looked into my closet.
George
So you thought she was good looking and figured this would be a good way to meet her.
Jerry
Yeah.
George
Yeah. So what happened?
Jerry
So, she mentioned she had a boyfriend and then it hit me. What do I need more closet space for? (Across the room) Hi, Marla.
Marla
(Walks over to Jerry and George) Jerry.
Jerry
George, Marla.
George
Marla.
Marla
George. Jerry, Stacey.
Jerry
Stacey.
Stacey
Jerry.
Jerry
George, Stacey.
George
Stacey.
Stacey
George.
Jerry
George.
George
Jerry. Marla. (Realizing Jerry's cue) Stacey! (Walks over to Stacey)
Marla
So, how was your trip to Berlin?
Jerry
Trip to Berlin?
Marla
Remember? That's why you put off doing the closets. You said you were going to Berlin for a while.
Jerry
Oh, right, right.
Marla
The wall had just come down, and you told me you wanted to be part of the celebration.
Jerry
Yes, yes, I did. But, you know, I was watching it on CNN, and they covered it so well I thought, "Why knock my brains out?"
Marla
You, know my boyfriend went.
Jerry
Really?
Marla
Yes, I told him all about you going and he got all excited and decided to go.
Jerry
Oh, did he like it?
Marla
I don't know. He never came back. (Over to the other side of the bar)
George
Anyway, we met with NBC about a month ago and they gave us the green light to go ahead and write a pilot. In fact, we got a big meeting with them tomorrow. They gotta approve of the story before we can write.
Stacey
Wow, what a great job. A writer.
George
Not a bad way to make a buck.
Stacey
Sounds great.
George
Well, I'll tell you, Stacey. It's a lot of hard work. But, it comes fairly easy to me. Some people write symphonies. This is my gift. (Raises ski lift ticket while Stacey looks away)
Scene 2

Jerry and George at Monk's

37 lines
Jerry
So, are you gonna go out with her?
George
I might.
Jerry
What about Susan?
George
What? I'm not married. I'm not allowed to go out with somebody else?
Jerry
Depends.
George
Depends on what?
Jerry
On many factors.
George
Like what?
Jerry
Well, how long you've been seeing her. What's your phone call frequency? Are you on a daily?
George
No. Semi-daily. Four or five times a week.
Jerry
What about Saturday nights? Do you have to ask her out, or is a date implied?
George
Implied.
Jerry
She got anything in your medicine cabinet?
George
There might be some moisturizer.
Jerry
Ah hah. Let me ask you this. Is there any tampax in your house?
George
(Pause) Yeah.
Jerry
Well, I'll tell you what you've got here.
George
What?
Jerry
You got yourself a girlfriend.
George
Ah, no, no. Are you sure? A girlfriend?
Jerry
I'm looking at a guy in a semi-daily with tampax in his house and an implied date on Saturday night. I would like to help you out, but...
George
Would you believe my luck? The first time in my life I have a good answer to the question, "What do you do?" and I have a girlfriend. I mean, you don't need a girlfriend when you can answer that question. That's what you say in order to get girlfriends. Once you can get a girlfriend, you don't want a girlfriend, you just want more girlfriends.
Jerry
You're going to make a good father someday.
George
Well it's not fair, Jerry. It's just not fair. All right, all right. That's it. I'm getting out of this thing.
Jerry
Fine. Break up with her. But you know what this means?
George
No, what?
Jerry
The script, the pilot, the TV show. That's all over.
George
Why? What do you mean?
Jerry
Figure it out. She's one of the executives at NBC that's gonna make the decision whether or not they pick up the show. She's one of our biggest fans. You drop her off, you think they're gonna pick us up?
George
Oh, right. Oh no, man.
Jerry
you know, it's a very interesting situation. Here you have a job that can get you girls. But, you also have a relationship. But if you try and get rid of the relationship so you can get the girls, you lose the job. You see the irony?
George
Yeah, yeah. I see the irony. All right. What about this? What if I can find some way to break up with her so that she'll still like me and it doesn't affect the deal.
Jerry
(sarcastically) Oh, yeah.
George
Wait, wait. Here me out. Don't dismiss this. You're very quick to dismiss. Don't dismiss. She's got a big crush on David Letterman, I mean, a big crush. She talks about him all the time. Suppose I go up to David Letterman. He works at NBC; I work at NBC. I explain my situation. He agrees to meet her. They go out, they fall madly in love. And she dumps me for David Letterman.
Jerry
This is your plan?
George
No, no. I'm just thinking.
Jerry
I don't think you are.
Scene 3

Jerry with Marla, Who Is Measuring His Closet Space.

70 lines
Marla
Let me tell you what I think.
Jerry
Please, and be brutal. I have no closet sensitivity.
Marla
Are you very fussy about your pants?
Jerry
I don't think I am.
Marla
Because I have a very radical idea. Can you handle it?
Jerry
Try me.
Marla
Here's what I'm proposing. We eliminate all this. The hangers, the bar, the shelves. And in its place install a series of hooks. We'll put everything on hooks.
Jerry
Everything?
Marla
Everything. The shirts, pants, sport jackets, pajamas. We could get eighty hooks on here.
Jerry
You're quite mad, you know. (Kramer enters) Oh, I don't believe this. (Goes into other room) Hey?
Kramer
Hey.
Jerry
What are you doing?
Kramer
I'm watching The Bold and the Beautiful.
Jerry
No.
Kramer
What?
Jerry
This is not a good time.
Kramer
Five minutes. What?
Jerry
What did you have to give your TV away to George for?
Kramer
Because I've been watching too much. It was an addiction. I couldn't stop. It was, it was destroying my brain cells.
Jerry
Yeah, but now you're in here all the time. (Marla enters from other room)
Kramer
Well, wow.
Jerry
Marla, Kramer.
Kramer
Hey.
Jerry
Why don't you go out? It's nice out.
Kramer
Oh, no. There's nothing out there for me.
Jerry
There's weather.
Kramer
Weather? I don't need weather. Weather doesn't do it for me.
Jerry
I'm tellin' George to give you your TV back.
Kramer
No, no, I don't want it back. (Pause) Are you gonna watch the Knick game tonight?
Jerry
I don't know.
Kramer
Will you tape it?
Jerry
Kramer... (points to Marla)
Kramer
Yeah. (He exits)
Jerry
So your boyfriend never came back from Berlin.
Marla
Never came back.
Jerry
Oh, you must have been devastated being left for a wall.
Marla
It was about to end anyway. There was this... problem.
Jerry
Ah hah. (Buzzer) Excuse me one second. Yeah?
Elaine
It's me.
Jerry
Come on up. Oh, it's Elaine, she's just a friend of mine. I don't know what she's doing here now. (Buzzer) I'm sorry. What?
Elaine
I didn't get it.
Jerry
Ugh. So you were saying there was this problem.
Marla
Well, he wanted me to move in with him.
Jerry
Snapple?
Marla
No thanks.
Jerry
Go on.
Marla
Well I wouldn't move in because...
Jerry
Yes.
Marla
Well because...
Jerry
Yeah.
Marla
Well because I'm a virgin. (Elaine enters)
Elaine
Hello!
Jerry
Hi, um. Marla, Elaine.
Elaine
I'm sorry, I didn't know you had company. I just wanted to return your tape.
Jerry
Oh, thanks a lot, two weeks late. Now that costs me thirty-five dollars to see Havana.
Elaine
I'm sorry, I really am. I just kept forgetting.
Marla
I should be going.
Elaine
No, no, I'm leaving.
Jerry
I like that thing in your hair there.
Elaine
Oh yeah? This woman was selling them at this crazy party I was at last night. You'll appreciate this. Snapple?
Marla
No thanks.
Elaine
I was talking to this guy, you know, and I just happened to throw my purse on the sofa. And my diaphragm goes flying out. So I just froze, you know, ahh! Staring at my diaphragm. You know, it's just lying there. So then, this woman, the one who sold me this hair thing, she grabbed it before the guy noticed, so. I mean, big deal, right? So I carry around my diaphragm, who doesn't? Yeah, like it's a big, big secret that women carry around their diaphragms. You never know when you're gonna need it, right? (Sips the Snapple) Ahh.
Marla
I should be going.
Jerry
So we'll talk about the hooks then?
Marla
Yes. (She exits)
Elaine
What? Was it something I said?
Jerry
She's a virgin, she just told me.
Elaine
Well I didn't know.
Jerry
Well it's not like spotting a toupee.
Elaine
Well you think I should say something? Should I say something? Should I apologize? Was I being anti-virgin?
Scene 4

Scene 4

4 lines
Jerry
No, no, I mean...
Elaine
'Cause I'm not anti-virgin. I'll be right back. (She leaves)
Jerry
Elaine, Elaine... (Buzzer) Yeah?
George
It's George.
Scene 5

Cut to George Looking Out Jerry's Apartment at Marla.

27 lines
George
She's a virgin?
Jerry
A virgin.
George
Wow. So what're you gonna do?
Jerry
I don't know. I'm very attracted to her. That accent, it's so sexy.
George
I don't think I could do it. You know, they always remember the first time. I don't want to be remembered. I wanna be forgotten.
Jerry
You need a little pioneer spirit. You know, you don't have any of that Lewis and Clark in you.
George
You know, sometimes those guys don't make it back. (Looks in fridge) I'm really hungry.
Jerry
Yeah, me too.
George
We gotta get something. I don't want to go to that meeting on an empty stomach. Let's get some Chinese. You wanna order it?
Jerry
All right, but then we gotta get some work done. Let me just call Kramer, see if want anything. (Calls) Hey, we ordering Chinese food. If you want anything-- (Kramer enters quickly) let me know what it is and I'll order for you.
Kramer
I'm in. Let's go for it.
George
What do you want?
Kramer
I don't care, whatever.
George
I'll tell you what. Why don't we just get a couple of dishes and we'll just share 'em.
Kramer
Okay. What are you getting?
George
I'm gonna get a Chow Fung.
Kramer
What's a Chow Fung?
George
It's a broad noodle.
Kramer
What do you mean, a broad noodle?
George
It's a big flat noodle.
Kramer
Well I don't want a big flat noodle.
George
What kind of noodle do you want?
Kramer
Who says I want a noodle?
George
All right, look. I'm getting the Chow Fung. You don't have to have any.
Kramer
All right. I'll get pea pods and you can't have any of my pea pods.
George
Fine.
Kramer
Get extra MSG.
Scene 6

Elaine and Marla at Monk's Cafe.

5 lines
Elaine
Look, Marla. This whole sex thing is totally overrated. Now, here's the one thing you've gotta be ready for is how the man changes into a completely different person five seconds after it's over. I mean, something happens to their personality it's really quite astounding. It's like they committed a crime and they want to flee the scene before the police get there.
Marla
So they just leave?
Elaine
Yeah, pretty much, yeah. Well, the smart ones start working on their getaway stories during dinner. How, you know, they gotta get up early tomorrow. What is about being up early? They all turn into farmers suddenly.
Marla
Wow. It must be pretty good to put up with all that.
Elaine
Eh.
Scene 7

Jerry's Place, George and Jerry Are Sitting.

37 lines
Jerry
All right, let's go. We don't have much time before the meeting.
George
Where's the food? What happened to Ping?
Jerry
Don't worry, he'll be here. Look, we only got about two hours. We just need to come up with one good story so we can get through this meeting. (Buzzer) There's your food.
George
Hey, what about this? I'm in a car accident. The motorist is uninsured, you with me?
Jerry
Yeah.
George
My car's totaled. It's all his fault and now, he has absolutely no money. There is no way that he can pay me. So the judge decrees that he becomes my butler.
Jerry
Your butler?
George
Right. He cooks my food, he cleans my house, he does all my shopping for me. And there you go, that's your program.
Jerry
What about me?
George
Don't worry, we'll find something for you. (Knock of Jerry's door)
Jerry
(Getting the door) That's the stupidest idea I ever heard. Sentenced to be a butler. (Elaine, Marla, and an injured Ping are at the door) Ping, what happened?
Elaine
There was a bit of an accident.
Ping
Head hurts. Head really hurts.
Jerry
What happened?
Elaine
Marla and I went out for coffee and afterwards I was crossing the street and he was biking right towards me. So I got out of the way just in time, but then he ran into a parked car. He hit his head and everything went flying.
George
Something happened to the food?
Ping
I only saved one bag.
Jerry
Should I call an ambulance? Do you wanna see a doctor?
Marla
I'll get some ice.
George
(After looking in the bag) The pea pods? All you saved was the pea pods? (Kramer enters)
Kramer
Hey, you got the food?
Jerry
Yeah, here.
Kramer
What took you so long? Hey, Ping!
Ping
Kramer. (Kramer and George sit on the couch)
Kramer
Yeah. Where's yours?
George
He dropped it.
Kramer
Oh, that's too bad.
Elaine
You should slow down, you know that? It's dangerous to go that fast.
Ping
No, no. I have green light. You jaywalked.
Kramer
(To Jerry) Hey, you watchin' Oprah?
Elaine
(To Ping) I did not jaywalk.
Jerry
(To George) You're givin' him back that TV.
Ping
(To Elaine) Yes, you jaywalked.
Kramer
(To Jerry) No, I don't want it back.
Ping
(To Elaine) Jaywalker. I could slap suit on you.
George
(To Jerry) We got work to do. What about the meeting?
Kramer
(To himself) Hey, look. An hour with Patrick Swayze.
Scene 8

George and Jerry in the Nbc Lobby.

67 lines
Jerry
A month and a half we had. We did nothing. I can't believe we put it off until today and then we couldn't do anything because Elaine runs out to apologize to a virgin, crosses against a light, and knocks over a Chinese delivery boy. Now we're gonna make fools of ourselves, we got nothing. You're not even in show business. I gotta reputation. You drag me into the sewer with you. I've been on TV buddy boy. You know how fast word spreads in show business? It's like that (Snaps in George's face) , like that! One bad impression, you're outta the business!
George
All right, let's postpone it. Let's get out of here.
Jerry
What do you mean? They know we're here.
George
I'll fake an illness. (Acts it out) My back! My back! I can't believe, my back.
Jerry
No, no, would you get up?
George
I can do this, Jerry.
Jerry
No.
George
All right, I'll tell them my sister died. (Starts fake crying) My poor sister died. She was standing and then she was laughing and then they SHOT her! That's the kind of sick city that we're livin' in. They shoot you for laughing. I must go and comfort my poor family. Jerry, take me home so I can comfort my... my poor family.
Jerry
What?
George
That's David Letterman. I just saw David Letterman walk by. I'll be right back. (He exits)
Woman enters.
Woman
Mr. Seinfeld, they're ready for you. (She exits)
Jerry
Yes, I was very wise to hitch my wagon to his star. (Jerry enters meeting)
Man #1
Hey, Jerry.
Jerry
Hi, how are you doing? Nice to see you all here. Hello.
Rita
Hello, Jerry. I'm Rita Kearson.
Jerry
Oh, uh, nice to meet you. Where's Russell?
Rita
He, uh, had to go to LA. There's a problem on the set of Blossom.
Jerry
Oh, poor Blossom. (He sits)
Rita
Anyway, he asked me to sit in for him.
Man #2
Where's George?
Jerry
Oh, he ran to say something to David Letterman.
Susan
David Letterman's on the floor?
Jerry
Yeah, he just walked by.
Rita
Well, I think we should get started anyway.
Jerry
Yeah, good idea.
Rita
So how are you guys comin' along?
Jerry
Good, good, we've got a lot of ideas.
Rita
Good. (Pause)
Jerry
Have you ever been to a Chinese restaurant and they tell you it'll be, like, five minutes for a table and you wind up waitin' there for, like, thirty minutes? Well, we thought it would be very funny to do an entire show where all you're doin' is waitin' for the table. (They don't seem to like it) Because we've all been in that situation. You know, you're waiting... and you're hungry... and you bump into somebody you know... When is Russell coming back?
Rita
So that's the idea?
Jerry
Well no, that's one. We have many others. We have an idea where, uh, I get into an accident with a guy who has no insurance and the judge sentences him to be my butler. (Everyone laughs) You know he cooks for me, he has to cook for me... He cleans my house, he's doin' my shopping, you know? I'm walkin' around with one of those big neck collars.
Man #2
Those collars are funny!
Man #1
Once you see someone in those collars you start laughing immediately. (George enters)
George
You tellin' 'em about the butler story? Is that beautiful or what? Hey, sorry I'm late. (Looks at Rita) Russell?
Rita
I'm Rita Kearson.
George
Oh, Rita. Hey, Mr. Shermack, how're you doing, good to see you. Jay, always a pleasure. (To Susan) Sweetie. (Kisses her and then sits down next to Jerry) Yeah, yeah, that butler idea, that's beautiful. Isn't that killer? (Aside to Jerry) I thought I was getting the butler.
Jerry
Don't worry, uh, we'll find something for you.
JERRY AND GEORGE ENTER JERRY'S PLACE TO SEE KRAMER WATCHING (AND PLAYING) JEOPARDY.
Jerry
So Letterman didn't spark to your idea, huh?
George
No, he said there was nothing he could do, and next time I should probably break the Prozacs in half.
Kramer
You, you guys wanna hold it down? I'm watchin' Jeopardy.
Jerry
Would you give him the TV back?
Kramer
Oh, by the way, George. Susan called for you a minute ago.
George
I bet they're probably doing summersaults about us over there. You think they get butler stories like that everyday? (He calls Susan)
Kramer
(To the TV) Who is Joseph Cotton? Giddee up!
Susan
Hello?
George
Hi, it's me. It's Georgie Boy. What's going on?
Susan
What's going on? What's going on? I'll tell you what's going on. I'm fired!
George
Fired? Why?
Susan
Because you kissed me. You kissed me, you stupid idiot! Rita called Russell and he fired me over the phone.
Kramer
(To the TV) What is pi? Ooh! Giddee up again.
George
But I had no... I didn't realize.
Susan
You didn't realize? How could you not realize? You're stupid! You're a stupid, stupid man!
George
I just feel terrible This is just terrible.
Kramer
(To the TV once again) What is the cha-cha? Ooh, yes indeed.
Susan
I'll speak to you later.
George
(Hangs up phone and pauses) this is great! He fired her! This is incredible, he fired her. I'm out, baby! I'm out!
Jerry
Why did he fire her?
George
Because I kissed her in the meeting. Russell found out, he fired her over the phone. Finally, my stupidity pays off!
Kramer
What is here comes the judge, here comes the judge!
Jerry
You can't break up with her now. Her life is shattered. You got her fired. You gotta be there for her.
George
What?
Jerry
You gotta at least wait until she gets another job.
George
Another job?
Jerry
Couple of interviews.
George
Oh, this is unbelievable. I'm stuck. Every time I think I'm out, they pull me back in.
Scene 9

Jerry and Marla Are Making Out in His Closet.

9 lines
Marla
Are you gonna leave after its over? You know, if we have sex.
Jerry
What? Leave? Where? Why?
Marla
You know, the apartment.
Jerry
Why would I leave? This is my apartment.
Marla
Well what if it was my apartment?
Jerry
Who gave you this idea I would wanna leave?
Marla
Well Elaine said men like to leave after it's over.
Jerry
Listen, I wouldn't put too much stock into what Elaine has to say about relationships. She comes from a broken home, and I mean that literally. A tree fell on her roof and cracked the whole structure. Her parents got along beautifully, but her house was in bad shape.
Marla
Maybe I should get going.
Scene 10

Jerry and Elaine at a Bar.

10 lines
Jerry
What else did you say to her?
Elaine
Nothin'. I was just givin' her the straight dope.
Jerry
More like a dope was giving it to her straight. Another cup of coffee with you, she'll wind up in a convent.
Elaine
Listen, there was a lot more I could've told her, believe me.
Jerry
What is that about leaving after sex? Did I ever leave with you?
Elaine
You might've if I'd stayed. So you know what? I got served with papers today. Ping is suing me. I need your virgin as a witness. You better be nice to her.
Jerry
I was trying to be.
Elaine
Look at George. (On the other side of the restaurant) He lucked out, huh?
Jerry
Oh, you're not kiddin'. Who'd 've figured Susan would break up with him? They had a good thing going.
Elaine
Yeah, since she met him she's been vomited on, her family cabin's been burned down, she learned her father's a homosexual, and she got fired from a high paying network job. Yeah, they had a real good thing going.
Scene 11

Cut Over to George and a Woman

4 lines
George
What do I do? Well actually, I'm a writer. In fact, I'm writing a comedy pilot for NBC right now.
Woman
A sitcom? How can you write that crap? Carol, this guy's writing a sitcom.
Carol
A sitcom? Come on, let's go. (They leave)
Woman
A sitcom. Can you imagine? And he actually tried to use it to hit on me!