Full screenplay script transcript for Seinfeld S02E06: The Statue
18 Scenes379 Lines
Scene 1
Opening Scene
2 lines
Jerry is on stage, performing.
Jerry
I have to tell you that I did some very exciting news recently, and I don't know if I should really tell you exactly what it is because it's really not a definite thing yet. (crowd cheers him on to tell them) Well, I will tell you what I know so far. According to the information that I have in the envelope that I've received, it seems that I may have already won some very valuable prizes. (audience applauds) Well, thank you, thank you very much, well thank you. That's very nice to hear that. But, in all honesty, I have to say, I didn't even know I was in this thing. But, according to the readout, it looks like I am among the top people that they are considering. You know, that's what annoys me about the sweepstakes companies, they always tease you with that, "You may have already won." I'd like once for a sweepstakes company to have some guts, come out with the truth, just tell people the truth one time. Send out envelopes, "You have definitely lost!" You turn it over, giant printing, "Not even close!" You open it up, there's this whole letter of explanation, "Even we cannot believe how badly you have done in this contest."
Scene 2
Int. Jerry's Apartment – Day
70 lines
George is reading a newspaper. Kramer and Jerry struggle to fit a large cardboard box with the name Seinfeld on it, through the doorway.
Jerry
(to Kramer) To the right.
They get it through, and walk towards the table.
George
That took awhile.
Jerry
Don't get up.
George
I'd like to help, but my neck..
They set the box on the table.
George
So how long has it been in the basement?
Jerry
Since my grandfather died. I was suppose to send it down to my parents in Florida, but they didn't want it. They told me to get rid of it, but I felt funny and then I sort of forgot about it. And it's been sitting down there for three years until he saw it. (to Kramer) All right, so, just take what you want and let's get it out of here.
They open the box, and start going through it.
George
What's in it?
Jerry
Grandpa clothes, I can't wear 'em.
Kramer pulls out some black socks.
Kramer
You want these? Knee socks. You don't wear knee socks.
Jerry
No, go ahead. Look at this place. I can't wait to get it cleaned.
George
I know someone who'll do it. She's good. She's honest.
Jerry
No, Elaine's got this writer friend from Finland, Rava. Her boyfriend goes to Columbia grad school, and he's suppose to do it.
George
Students can't clean. It's anathema. (explaining) They don't like it.
Jerry
How long have you been waiting to squeeze that into a conversation?
Kramer pulls a statue out of the box.
Kramer
Now this I like.
George
Wait a second. (George gets up and heads for the statue in Kramer's hands.) I can't believe this! Let me see this.
Kramer
Wait, wait, wait...
George grabs the statue.
George
Let me just see it.
Kramer
Come on...
George
Let me just see it for a second.
He pries it from Kramer's hands.
George
Oh my God, it's exactly the same!
Jerry
What?
George
When I was ten years old, my parents had this very same statue on the mantle of our apartment. Exactly. And, one day, I grabbed it, and I was using it as a microphone. I was singing, "MacArthur Park", and I got to the part about, "I'll never have that recipe again," and it slipped out of my hand and it broke. My parents looked at me like I smashed the ten commandments. To this day, they bring it up. It was the single most damaging experience in my life, aside from seeing my father naked.
Kramer grabs the statue back. George grips it, but Kramer wont let go. They start to fight for it.
Kramer
C'mon, George. I saw it first.
George
No, Kramer. I have to have this statue.
Kramer
No, I got dibs!
George
What? No dibs! I need this statue. C'mon, give it!
Jerry breaks it up.
Jerry
Spread out, spread out you numbskulls. Why don't you just settle it like mature adults?
Kramer sticks out his fist.
Kramer
Potato man!
George
No, no, no potato man. Inka-dink.
Kramer and George both add up in their heads to see who would lose if Inka-Dink was the way to go.
Kramer
Okay...yea well uh start with me.
George
Yeah, good, good.
Jerry begins the childish choosing game of Inka-dink, pointing alternately between Kramer and George with every accented syllable.
Jerry
Inka-dink, a bottle of ink, the cork fell out, and you stink.
He lands on George. George starts to recalculate his choice.
Jerry
Not because you're dirty, not because you're clean – just because you kissed the girl behind the magazine...
He lands on Kramer. Kramer smiles.
Jerry
And you are it!
He lands on George.
Kramer
What?! Wait a minute. No, no, no. What are you doing? No, no, oh, oh, okay. He's out. I get it.
George
No, no, no, no, I'm It. I win.
Jerry
No, he's It. He wins. It is good.
Kramer
Do over – start with him.
Jerry
No, no, no, come on, Kramer. Now, you got the socks.
Kramer
All right, you can have it. (Kramer tosses the statue to George.)
George
(not expecting the statue to be thrown) Dit.
Kramer
Okay, I'm gonna take the suit, and the shoes, and the hat.
Jerry
All right, c'mon. Let's go.
Kramer puts on the hat.
Kramer
Hey, I look like Joe Friday in Dragnet.
He hums the theme song.
George
I can't believe I won at Inka-dink.
Jerry
Come on, let's go.
George
Yea.
They go to the door. George sets down the statue on the kitchen counter.
Jerry
Aren't you gonna take it?
George
No, no, no, I don't want to carry it around all night. I'll pick it up later.
George
(to Kramer) What about your stuff?
Scene 3
Scene 3
7 lines
Kramer
Oh, uh, well - okay.
He balls up the clothes in his hands, throws them into his apartment and leaves.
Jerry
All right, let's go. Hey, you know, you owe me one.
George
What?
Jerry
The Inka-dink.. You were It.
George
It's bad?
Jerry
It's very bad.
Scene 4
Int. Jerry's Apartment
22 lines
Elaine and a writer, RAVA, are in the living room.
Rava
Well, if they don't let you be my editor on this book, I'll go to another publisher. It's that simple.
Elaine
You told them that?
Rava
Of course.
Elaine
(excited) This is so fantastic. I don't know how to thank you.
Jerry enters for the bedroom, carrying luggage.
Jerry
(to Rava) So, where's this boyfriend of yours? I can't wait much longer. I've got a flight.
Elaine
Oh, probably caught in traffic.
Rava
Or maybe he's dead.
Jerry
So what do you write, children's books?
There's a knock at the door.
Rava
That's Ray.
Ray enters with cleaning gear.
Ray
Ah, greetings, greetings, and salutations. I beg your forgiveness. My tardiness was unavoidable. Rava, my love. Elaine, my dear friend. And you must be Jerry. Lord of the manor. Ah, my liege. A pleasure to serve you.
Ray bows.
Jerry
All right...
Rava
And we have to get back to work.
She exits with Elaine.
Jerry
I gotta get to the airport.
Ray
Your palace shall sparkle like the stars in heaven upon your save arrival, Sire.
Jerry
The uh toilet brush is under the sink.
Jerry exits.
Scene 5
Int. Comedy Club – Night
2 lines
Jerry is on stage, performing.
Jerry
I don't really feel that comfortable with a maid, either, because there's that guilt when you have someone cleaning your house. You know, you're sitting there on your sofa, and they go by with the vacuum, "I'm really sorry about this. I don't know why I left that stuff over there." And that's why I could never be a maid, because I'd have an attitude. I'd find them, wherever they are in the house, "Oh, I suppose you couldn't do this? No, don't get up, let me clean up your filth. No, you couldn't dust. No, this is too tough, isn't it?"
Scene 6
Int. Jerry's Apartment – Day
11 lines
Jerry is talking to Elaine.
Jerry
He really did an amazing job. Look! He uncoagulated the top of the dishwashing liquid! (Jerry opens refrigerator.) He cleaned out the bottom of the little egg cups! Come here, look at this. (He gets on his knees and points.) He cleaned the little one-inch area between the refrigerator and the counter. How did he get in there?! He must be like Rubber Man!
Elaine
There's no Rubber Man.
Jerry
Why did I think there was a Rubber Man? There's Elastic Man... Plastic Man...
Elaine
I'm leaving.
Jerry
Where are you going?
Elaine
To Rava's house. I've gotta pick up her manuscript.
Jerry
Oh wait. I'll go with you.
They both head toward the door. Jerry opens it.
Jerry
Elaine, he Windexed the little peep hole!
Elaine and Jerry exit.
Scene 7
Int. Rava & Ray's Apartment – Day
70 lines
Jerry, Elaine, and Rava sit in the living room.
Elaine
(to Rava) So, the meeting with Lippman is all set. He's the editor-in-chief! I think because of your request-
Rava
Demand.
Elaine
They're going to promote me to editor.
Rava
Daantotin. (There is a sound of the front door being unlocked.) There's Ray... late as usual.
Ray enters.
Ray
Well, this is an unexpected surprise – and delight! The once and future king of comedy, Jerry the First, gracing our humble abode. Rava, we're in the presence of royalty.
Jerry
Hey, Ray, listen, you really did a tremendous job cleaning that apartment.
Ray
But I didn't just clean your apartment. It was a ritual, a ceremony, a celebration of life.
Jerry
Shouldn't you be out on a ledge somewhere?
They all laugh. Jerry looks at Ray's mantle. George's statue catches his eye.
Rava
The water is boiling. Are you having tea?
Elaine & Ray
Yes.
Jerry is not listening. Rava enters the kitchen.
Elaine
Jerry? Jerry!
Jerry snaps out of it.
Jerry
What?
Rava
(from the kitchen) Ray, would you give me a hand?
Ray
Yeah, I'm coming!
Ray enters the kitchen. As soon as both Rava and Ray are in the kitchen, Jerry and Elaine start talking in loud whispers.
Jerry
I think that's the statue from my house. That looks like the statue from my house!
Elaine
What statue?
Jerry
I had a statue!
Elaine
You have a statue? I never saw a statue.
Jerry
My grandfather gave me a statue!
Elaine
Since when?
Jerry
What's the difference?! That's the one! He ripped me off! This guy ripped me off!
Ray pops his head back into the living room.
Ray
Do you take sugar?
Jerry & Elaine
Uhh... no.
Ray goes back into the kitchen.
Jerry
I can't believe it! This guy ripped me off!
Elaine
Do you realize what you're saying?
Jerry
Yes! This guy ripped me off! He stole that statue right out of my house!
Ray pops in again.
Ray
Lemon?
Jerry & Elaine
Uh... sure/yeah..
Ray goes back into the kitchen.
Elaine
Are you sure?
Jerry
Pretty sure! Ninety-nine percent sure.
Elaine
Ninety-nine percent sure?!
Ray and Rava both enter, carrying a tray of tea.
Ray
Ah, sweet elixir. It's fragrant nectar a soothing balm for the soul.
Jerry smells it suspiciously. A ding from the kitchen can be heard.
Rava
Ah those are the pastries, Ray take care of that, I'm going to get Elaine the manuscript.
Ray
Ah, the pastries!
Ray and Rava exit in different directions.
Elaine
Maybe it just looks the same. Maybe it's just a coincidence.
Jerry
Coincidence? This guy's in my apartment and then, just by coincidence, he has the same exact statue in his apartment?
Elaine
I never saw the statue.
Jerry
I had a statue! What should I do?
Elaine
I don't know.
Jerry
I'll call Kramer. He can check my house.
Jerry grabs the phone and dials.
Elaine
Oh Jerry, don't blow this for me.
Jerry
Don't worry. (whispering into the phone) Kramer! Kramer!... It's Jerry!... Jerry!... From next door!... Never mind where I am!... Yes, Jerry Seinfeld!...
Rava enters with a manuscript. Jerry starts talking casually into the phone.
Jerry
Ma, I told you, just dip the bread in the batter, and put in right in the pan... Okay, bye. (Jerry hangs up; to Rava) My mother. She forgot how to make French toast. You know how mothers are.
Rava
My mother left us when I was six years old. All seven of us. We never heard from her again. I hope she's rotting in an alley somewhere!
Pause.
Jerry
My mom's down in Florida. She's got uh one of those condos. Hot down there in the summer. You ever been down there?
Ray enters with a tray of pastries.
Ray
I love these pastries. You know, in Scandinavian mythology, the pastries were the food of the gods.
Jerry
Listen, uh I just remembered... I'm... uh, getting a facial.
Elaine takes the manuscript.
Elaine
Oh, see you tomorrow morning.
They go to leave.
Ray
How about dinner?
Jerry
No, I don't eat dinner. Dinner's for suckers.
Elaine and Jerry exit.
Scene 8
Int. Jerry's Apartment – Day
23 lines
Jerry is on the phone. Jerry and Elaine are next to him. Kramer sits in the living room.
Jerry
Uh huh... Yeah... Okay, thanks anyway... Bye.
He hangs up.
Jerry
Nope, the cop says it's my word against his. There's nothing they can do.
Kramer
Let's go get him.
Jerry
Yeah, right.
George
We can't just let him get away with this.
Jerry
Do you realize how crazy he had to be to do something like this? He knew I was gonna know it's missing, and he took it! And of all things to take! I left my watch, tape recorder, stereo. He's crazy.
Kramer
You wanna go get him?
Elaine
Well, then, if he's crazy you should just forget it.
George
Forget it? I already called my parents. I told them to expect the surprise of a lifetime. My mother's making her roasted potatoes!
Elaine
George, do you realize that Rava has asked me to edit her book?
George
Who is this Rava?
Kramer
I say we get him.
Elaine
No!
George
Let me just call him.
Jerry
I'll call him. (Jerry picks up the cordless phone. He points to the rotary phone on the coffee table. Kramer, George, and Elaine struggle for it.) Hello, Ray?... Hi, Ray, this is Rava's friend, Elaine's friend, Jerry... The King of Comedy, right. Listen, you know that statue on your mantle, the one with the blue lady? (He covers the reciever and yells at Kramer and George.) Would you shut up?! (to the phone) Yeah, you don't want to talk about it over the phone?.. You don't want Rava to hear?... Yeah, I understand... You know that coffee shop near my house, Monk's?... All right, tomorrow... One o' clock... Great, okay, bye.
Jerry hangs up.
Elaine
All right, look, look, look. Let's say he stole it.
George
Oh, he stole it!
Elaine
C'mon, you can't do anything about it. The cops won't do anything. What, are you going to fight him? Why don't you just forget it?
Jerry and George look at each other.
Jerry & George
No.
Scene 9
Int. Monk's Diner – Day
70 lines
Jerry sits alone at a booth. George sits in the booth behind him.
George
I thought you said one o'clock.
Jerry
Relax, he's late. He's always late. It's part of his M.O.
Oh, Jerry. I can't believe you asked me about that statue. Do you know how much trouble you could've got me into?
Jerry
Well, I didn't...
Ray
Rava was standing right next to me. I never told her where I got the statue.
George
(muttering to himself) I wonder why.
Jerry
Well, just give it back, and I won't say anything.
Ray
Give it back?
Jerry
Yeah.
Ray
What are you talking about?
Jerry
What are you talking about?
George
What is he talking about?
Ray
I'm talking about the statue.
Jerry
Yeah, me too.
Ray
Give it back to whom?
Jerry
Me.
George
Yeah, him.
Ray
You?
Jerry
Yeah. Me.
Ray
I'm not getting this.
George
You already got it.
Jerry
Ray, I had a statue in my house. You were in my house – and then I saw it in your house.
Ray
What are you saying?
Jerry
What am I saying?
George
Take a wild guess.
Ray
Are you saying I stole your statue?
George
What a mind.
Jerry
Well, I...
Ray
I can't believe what I'm hearing.
Jerry
I can't believe what I'm hearing.
George
I can't believe what I'm hearing.
Ray
For your information, I got that statue in a pawn shop.
George
Pawn shop?
Jerry
A pawn shop?
Ray
Yes. In Chinatown with the money I earned cleaning people's apartments.
George
Cleaning them out.
Jerry elbows George in an attempt to shut him up.
Jerry
Oh, excuse me... Look, Ray, you were the only person in my house.
Ray
What's behind this? It's Rava, isn't it?
George
Again with the Rava.
Ray
You want her.
Jerry
No, she's a little too cheery for me.
Ray
She's from Finland, for crying out loud. Finland! Do you understand?!
Jerry
I know Finland. They're neutral.
Ray
Is it me? Do I rub you the wrong way?
Jerry
No, I actually find you quite charming. A bit verbose at times...
George
"Oh, I find you so charming." You wuss.
Jerry
(to George) Did you call me a wuss?
Ray
What did you say?
Jerry
I said luss. I'm at a luss.
Ray
I would just love to take you down to the shop where I got it.
Jerry
That's not necessary. (George slams his menu down on the table repeatedly.) You know, maybe it's not that bad an idea.
Ray
And I would love to. Nothing would please me more. But, unfortunately, the guy retired and moved to Singapore.
George
Singapore?! Do you hear this?
Ray
If you really want, maybe I can contact the guy in Singapore and have him make a photostat of the receipt and send it over.
George stands up and addresses Ray.
George
That's it! That's it! I can't take it. I can't take it anymore! You stole the statue! You're a theif! You're a liar!
Jerry
George...
Ray
Who is this?
George
I'm the judge and the jury, pal. And the verdict is guilty!
Ray
What's going on here?
George
GUILTY!
Ray
Your friend is crazy.
Scene 10
Scene 10
14 lines
George
Oh, I'm crazy!
Jerry
George, george...
Ray
I've got to get going. I have a class.
George
Oh ho! Class, huh? At Columbia? Let me tell you something, pal. I called the registrar's office. I checked you out. They have no record of a Ray Thomas at that school! You liar!
Ray
Well, that's because I'm registered under my full legal name, Raymond Thomas Wochinski. Ray Thomas is my professional name.
George
You mean alias.
Ray
You are starting to make me angry!
George
Well, that was bound to happen.
Ray
(to Jerry) I hope you think about what you've done here today. And if you want to call and apologize, you know where to reach me.
Ray heads for the door.
Jerry
Hey, Ray.
Ray stops and turns around.
Ray
Yes?
Jerry
How did you get the goop out of the top of the dishwashing liquid? It was like a brand-new nozzle!
Scene 11
Int. Pendant Publishing Lobby – Day
14 lines
Elaine and Rava are waiting for an elevator.
Elaine
Nervous?
Rava
Why should I be?
Elaine
Yeah. Right.
Rava
Your notes are very insightful.
Elaine
The book is great. Did you go out last night?
Rava
No. We made love on the floor like two animals. Ray is insatiable.
Elaine
They all are.
Rava
Was Jerry?
Elaine
I can't remember.
The elevator doors open. They step in.
Rava
You know, Ray is very upset over these accusations.
Elaine
Oh, well, I'm staying out of this one. This is between them. I am not getting involved.
The elevator doors close.
Scene 12
Int. Pendant Publishing – Later
5 lines
Outside the elevator, on another floor. The doors open, revealing Rava and Elaine in front of a crowd of people.
Rava
So you think he stole it?!
Elaine
Well, you have to admit... the circumstantial evidence...
Rava
I admit nothing!
The doors close.
Scene 13
Int. Pendant Publishing Elevator – Continuing
20 lines
A MAN behind them addresses Rava.
Man
Will you put that cigarette out, please?
Rava ignores him.
Elaine
Well, I mean, he was in the apartment, and then it's gone and it's in your apartment.
Rava
Maybe you think we're in cahoots.
Elaine
No, no. But it is quite a coincidence.
Rava
Yes, that's all: a coincidence!
Elaine
A big coincidence.
Rava
Not a big coincidence. A coincidence!
Elaine
No, that's a big coincidence.
Rava
That's what a coincidence is! There are no small coincidences and big coincidences!
Elaine
No, there are degrees of coincidences.
Rava
No, there are only coincidences! Ask anyone!
Enraged, she poses the question to everyone in the elevator.
Rava
Are there big coincidences and small coincidences, or just coincidences? Well?! Well?!
Everyone just shrugs and murmurs. The doors open.
Man
Will you put that cigarette out?!
Rava
Maybe I put it out on your face! (To Elaine) It's just like Ray said. You and Jerry are jealous of our love. You're trying to destroy us.
Elaine
Shouldn't you be out on a ledge somewhere?
The doors close.
Scene 14
Int. Pendant Publishing – Day
1 lines
Outside the elevator on yet another floor. The doors open. The elevator is empty except for Elaine. There is a janitor's cart parked right outside the doors. She steps out, throws the manuscript into the garbage can on the cart and exits.
Scene 15
Int. Jerry's Apartment – Day
13 lines
George is on the phone. Elaine and Jerry are beside him. Kramer is sitting on a living room chair again.
George
Ma, will you stop?... It's just a statue!... How is it my fault?!... It was stolen. I didn't even touch it this time... Okay, fine... I don't see why this should affect to potatoes!... Okay... Goodbye. (George hangs up.) She doesn't react to disappointment very well. Unlike me.
Kramer
I'm not happy about this.
Elaine
Why don't we just throw a Molotov cocktail through their window?
George
There's just no justice. This experience has changed me. It's made me more cynical, more bitter, more jaded.
Jerry
Really?
George
(casually) Sure, why not.
Elaine
Well, how do you think I feel? Instead of editing the first novel of a major young writing talent, I am proofreading a food allergy cookbook.
Jerry
Can't you talk to your boss?
Elaine
I did. He loves Rava. Worse, he loves Ray. And he didn't think you're funny at all.
Kramer
(talking to himself) I'm not happy about this.
Jerry
Well, perhaps we can take comfort in the knowledge that in the next world, Ray will be the recipient of a much larger and more harsh brand of justice..
George
Yeah, he'll have my parents.
Scene 16
Int. Rava & Ray's Apartment – Day
23 lines
Ray is home alone. There's a knock at the door.
Kramer
(from the other side of the door) Police! Open up!
Ray
Police?
He opens the door a crack. Kramer barges in. He is wearing Jerry's grandfather's suit and hat. He forces Ray against the wall face first.
Kramer
Freeze, mother!
Ray turns toward Kramer.
Ray
Hey.
Kramer shoves him against the wall.
Kramer
Shut up. Spread 'em. I said spread 'em! (looks around) You're in big trouble son. Burglary, grand larceny, possession of stolen goods... and uh, uh... murder.
Ray turns toward Kramer.
Ray
Murder?!
Kramer shoves him against the wall.
Kramer
Shut up! Keep 'em spread! Just make love to that wall, pervert!
Ray
I think you have me confused with somebody else.
Kramer
Is your name Ray?
Ray
Yeah.
Kramer
Yeah, you're the punk I'm looking for!
Kramer grabs the statue from the mantle and puts it in his bag. Ray turns toward Kramer.
Ray
Hey, hey, are you a cop?
Kramer
Yeah, I'm a cop. I'm a good cop. I'm a damn good cop! (On that line, Kramer points to Ray, and Ray turns back to the wall. Kramer heads for the door.) Today's your lucky day, junior, 'cause I'm gonna let you off with a warning. Any more of this criminal activity, and you'll be sorry. You got me?
Ray
Got you? I don't even know what the hell you're talking about.
Kramer
Good, good. Let's uh keep it that way.
Kramer exits.
Scene 17
Int. Jerry's Apartment – Day
10 lines
Kramer leads Jerry, Elaine, and George into the apartment.
Jerry
All right, all right. What's the big hubbub, bub?
Kramer runs to his apartment, then returns with a duffel bag. He places it on the table, and reveals the statue from it. Everyone is Shocked
George
Kramer, I can't believe it. Oh, you're my hero!
Kramer
Yeah.
Jerry
Kramer, what did you do?
Kramer
Well, let's just say I didn't take him to People's Court.
George
I feel like a huge weight's been lifted off my shoulders. I... I... I feel happy! Kramer, I don't know how to thank you!
Kramer
Well, I'll think of something.
Kramer slaps George on the back, knocking the statue out of his hands and sending it crashing to the ground.
Scene 18
Int. Comedy Club – Night
2 lines
Jerry is on stage, performing.
Jerry
People are going to steal from you. You can't stop them. But, everybody has their own little personal security things. Things that they think will foil the crooks, you know? In your own mind, right? You go to the beach, go in the water, put your wallet in the sneaker, who's gonna know? What criminal mind could penetrate this fortress of security? I tied a bow. They can't get through that. I put the wallet down by the toe of the sneaker. They never look there. They check the heel, they move on.