Full screenplay script transcript for Seinfeld S09E06: The Merv Griffin Show
25 Scenes346 Lines
Scene 1
Opening Scene
23 lines
Jerry
I just think if you borrow my blender you should return it.
Kramer
Well what's the difference -- Come on (pats him on the back) -- we're like Cain and Abel.
Jerry
Yeah, ya know Cain slew Abel.
There is a light pole, so Jerry puts his hand on it and swings gently around it and keeps walking
Kramer
No he didn't. They were in business together… it was dry wall, or somethin'.
Jerry
Oh, no.
Kramer
All right then, what was it?
Jerry
Well I think Abel worked hard all summer harvesting his crops, while Cain just played in the field. Then when Winter came, Abel had all the nuts; Cain had no nuts, so he killed him.
Kramer
The way I remember it, Cain, he was a successful doctor, but when he took this special formula, he became Mr. Abel.
Jerry
Ya broke my blender, didn't ya?
Kramer
Yeah. Well I was trying to make gravel and it just (moves hands around) just didn't work out.
Jerry
I knew it.
Jerry
Why were you making gravel?
Kramer
Well... I like the sound it makes when you walk on it.
Jerry and Kramer see a huge dumpster in an alley
Kramer
Aahh, this looks familiar…
Jerry
Of course. It's garbage.
Kramer
No, no, no, no. These brown things. The chairs. (hits his hand on the rim) Jerry, this is the set from the old Merv Griffin Show! (he climbs into the dumpster) They must be throwing it out. This stuff belongs in the Smithsonian!
Jerry
Yeah, at least in the dumpster behind the Smithsonian.
Kramer
Look at this. Boy, one minute Elliot Gould is sitting on you and the next thing - you're yesterday's trash.
Jerry
Come on, Kramer, get out of there.
Kramer
No, no, no. You go on ahead. I'm not finished taking this in. Oh, Jerry look... Merv Griffin's cigar.
Jerry
(moans) Ohhh (walks away)
Scene 2
Int. George's Car
9 lines
George
You know I uh, spilled a yogurt smoothie in here two days ago. Hm, Can't smell anything, can ya?
Miranda
Banana?
George
Right.
Miranda
George watch out for those pigeons.
George
Oh they'll get out of the way. You really smell banana?
George hits the pigeons. As the feathers fly, Miranda is frantic.
Miranda
(gasp) Oh my God. (trying to catch her breath, she puts her hand to her chest.)
George
So uh… where we eating?
Miranda takes a couple more breaths
Scene 3
Int. Celia's Apartment
13 lines
Jerry
And it was his idea to put a sprig of parsley on the plate.
Celia
You're making this up. There was never a Joseph Garnish.
Jerry
Wow! (Jerry spots all the classic toys)
Celia
Oh yeah the toys.
Jerry
Where did you get all these?
Celia
My dad was a collector. I inherited them after he died from a long painful bout with…
Jerry
Super bowl! Hey, an original G.I. Joe. (picks up both items) With a full frogman suit.
Celia
Jerry, what are you doing?
Jerry
I'm putting this on him and we're going to the sink.
Celia
Ohhh Jerry. (takes them from Jerry and puts them back with the other toys) They're priceless. They've never been played with.
Jerry
I just want a, touch 'em a little.
Celia
I said no. Now come here.
They embrace in a kiss with eyes closed. Jerry opens his eyes looking at all the toys
Scene 4
Int. Peterman's
8 lines
Elaine in the kitchen, is getting some coffee and turns around from the counter, lou is standing way too close
Lou
Hi (startled, Elaine spills her coffee on her sleeve) I'm Lou Filerman. I'm new here.
Lou turns and walks away. Walter enters the kitchen
Elaine
Hey Walter, what is the deal with that guy?
Walter
uh-He's Lou Filerman. He's new here.
Elaine
(exhales)
Walter
Hey your coffee stain looks like Fidel Castro.
Elaine
You've been an enormous help.
Scene 5
Int. Monk's Cafe
44 lines
Jerry
You ran over some pigeons? How many?
George
What ever they had. Miranda thinks I'm a butcher but i-i-it's not my fault is it? Don't we have a deal with the pigeons?
Jerry
Course we have a deal. They get out of the way of our cars, we look the other way on the statue defecation.
George
Right! And these pigeons broke the deal. I will not accept the blame for this!
Jerry
So Miranda's cooled on ya?
George
I'm getting nothing.
Jerry
Yeah, me neither.
George
Really? I thought you and Celia were sleeping together?
Jerry
Oh, the sex is wild but she's got this incredible toy collection and she won't let me near it!
Elaine enters
George
I don't understand women.
Jerry
Here comes one.
Elaine
Hey. What's going on?
George
Hey (sees the coffee stain) Art Garfunkel?
Elaine
No, Castro.
George
Right.
Elaine
All because of this creepy new guy at work. He just - he just comes out of nowhere and he's right next to you!
Jerry
So he just sidles up?
Elaine
That's right! He's a real sidler. (points at Jerry)
Jerry
Maybe you just didn't see him.
Elaine
Wha-You never see him. He sidled me again in my office. I was sitting there making Cup-A-Soup singing that song from "The Lion King".
Jerry
Hakuna Matata?
Elaine
I thought I was alone.
Jerry
That doesn't make it right.
JERRY AND ELAINE WALKING IN THE HALLWAY UP TO JERRY'S APARTMENT DOOR
Jerry
See, to me, the Hakuna Matata is not nearly as embarrassing as the cup of soup...
Elaine
Would you just, let it go?
Kramer
(from his apartment) Hey, Jerry! Come here a sec!
Jerry and Elaine head into Kramer's apartment. There is a large blue, spangly curtain through which they enter
Kramer
Hey! (moving a chair onto the set)
Jerry
Oh my God!
Kramer
(Outstretched arms) It's the Merv Griffin set. (Claps 7 times)
Jerry
How did you get this in here?
Kramer
Oh, you just bring it in sideways and (pop) hook it.
Jerry
So where you gonna sleep?
Kramer
Yeah... backstage.
Elaine
Ehnn! This chair smells like garbage.
Kramer
(putting on jacket) Oh, well a lot of the stars from the 70's - they were not as hygienic as they appeared on TV. You take Mannix for example.
phone rings
Jerry
I'm gonna get that. (walks across the set towards the blue curtain)
Kramer
All right. Well, Jerry, we'd love to have you back anytime. (stretches his arm out, as if he's reaching out a good-bye)
Jerry turns and looks at Kramer like he's nuts. The phone rings again and Jerry exits
Kramer
Well, Elaine Benes! Well, it's great to have you! (Elaine sits down) Boy, is it possible that you're even more beautiful than the last time I saw you?
Elaine
(giggles)
Scene 6
Ext. Central Park
3 lines
George watches a jogger running through a bunch of pigeons and they scatter. George runs at the pigeons. They don't move for him and he steps on one - feathers fly everywhere
George
Ahh, Ah-Ah…We had a deal!
a mother and son sitting on a park bench are horrified witnessing what just happened in front of them
Scene 7
Int. Peterman's Office
4 lines
Elaine
Mr. Peterman, here are these pages that you wanted.
Peterman
One moment. I'm reading the most fascinating article on the most fascinating people of the year. Annnnnd, done. Oh, yes. I'm sorry I needed this so quickly (leafing through the pages). It must have been an awful lot of work. Thank you very much, you two.
Elaine
What? (with arms crossed, she turns quickly and… )
Lou Filerman is standing behind her
Scene 8
Int. Kramer's Apartment - The Merv Griffin Set
41 lines
Jerry
So three dates and she still won't let me play with her toys.
Kramer
Hm, That's interesting. You know someone mentioned to me you were not very happy with your toys, growing up.
Jerry
Yeah, that was me.
Kramer
Oh, that's right, right, right. And uh you mentioned that uh, you didn't get a G.I. Joe. You had an…
Jerry
An Army Pete.
Kramer
Right.
Jerry
He was made of wood and in the rain he would swell up and then split.
Kramer
And we all know how painful that can be. (as he says this, he turns and speaks directly into the non-existent television camera. Jerry looks a bit confused.)
Elaine enters
Elaine
Jerry. Oh there - -
Kramer
Oh, Elaine Benes. Well, this is quite a thrill, yes. Come - - (motions for Jerry to move down one seat as the new guest has arrived for her segment. Kramer gives Jerry a little push) Come on sit down. Yes.
Elaine
(clears throat) (to Jerry) Well, I'll tell ya, this sidler guy is really chapping my hide.
Kramer
Ju - Excuse me. Yeah we're, talking this way.
Elaine
Well, he's getting credit for work that I did! He's gonna sidle me right out of a job.
Kramer
Ah, Now, for those of us who don't know, uh, sidling is what?
Elaine
Kramer, what is wrong with you?
Kramer
What do you mean?
Elaine
Well, for starters, you're looking at note cards
Kramer puts the note cards inside his jacket
Elaine
(to Jerry) I'm gonna have to give that guy a taste of his own medicine, so, I am going to sidle, the sidler.
Jerry
You, sidle? Y-You... you stomp around like a Clydesdale!
Elaine
Not with these honeys... Wrestling shoes!
Kramer
(to the imaginary TV camera) Only in New York... ha ha
George
Jerry?
George enters
Kramer
Oh! (turns on the Merv Griffin theme music) Heeeyy! Well, ladies and gentlemen! It's our good friend, George Costanza! What a surprise!
George looks confused. Kramer motions for Jerry and Elaine to move down another seat to make room for the new guest George. Kramer points, laughs, claps and pats George on the back
Tape Recorder
Turn Music Off (Kramer pushes the off button turning the music off)
Kramer
Yeah, sit, sit, sit… Weeell! (laughing, clapping)
George
Well, it happened again.
Jerry
What happened?
Kramer
Eyaaaya-ya-ya, I'll ask the questions. What happened?
George
Well I just stomped some pigeons in the park. They - they didn't move.
Kramer
All right, let's uh, change the subject, ah. (looking at the yellow note cards) Now, uh you and uh, Jerry dated for a while. Tell us, ah... what was that like?
Confused, Jerry and Elaine look at each other while George stares at Kramer.
Kramer
That was the wrong card.
George
I-I don't get these birds! They're breaking the deal. It-it's like the pigeons decided to ignore me!
Jerry
So they're like everyone else.
Kramer
(laughs too loudly) All right, let's take a short break.
George, Elaine and Jerry sit there watching - fascinated, as Kramer munches on some chips, sits back, takes a drink of soda, sets the can down, burps and adjusts his tie
Kramer
…Okay ah, (checks his watch) We're back!
Scene 9
Int. George's Car
8 lines
George
Boy that-that bank clock is-is eight minutes off.
Miranda
Then why don't you just run IT over too?
George
Zing.
George sees a lone pigeon in the middle of the road - shot of George's worried face - back to the pigeon, as the car is almost on top of it and still not moving out of the way. George swerves the car to avoid hitting the pigeon. George pulls the car over and stops
Miranda
George, what are you doing?
George
Did you see that? That-that pigeon didn't move! I had to swerve to get out of the way! I saved that pigeons life!
Miranda
What pigeon? You drove right into that squirrel. (leaves the car)
George
Squirrel? Well, we have no deal with THEM!
Scene 10
Int. Celia's Apartment
11 lines
Jerry and Celia are getting comfortable, sitting on the couch, watching TV. Jerry reaches over to the shelves with all the toys and picks up a plastic army man and pretends like he's shooting another plastic army man
Jerry
(sound of gunfire) Pkew, pkew, pkew, pkew, Pkeeew!
Celia sees Jerry playing
Celia
Jerry! (she slides away from him) …Those hands! They never stop!
Jerry
I'm sorry. Got any booze? What's say you and I get ripped!
Celia
No. Thanks. I have a headache. Can you just get me an aspirin?
Jerry
All right.
Jerry gets up and walks to the bathroom - Opens the medicine cabinet, picks up a pill bottle, reading the label
Jerry
Ohh, will not "cause drowsiness"
(picks up another bottle) May "cause…drowsiness"
Jerry puts the first bottle back and takes the second one
Scene 11
Int. Peterman's Office
6 lines
Lou
Here's the new copy you wanted.
Peterman
Ah, yes. Well this certainly looks like a lot of words. In record time. I'm very impressed... with both of you.
Elaine is quietly standing behind Lou - she sidled him
Elaine
(winks and clicks) Thank you. ha ha ha ha. (sits down)
Peterman
Unfortunately, I am also disgusted. This is incoherent drivel! This is a total redo. And I'm assuming I need it right away.
Elaine
Well, I guess we'll just have - (Lou has left) Ohh, just gimme that. (takes the papers and walks away)
Scene 12
Int. Celia's Apartment
2 lines
Celia is passed out sleeping. Camera pans to a toy monkey going full speed. Jerry is playing with the original G.I. Joe in the full frogman suit. He pretends the G.I. Joe is swimming into the monkey - and beats the monkey, making it fall off the coffee table
Jerry
Uhn-uh-uhn - Uhn-uh-uhn - - veeer, veeer, veeer, veeer, veeer, veeer, veeer, veeer… A-Ha ha! Mission accomplished! Back to base, Joe. (singing) dee, de-de, de-de-de-de-de (Makes G.I. Joe swim off, legs kicking)
Scene 13
Int. Veterinary Clinic
9 lines
Miranda
Doctor is the squirrel going to live?
Doctor
There's been massive trauma. We could of course try to save him but, it would be costly, difficult and we'd have to send away for some special really tiny instruments.
George
Well, uh, are there any other options?
Doctor
We, could put him to sleep.
George
What might that cost?
Doctor
Well it's by the pound. So... about 80 cents.
George
Well? (Miranda hits George) I was just - I'm curious, that's all. We, uh. We'd like you to, do everything possible.
Doctor
He, um. He's not going to be the same, you know?
George
Yeah. yeah. I-I know.
Scene 14
Int. Kramer's Apartment - The Merv Griffin Set
20 lines
George
So they're flying the tiny instruments in from El Paso.
Kramer
El Paso? I spent a month there one night.
Newman
(laughs - T-heheheheheheheh) El Paso!
Kramer is now laughing cause Newman is laughing
Jerry
What's he here for?
Newman
eue-aaa.
Kramer
Ah to take some of the pressure off of me. So, Jerry ah, what's going on with you? I understand there's a young lady in your life. mmm.
Jerry
Well, actually, it's kind of a funny story because she has this amazing toy collection and last night I finally got to play with them.
Kramer
Well. Sounds like things are progressing. Do I hear, wedding bells?
Newman
Are you married right now? (points at Jerry)
Kramer
Newman. (Kramer smacks Newmans' arm)
Jerry
Actually she doesn't even know about the toys. I gave her the wrong kind of medicine and I, guess she passed out!
Kramer
What do you mean "wrong kind of medicine"?
Jerry
She's even got that old Mattel football game that we love!
George
Oh, come on! You gotta get me over there!
Kramer
Wait a minute, wait a minute! You mean to say that you drugged a woman so you could take advantage of her toys? Let's pause a moment. (Newman starts the taped music) Jerry, now, what you do with your personal life is your business, but when you're on my set - you clean it up, mister!
Newman
I told you he was a risk.
Jerry
Oh, like he's not just carrying you! And has been for years!
Newman
Yeah? Well, you bombed! That story stunk worse than these chairs!
Kramer
Smile, everyone! We're back!
Scene 15
Int. Elaine's Office
10 lines
Lou
You wanted to see me, Elaine?
Elaine
Yes, Lou. (exhales) You've got a lot going for you. You're um... you're spontaneous. You're, symmetrical. You're, uh,... (spins around as Lou is behind her now) Ehh - you're very quick, aren't ya. Um, It's just that your...
Lou
My dead tooth?
Elaine
No. Your. (breathes)
Lou
Not my breath?
Elaine
Uuhhh.
Lou
What can I do?
Elaine
Well, you should never ever go anywhere, (shakes a box of Tic Tacs) without these.
Lou
Thanks, Elaine. You're such a super lady! (he opens the door and goes into the hall - now he clicks and clacks when he walks)
Elaine smiles, nodding her head, thinking she has fixed Lou's Sidling ability
Scene 16
Int. Celia's Apartment
14 lines
George
More wine and turkey? (Pours Celia more wine)
Celia
Hmm. (takes a sip)
Jerry
So when I saw George on the street with an 18 pound turkey and a giant box of wine, I thought: ...What a coincidence. We're just about to eat.
Celia
What is that stuff in turkey that makes you sleepy?
Jerry And George
Tryptophan.* (*footnote - see end of script)
Celia
Ahh.
Jerry
... I think. Have some more wine. (Jerry pours his whole glass of wine into her glass.)
Celia
What video did you get?
George
Oh.
Jerry
Oh, George brought home movies of his boyhood trip to Michigan.
George
Four hours.
Jerry
More heavy gravy?
Celia is sleeping
George
(playing with toys) Ahhhh, Yes! Touch down! Your turn, Jerry. (hands Jerry the Mattel Football. George starts playing with the Etch-a-sketch.)
Scene 17
Int. Kramer's Apartment - The Merv Griffin Set
7 lines
Newman
Lately, though, I've been, uh, - I've been buying the generic brand of waxed beans. You know, I rip of the label… I can hardly tell the difference.
Kramer
We've officially bottomed out, mm. Who's our next guest?
Newman
We got no one!
Kramer
We need a new format. We should shut down and re-tool.
Kramer pulls the plug, hitting Newman in the process, and the show goes dark -Kramer exhales as they sit there for 7 seconds, silently, thinking
Newman
What about a guest-host?
Kramer
I'll pretend I didn't hear that.
Scene 18
Int. Veterinary Clinic
13 lines
Miranda
Doctor, how's the squirrel?
George
Is he dead?
Doctor
No. Fortunately, the special tiny instruments arrived just in time. Would you like to visit him?
Miranda
Yes he would.
The Vet opens the door to the room with the squirrel laying on the bed. George is standing in the doorway, then takes a few steps to the bed as the doctor moves to the door.
Doctor
You uh, You have 30 minutes. (Doctor exits. George turns and looks towards the doctor)
George
So... uh, squirrel.
Doctor enters
Doctor
One more thing Mister Costanza, we just need to know what time you'll be picking him up tomorrow.
George
What's that?
Doctor
Oh, we're discharging the squirrel. We think he'll be better off at home.
George
He has no home. He's a squirrel.
Doctor
Hmm-hm. Your home, Mister Costanza. Just make sure he gets his medicine six times a day and keep his tail elevated. (exits)
Scene 19
Int. Monk's Cafe
23 lines
Jerry
Maybe it'll be fun having a pet.
George
It's not a pet! It's a wild invalid! And it knows that I tried to kill it. As soon as it gets better, it's gonna gnaw my brain out in my sleep!
Kramer enters
Kramer
Jerry, (claps) aaya - what are you doin' tomorrow? I want you to come by the set.
Jerry
What about my "questionable material"?
Kramer
Nope, we got a whole new format. Edgy, youthful, plus... we got Jim Fowler!
Jerry
Jim Fowler? The animal guy from "Wild Kingdom" is coming to your apartment?
Kramer
Well, I practically raised his kids.
George
That's perfect! He's a zoo guy! He take's care of animals. C-Can I bring the squirrel by?
Kramer
What? Two animal acts on the same show? (turns to Jerry) What is this, amateur hour? Look, George, I'm sorry, maybe another time, all right? (drums table and exits)
George
I gotta get to Fowler. I know that he would take this squirrel off my hands. It's practically bionic!
Elaine enters
Elaine
Hey! (startles Jerry and George) ha ha ha ha. Nice sidle, huh? Speaking, of which I think I've got that problem, solved.
Jerry
Tic-Tacs work?
Elaine
He's a human maraca.
George
Boy, my knuckles are still cramped from that football game.
Elaine
You took him over to Celia's?
Jerry
What? It's a victimless crime.
Elaine
What about the woman who's been drugged and taken advantage of?
Jerry
Okay, one victim.
Elaine
I think it's unconscionable.
George
Hey, last night, I found a whole Weeble Village right behind the EZ Bake oven.
Elaine
EZ Bake oven?
Scene 20
Int. Celia's Apartment
11 lines
Celia at the dinner table, passed out again. We hear a ding from the EZ Bake Oven. Elaine, Jerry and George are sitting on the floor around the coffee table full of toys.
Elaine
Who wants cupcake?
George
Oh, me, me, me, me, me!
Jerry
You know, that batter is, like, 30 years old.
Frank
(on TV) You step on it and it flushes.
Elaine
Why is your father giving a tour of a rest stop?
Estelle
(on TV) Stop squirming.
George
Oh, don't look. T-This is the part where they change me.
Jerry
You're like eight years old.
Estelle
(on TV) Georgie.
George
I was seven and a half.
Scene 21
Int. Elaine's Office
9 lines
Elaine is shaking some Tic Tacs into her hand
Peterman
That noise. That's the noise!
Elaine
What?
Peterman
That infernal rattling sound that has plagued me these past two days - and I could not find the source. In my office, in the hallway. Even in the men's room! Shame on you, Elaine!
Elaine
No, no, Mr. Peterman that wasn't me!
Peterman
That reminds me of the Hatian Voodoo rattle torture! You haven't gone over to their side have you?
Elaine
No Mister Peterman.
Peterman
Because, if I hear one more rattle - just one - your out on your can. And if you are undead - I'll find out about that too. (Exits)
Elaine hears the click-clack click-clack rattling of the Tic-Tacs in the hall - she searches for the source of the sound
Scene 22
Int. Coffee Room
13 lines
Elaine
(pushes Lou into the room) Lou! In here! (closes the door) We have to talk.
Lou
Oh, right.
Elaine
(Takes the Tic Tacs away from Lou) Ooh, stop it! Bad voodoo. You gotta stop using these.
Lou
Why?
Elaine
Because they're turning your teeth green?
Lou
I only buy the white ones.
Elaine
O-kay... well then your teeth are green for a different reason. You just gotta stop carrying these, okay? Just... just mouth wash.
Lou
I can't. It burns my cankers.
Elaine
Binaca?
Lou
Again.
Elaine
Right, right, cankers. Um, I got it! Chew gum!
Lou
I hate gum. The only guy I ever liked came with the Mickey Mouse gumball machine. They stopped making that 20 years ago.
Elaine
Well, stinky, this is your lucky day.
Scene 23
Int. Kramer's Apartment - The Merv Griffin Set
28 lines
Kramer
Okay. A little later, we're gonna be talking with animal expert, Jim Fowler.
Fowler
Where are the cameras? (he has a live Hawk perched on his arm)
Kramer
But first, we're talking with, Jerry. (looks down to his yellow note cards) Okay, Jerry, uh, you uh, you drugged a woman in order to play with her toy, collection. How do you feel about that?
Jerry
It was great! I've done it a few more time since then.
Kramer
And she doesn't know anything, about this?
Jerry
No, not a thing.
Newman laughs
Kramer
Well, Jerry, we have a little surprise for you! Come on out, Celia!
just like the "The Jerry Springer Show"
Celia
What kind of a sick twisted creep are you?
Newman & Kramer
Woah.
Jerry
What, What is this? What is she doing here?
Kramer
It's the new format. Scandals and Animals. Git gt gt.
Celia
If you think you can drug me and play with my toys, you got another thing coming, buddy!
Newman
Go girl!
Jerry
Well, what kind of woman drinks an entire box of wine?
Newman And Kramer
Ohhh!
George enters with the squirrel
George
Mister Fowler, I-I have a squirrel here that is a miracle of modern science! (laughs)
Kramer
George I told you we're booked!
Fowler
Careful. Hawks and squirrels don't get along together.
the Hawk starts making squawking sounds
Kramer
Ohhh. another interesting confrontation. This could be spicy. Yeah, George bring him over.
George
Uh.
Fowler
No, you idiot! Hawks eat squirrels!
in slow motion - the hawk flies straight at George and the squirrel. Then a shot of Jerry looking amazed, Kramer looking stunned, Newman totally amused. Then the screeching hawk, again in slow motion, coming right at George. George puts his crossed arms up in front of him
George
Ahhhh, Ahh, Ah, Ahhh, Ahh, Ah!
Kramer
(off camera) Are we getting this?
Scene 24
Int. Monk's Cafe
12 lines
George has some scratches on his forehead
Jerry
So the whole set was destroyed?
Kramer
Well, the squirrel kept scurrying and the hawk kept clawing.
George
Well, at least we know the prosthetic squirrel hips work... sorry 'bout the set.
Kramer
I'll tell ya it was a grind having to fill 10 hours a day. I'm not sure I was ready to have my own talk show set.
Miranda
I got the nut bread, George. Let's go. (exits)
Jerry
So the squirrel's gonna make it?
George
Yeah, he's in my bed. I'm… sleeping on the couch.
Jerry
On the couch? So you're...
George
Still getting nothing!
George sees some pigeons outside the window, making pigeon noises
George
So go ahead pigeons. hu hu hu. Laugh it up. I'm getting in my car now and the last I heard... we have NO DEAL!
Scene 25
Celia's Apartment
5 lines
Celia
I'm glad you called, Elaine. I really needed to talk to someone.
Elaine
Oh well, hey, I dated Jerry too. I-I know what a monster he can be. More wine and turkey?
Celia
Who's he? (Lou)
Elaine
Oh, he's nobody. Hey, listen... let me top that off for ya. (pours her glass of wine into Celia's glass)